CONCERT MOZART DA CAMERA / SONGS AND CONCERT ARIAS

MOZART DA CAMERA / PIEŚNI I ARIE KONCERTOWE. Koncert z udziałem publiczności, streaming online
13 June 2020, Saturday
Time 19:00
The Royal Theatre in the Royal Łazienki Museum in Warsaw and the YouTube channel of the Polish Royal Opera

BUY TICKET

STREAMING LIVE

IT WILL NOT BE POSSIBLE TO BUY TICKETS ON SITE BEFORE THE EVENT

CONCERT WITH THE PARTICIPATION OF THE AUDIENCE, TRANSMITTED LIVE – LIVE STREAMING ON YOUTUBE CHANNEL 

 

“When I was leaving, he [Anton Raaff] thanked me very politely; I on my part ensured him that I will arrange this aria for him in such a way that it will be a pleasure for him to sing; because I like an aria to be exactly matched to the singer, just like a well-tailored piece of clothing…” – wrote Wolfgang Amadeus Mozart in his letter dated 28 February 1778. It should be emphasized, however, that the famous composer not only conformed to singers’ preference, but also found inspiration in their vocal skills, he was fascinated by the human voice.

As such, vocal and instrumental music, in a somewhat natural way, occupies a special place in Mozart’s work. Although it is mostly associated with brilliant sacral works, and above all – with opera, throughout his life Mozart also composed numerous interesting songs an arias. He wrote them throughout his entire life. His first original arias come from the 1760s, when he composed Conservati fedele KV 23 and some other works as a mere 10 year old boy. In line with the convention of a monumental aria, the work is a concert of sorts for the singer, allowing him an opportunity to show off. It’s worth noting that this piece reveals first traits of the composer’s exceptional dramatic talent. In Ombra felice KV 255, written over a decade later, we can see a bit more mature way of expression.

Subsequent Mozart’s songs and arias display various phases of the genre’s development – starting with simple dance forms to complicated dramatic scenes. However, all these works show us the genius composer’s creative individualism, as well as extraordinary lightness, grace, and expression. The passionate aria Bella mia fiamma KV 528, written for Józefa Dušek, or the sentimental Vado, ma dove? oh Dei! KV 583, created with Louise Villeneuve in mind, just like the most famous 1789 songs – e.g. Abendempfindung KV 523, An Chloe KV 524, Veilchen KV 476, Lied der Trennung KV 519 – are fully mature lyrical emanations overflowing with emotions. The breathtaking liltingness of the melody, the ease of the accompaniment, the noble sound, and the perfection of the form – these are the characteristic features of these small masterpieces.

Marta Dziewanowska-Pachowska

 

THE PROGRAMME

Wolfgang Amadeus Mozart

Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte KV 520
Das Lied der Trennung KV 519
Ich würd’ auf meinem Pfad KV 390/340c
Abendempfindung an Laura KV 523
Sehnsucht nach dem Frühling KV 596
Das Veilchen KV 476
An Chloe KV 524
Die Verschweigung KV 518
Daphne, deine Rosenwangen KV 52
Warnung KV 433/416c
Ridente la calma KV 152
Conservati fedele KV 23
Vado, ma dove? oh Dei! KV 583
Bella mia fiamma KV 528
Ombra felice KV 255
Die Alte KV 517

PERFORMERS

GABRIELA KAMIŃSKA SOPRANO

DOROTA LACHOWICZ MEZZO-SOPRANO

DAGMARA DUDZIŃSKA PIANO

pastedGraphic.png

We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:

  • If you are not feeling well, are ill, had contact with an infected person – stay home.
  • Please, take a mask with you. After entering the Theatre building you are obliged to wear a mask covering mouth and nose.
  • Disinfect your hands after entering the Theatre building.
  • Remember to sign the Participant Declaration. If possible, please bring the printed and signed declaration with you, if not – fill it in in the Theatre, in the place shown by the staff.
  • The cloakroom will be closed on the day of the event. Please take your outerwear with you to the auditorium.
  • Take the seat shown to you by the staff.
  • Please come earlier – latecomers will not be allowed into the auditorium.

We care about the safety of our Guests!

Disinfectants are available at the entrance to the building.

The common space and sanitary rooms are disinfected.

Only 50% maximum of the seats in the auditorium will be available.

We keep safe distance.

Should you have questions, we are at your disposal on site or under the phone number +48 500 309 424.

 

The Regulations of Ticket Sale and Participation in Artistic Events Organized by the Polish Royal Opera.

The Declaration of the Participant of an Artistic Event Organized by the Polish Royal Opera in Warsaw

 

pastedGraphic.png

Ladies and Gentlemen,

We kindly inform you that the concert will be recorded and transmitted live on YouTube. The concert will be carried out in a way suitable for the purposes of the recording. Please arrive to the event earlier.

Should you have questions, we are at your disposal on site or under the phone number 500 309 424.