The Royal Theatre in the Royal Łazienki Museum in Warsaw and the YouTube channel of the Polish Royal Opera
TICKETS WILL NOT BE AVAILABLE ON SITE BEFORE THE EVENT
CONCERT WITH THE PARTICIPATION OF THE AUDIENCE, TRANSMITTED LIVE – LIVE STREAMING ON YOUTUBE CHANNEL
“[…] I watched with great pleasure all those people hopping happily to the music of my Figaro, transformed into pleasant contradances and allemandes. Here, they talk about nothing else but Figaro. Figaro is played, sung, hummed, and whistled everywhere. No other opera arouses so much interest as Figaro, nothing but Figaro. For me, it is really a great honour!” – wrote Mozart from Prague in his letter dated 15 January 1787 addressed to his friend Gottfried von Jacquin in Vienna. We know, moreover, that the Prague premiere of Don Giovanni was similarly warmly received by the audience.
Mozart’s operas are full of parts that sound wonderfully also outside the scenic context. Here we can certainly include the signature arias and duets of the main protagonists, as Mozart was famous for his skill of shaping psychological portraits of his characters with music. Even those who do not know the libretto will notice the diversity of feelings and emotions captured in Susanna’s, Figaro’s, or Count Almaviva’s parts. Intriguing are the many faces of the cunning seducer Don Giovanni. Romantic dialogues also always fit the character of a person. How could we remain indifferent to the light and joyful, but so moving, “bird” duet of Papageno and Papagena?
Although the selected arias and duets will be performed without their usual opera entourage, the listener will surely experience their harmony and universal beauty, as well as a whole range of contexts and meanings, especially as the singers are the top-class artists Olga Pasiecznik and Robert Gierlach accompanied by the musicians of the Orchestra of the Polish Royal Opera. Chamber arrangements, prepared by Adam Mazurek and Rafał Kłoczko, are extremely well suited to the rich tradition of how Mozart’s works have been presented – since the times of Mozart himself, as we learn from the cited letter.
Wolfgang Amadeus Mozart
Susanna and Figaro’s duet from Cinque, dieci, venti from Act I of Le nozze di Figaro (The Marriage of Figaro), arranged by A. Mazurek
Susanna’s aria Deh, vieni! Non tardar from Act IV of Le nozze di Figaro (The Marriage of Figaro)
Susanna and Count Almaviva’s duet Crudel! Perché finora farmi languir così? from Act III of Le nozze di Figaro (The Marriage of Figaro), arranged by R. Kłoczko
Figaro’s aria Non piu andrai from Act I of Le nozze di Figaro (The Marriage of Figaro), arranged by A. Mazurek
Susanna’s aria Un moto di gioia from Act II of Le nozze di Figaro (The Marriage of Figaro)
Divertimento in F major KV 138
Allegro – Andante – Presto
Don Giovanni and Zerlina’s duet Là ci darem la mano from Act I of Don Giovanni, arranged by A. Mazurek
Don Giovanni’s aria Deh, vieni alla finestra from Don Giovanni (with mandolin)
Don Giovanni’s aria Fin ch’han dal vino from Act I of Don Giovanni, arranged by A. Mazurek
Divertimento in D major KV 136
Allegro – Andante – Presto
Aria Nehmt meinen Dank KV 383
Aria Papagena Der Vogelfänger bin ich ja from Act I of Die Zauberflöte (The Magic Flute), arranged by A. Mazurek
Pamina and Papageno’s duet Bei Männern, welche Liebe fühlen from Act I of Die Zauberflöte (The Magic Flute), arranged by R. Kłoczko
Papagena and Papageno’s duet Pa, pa, pa from Act II of Die Zauberflöte (The Magic Flute), arranged by A. Mazurek
OLGA PASIECZNIK SOPRANO
ROBERT GIERLACH BASS-BARITONE
MAŁGORZATA ZALEWSKA 1st VIOLIN
DOROTA KOMOROWSKA 2nd VIOLIN
DARIUSZ SMOLIŃSKI VIOLA
ROBERT DACKO CELLO
WERONIKA SKOWRONEK-STAROWICZ FLUTE
MAREK ROSZKOWSKI OBOE
ADAM MAZUREK CLARINET
MARCIN OSTAŁOWSKI BASSOON
MIROSŁAW ZALEWSKI MANDOLIN
ADAM MAZUREK, RAFAŁ KŁOCZKO MUSICAL ARRANGEMENT
We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:
- If you are not feeling well, are ill, had contact with an infected person – stay home.
- Take a mask with you. After entering the Theatre building you are obliged to wear a mask covering mouth and nose.
- Disinfect your hands after entering the Theatre building.
- The cloakroom will be closed on the day of the event. Please take your outerwear with you to the auditorium.
- Take the seat shown to you by the staff.
- Please come earlier – latecomers will not be allowed into the auditorium.
We care about the safety of our Guests!
Disinfectants are available at the entrance to the building.
The common space and sanitary rooms are disinfected.
Only 50% maximum of the seats in the auditorium will be available.
We keep safe distance.
Should you have questions, we are at your disposal on site or under the phone number +48 500 309 424.
Ladies and Gentlemen,
We kindly inform that the concert will be recorded and transmitted live on YouTube. The concert will be carried out in a way suitable for the purposes of the recording. Please arrive to the event earlier.
Should you have questions, we are at your disposal on site or under the phone number 500 309 424.