Carmelite Church, Krakowskie Przedmieście 52/54 in Warsaw
Although Mozart was famous for his unwavering invention and extraordinary tempo of writing new compositions, even he, like other composers, sometimes reached for his older works to use them in new contexts. The cantata Davide penitente is a special example of this type of composition. In this case, Mozart was not so much inspired by a previously written fragment, but literally copied the music from two previously completed movements (Kyrie and Gloria from the Mass in C minor KV 427), adding a completely original Italian text as well as supplementing them with two arias and the final cadenza. However, the Viennese audience at the premiere of the work in 1785 during a charity concert organized by the Wiener Tonkünstler-Societät could not have known the original work. The composition was well received and was performed many times in the years that followed.
Still, today the situation is very different – after all, the Great Mass in C minor is one of the most famous religious compositions of the great Viennese. It is an interesting opportunity to enjoy the same musical material reworked by the composer himself with a different text, in two different languages. Today’s event will feature an Italian paraphrase of the biblical Psalms of David selected by Mozart, written in the mid-18th century by the poet and musician Saverio Mattei.
The solemn Kyrie KV 341 solemn in D minor will serve as a kind of musical introduction. It was once considered to be one of the first pieces written by Mozart in Munich. Today, however, the piece is dated rather to the last years of the Master’s life, yet its sublime character still prompts a particular kind of reflection.
Wolfgang Amadeus Mozart
Kyrie KV 341
Davide penitente KV 469
Chorus Alzai le flebili voci al Signor
Chorus Cantiam le glorie
Aria Lungi le cure ingrate
Chorus Sii pur sempre benigno, oh Dio
Duet Sorgi, o Signore, e spargi
Aria A te, fra tanti affanni
Chorus Se vuoi, puniscimi
Tercetto Tutte le mie speranze
Chorus Chi in Dio sol spera – Di tai pericoli non ha timor
LILIANNA KRYCH CHORUS MASTER
TADEUSZ KAROLAK CONDUCTOR
Duration: approx. 1 h
The seats in the auditorium are not numbered.
We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:
- If you are not feeling well, are ill, or had contact with an infected person – stay at home.
- Please, take a face mask with you. On entering the Theatre building, you are obliged to wear a mask covering your mouth and nose.
- At the entrance to the building, please have your temperature taken.
- Disinfect your hands after entering the Theatre building.
- Please remember to sign the Participant Declaration. If possible, please bring the printed and signed declaration with you, if not – fill it in in the Theatre, in the area shown by the staff.
- Take the seat assigned to you by the staff.
- Please come earlier – latecomers will not be allowed into the auditorium.
We care about the safety of our Guests!
- Disinfectants are available at the entrance to the building.
- At the entrance to the building, staff may take your temperature.
- The common spaces and sanitary rooms are disinfected regularly.
- Only 75% of the seats in the auditorium will be available. Persons vaccinated against SARS-CoV-2 who voluntarily show a QR code confirming their vaccination with a double dose of the vaccine on the day of the event do not count towards the limit.
Should you have any questions, we are at your disposal on site of the event or at the phone number +48 500 309 424.