Soprano. Graduate of the Fryderyk Chopin Academy of Music in Warsaw, class led by Prof. Janina Skalik. Kamińska perfected her skills during master courses taught by Wilma Lipp, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, or Jerzy Artysz.
She made her debut on stage in 2006 as Donna Bettina in G. Bizet’s Don Procopio at the Warsaw Chamber Opera. She later gave many significant performances at this opera house. She appeared in Mozart’s operas directed by Ryszard Peryt: as the Genie, Lady, and the Queen of the Night in The Magic Flute (2006), Contessa in The Marriage of Figaro (2008), Donna Anna in Don Giovanni (2009), and Electra in Idomeneo (2009). Her other roles include Amenaide in G. Rossini’s Tancredi directed by Maciej Prus (2008), the title role in Jenůfa by L. Janacek directed by Jitka Stokalska (2009), and Halka in the revival of the Vilnius version of Moniuszko’s opera Halka directed by Kazimierz Dejmek (2010).
She’s gone on many tours abroad with the Warsaw Chamber Opera. Kamińska’s performed in many opera houses in Japan, Germany, France, Spain, the Netherlands, and Austria. Particularly important in this respect are her performances in the Bunka Kaikan Tokyo and the Tokyo City Opera.
In 2013, she made her debut in the Grand Theatre in Łódź as Abigaille in G. Verdi’s Nabucco conducted by Tadeusz Kozłowski. That year she also sang in the Vilnius version of Halka by S. Moniuszko in the Opera in Lviv.
Since 2014 she’s been associated with the Opera Nova in Bydgoszcz, where she sings the main parts in: Halka, Nabucco (Abigaille), The Gypsy Baron (Saffi), The Revenge of the Bat (Rosalinde). In 2016, she played Elisabetha di Valois in the premiere of G. Verdi’s Don Carlos directed by Włodzimierz Nurkowski. In 2017, she appeared as Contessa in The Marriage of Figaro directed by Wojciech Adamczyk. That year she also made her debut at the Baltic Opera in the premiere performance of Nabucco directed by Krzysztof Babicki.
The artist’s repertoire includes other soprano parts as well: the title Aida in G. Puccini’s opera, Cio-cio-san in his Madama Butterfly, and Hanna in S. Moniuszko’s Straszny dwór (“The Haunted Manor”). She’s collaborated with many outstanding conductors and directors.
Gabriela Kamińska gives many concerts. Her repertoire includes several dozen parts from many famous works, such as: Requiem by W. A. Mozart, The Creation by J. Haydn, Carmina Burana by C. Orff, Passio Domini Nostri Jesu Christi by J. Elsner, Missa pro pace by W. Kilar. During recitals and concerts, both in Poland and abroad, the artist passionately performs songs and opera, oratorio, or operetta arias.
Throughout the years she’s participated in numerous composing projects and phonographic recordings, such as Bizet’s Don Procopio (Dynamic Italia publishing house). Currently, the artist is engaged in the project La Voce di Soprano, which promotes a humorous approach to vocal music in Polish philharmonics.
Since 2017 she’s been a soloist at the Polish Royal Opera, where she acts in The Marriage of Figaro and Don Giovanni by W. A. Mozart, and S. Moniuszko’s Straszny dwór, directed by Ryszard Peryt.