Time 19:00
The Royal Theatre in the Old Orangery in the Royal Łazienki Museum in Warsaw
BUY TICKET
L’incoronazione di Poppea (The Coronation of Poppea) first impressed the public during the Carnival of 1643 in Venice. The perfectly constructed libretto by Giovanni Francesco Busonelli, accompanied by the brilliant music of Master Monteverdi, fits perfectly into the carnival atmosphere of subverting social order. This applies not only to the narrative of the opera (after all, the courtesan becomes the empress) but, above all, to its socio-cultural overtone. The creators opposed the convention of idealizing reality, which was dominant in opera at the time, choosing to present reality as it was.
There are no role models worth imitating among the main characters of this masterpiece. The motivations and actions of Poppaea, Nero or Ottone do not arouse sympathy, yet the dramatic and musical elements reflecting the psychological depth of these characters both amaze and delight. The argument between Fortune, Virtue and Cupid that opens the opera foreshadows the devastating game in which passion – having little to do with love – will not shy away from any wicked act in order to achieve its goal. However, could the divine creator of L’Orfeo leave the viewer immersed in dark thoughts about the vile nature of man? After all, the choice of historical figures as protagonists, certainly innovative at the time, was not accidental, and the awareness of their tragic fate – although the whole story is not told during the performance – means that Cupid’s victory over Fortune and Virtue is not as obvious as it might seem.
MUSICAL DIRECTION KRZYSZTOF GARSTKA
DIRECTED BY NATALIA BABIŃSKA
SET DESIGNER MARTYNA KANDER
COSTUMES ALEKSANDRA REDA
CHOREOGRAPHY KAROL URBAŃSKI
LIGHTING DESIGN MACIEJ IGIELSKI
LIGHTING PIOTR RUDZKI
VIDEO PROJECTIONS JAGODA CHALCIŃSKA
CHORUS MASTER JAKUB SZAFRAŃSKI
ASSISTANT DIRECTOR SŁAWOMIR JURCZAK
II ASSISTANT DIRECTOR AGNIESZKA KOZŁOWSKA
ASSISTANT COSTUME DESIGNER MAKSYMILIAN MAC
STAGE MANAGERS AGNIESZKA ORLIKOWSKA, TATIANA HEMPEL-GIERLACH
CAST
POPPEA MAŁGORZATA TROJANOWSKA
NERONE KACPER SZELĄŻEK
OTTONE JAN JAKUB MONOWID
OTTAVIA ANNA RADZIEJEWSKA
SENECA SŁAWOMIR JURCZAK
ARNALTA/NUTRICE DOROTA LACHOWICZ
AMOR/DAMIGELLA MARTA SCHNURA
DRUSILLA PAULINA HORAJSKA
FORTUNA MARTA BOBERSKA
VIRTU/PALLADE/VENUS IWONA LUBOWICZ
LITTORE/MERCURIO ROBERT SZPRĘGIEL
LUCANO/PRIMO SOLDATO SYLWESTER SMULCZYŃSKI
LIBERTO/SECONDO SOLDATO JAKUB A. GRABOWSKI
VALETTO JAKUB FOLTAK
MIMES AGNIESZKA KOZŁOWSKA, MACIEJ JAN KRAŚNIEWSKI
THE CHORUS OF THE POLISH ROYAL OPERA
THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA
Duration: 3 h 30 min (with intermission)
The seats in the auditorium are not numbered.
PLEASE NOTE: the entrance to the Royal Theatre in Łazienki Park is located in Agrykola street.
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the Łazienki Gate at the corner of Myśliwiecka / Agrykola streets.
We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:
- If you are not feeling well, are ill, or had contact with an infected person – stay at home.
- Please, take a face mask with you. On entering the Theatre building, you are obliged to wear a mask covering your mouth and nose.
- Disinfect your hands after entering the Theatre building.
- Take the seat assigned to you by the staff.
We care about the safety of our Guests!
- Disinfectants are available at the entrance to the building.
- The common spaces and sanitary rooms are disinfected regularly.
Should you have any questions, we are at your disposal on site of the event or at the phone number +48 500 309 424.
