Time 19:00
The Royal Theatre in the Royal Łazienki Museum in Warsaw and the YouTube channel of the Polish Royal Opera
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IT WILL NOT BE POSSIBLE TO BUY TICKETS ON SITE BEFORE THE EVENT
CONCERT WITH THE PARTICIPATION OF THE AUDIENCE, TRANSMITTED LIVE – LIVE STREAMING ON YOUTUBE CHANNEL
It’s difficult to establish the exact date and addressee of Johann Sebastian Bach’s Non sa che sia dolore BWV 209 cantata. The subject of the composition is the pain caused by the necessary separation from a friend. However, in the end some hope appears amidst the grief heard in the first part, and the final aria encourages us to bravely face that which is new and unknown.
In contrast, the wedding cantata Weichet nur, betrübte Schatten BWV 202 is filled with joy and delight. It will be performed as the concert finale. In terms of performers, the modest requirements (solo soprano accompanied only by: oboe, violin, and basso continuo) suggest that the cantata was written for a wedding of townspeople or noblemen. Its humorous and dancing character certainly would not be appropriate for a duke’s court. We cannot rule out that Bach wrote this piece for his own marriage to Anna Magdalena in 1721. The wonderful music ideally reflects the literary meaning. The initial winter, sinister and dark, is transformed into a blossoming spring landscape full of life.
The Ouverture g-moll, entered into the Bach Werke Verzeichnis catalogue under the number 1070, will be played between the two cantatas. There are, however, certain doubts as to its author. Our main source – the 1753 copy by Christian Friedrich Penzel – is signed only “Sig. Bach”. Some researchers then tend to attribute authorship to Wilhelm Friedmann, Bach’s eldest son. This thesis seems to find support in the style of the composition and the close relations between Penzel and the Master’s extremely talented son.
Marta Dziewanowska-Pachowska
THE PROGRAMME
Johann Sebastian Bach
Cantata Non sa che sia dolore BWV 209
Ouverture g-moll BWV 1070
Cantata Weichet nur, betrübte Schatten BWV 202
PERFORMERS
OLGA PASIECZNIK SOPRANO
THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA
KRZYSZTOF GARSTKA HARPSICHORD, CONDUCTOR
We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:
- If you are not feeling well, are ill, had contact with an infected person – stay home.
- Please, take a mask with you. After entering the Theatre building you are obliged to wear a mask covering mouth and nose.
- Disinfect your hands after entering the Theatre building.
- Remember to sign the Participant Declaration. If possible, please bring the printed and signed declaration with you, if not – fill it in in the Theatre, in the place shown by the staff.
- The cloakroom will be closed on the day of the event. Please take your outerwear with you to the auditorium.
- Take the seat shown to you by the staff.
- Please come earlier – latecomers will not be allowed into the auditorium.
We care about the safety of our Guests!
Disinfectants are available at the entrance to the building.
The common space and sanitary rooms are disinfected.
Only 50% maximum of the seats in the auditorium will be available.
We keep safe distance.
Should you have questions, we are at your disposal on site or under the phone number +48 500 309 424.
Ladies and Gentlemen,
We kindly inform that the concert will be recorded and transmitted live on YouTube. The concert will be carried out in a way suitable for the purposes of the recording. Please arrive to the event earlier.
Should you have questions, we are at your disposal on site or under the phone number 500 309 424.



