Marta Wyłomańska. Fot. Kinga Karpati

Soprano. Graduate of the Fryderyk Chopin Academy of Music in Warsaw, the vocal class under Prof. Zdzisława Donat (diploma in 2000).

She made her debut in May 1998 on stage of the National Theatre in Warsaw as Fiordiligi in W. A. Mozart’s Cosi fan tutte. Since 2000 she was associated with the Warsaw Chamber Opera. With artists from this Opera she’s taken part in the Mozart Festival, the Baroque Opera Festival, the Old Polish Opera Festival, and many other artistic projects. Wyłomańska has performed leading soprano parts in operas by W. A. Mozart (Fiordiligi in Cosi fan tutte, Donna Anna in Don Giovanni, Countess Almaviva in The Marriage of Figaro, Ismene in Mitridate, re di Ponto, Venera in Ascanio in Alba, Cabri in Betulia Liberata), P. Tchaikovsky (Tatiana in Eugene Onegin), G. Donizetti (Adina in L’elisir d’amore, G. Verdi (Nanetta in Falstaff), L. Janáček (Jenůfa in Jenůfa), V. M. von Weber (Agathe in The Marksman), G. Albertini (Donna Anna in Don Giovanni or the Libertine Penalized), Z. Krauze (Paulina in Polieukt), and S. Moniuszko (Zofia in Halka).

With artists from the Warsaw Chamber Orchestra she frequently performed on opera stages in Germany, Switzerland, Spain, Belgium, France, Japan, performed in St. Petersburg and Beirut.

She made guest appearances at the Wrocław Opera (as Clara in H. Kulenta’s Matka czarnoskrzydłych snów (“The Mother of Black-winged Dreams”) and Donna Anna in Mozart’s Don Giovanni, the Opera Nova in Bydgoszcz (the title role of Countess Maritza in I. Kálmán’s operetta, Micaela in Bizet’s Carmen, and Saffi in Strauss’s The Gypsy Baron), and in the Cracow Opera (Fiordiligi in Mozart’s Cosi fan tutte).

The artist has also collaborated with the Koszalin Philharmonic and the Pomorska Philharmonic, and with the capital’s musical theatres Roma and Studio Buffo.

Her repertoire includes oratorios, cantatas, and songs.

She is a soloist at the Polish Royal Opera.