{"id":46068,"date":"2026-10-02T10:00:00","date_gmt":"2026-10-02T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=46068"},"modified":"2026-10-02T11:45:10","modified_gmt":"2026-10-02T09:45:10","slug":"o-di-betlemme-recital-of-olga-pasiecznik-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/o-di-betlemme-recital-of-olga-pasiecznik-2-2\/","title":{"rendered":"O DI BETLEMME \/ RECITAL OF OLGA PASIECZNIK"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The solemn atmosphere of Christmas was an inexhaustible source of inspiration for composers of the Baroque era. One of the outstanding works intended for this time is <em>Pastorale per il S.S. Natale<\/em> by Giuseppe Torelli. The sixth of twelve <em>concerti grossi <\/em>Op. 8 ends with a merry procession of the shepherds who come down from the mountains to welcome the newborn Infant. Their joy is also perfectly portrayed by Alessandro Scarlatti (1660-1725) in the cantata <em>O di Betlemme<\/em> crowning the concert program.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The winter aura accompanying Christmas celebrations also captured the imagination of European composers. The second half of the concert will open with <em>L\u02bcInverno<\/em>, RV 297, from the celebrated cycle of violin concertos <em>Le quattro stagioni<\/em>. Short, incisive trills vividly imitate the piercing shivers that herald the arrival of winter. In the final passage, the energetic strings evoke gusting winds and the uncertainty of footsteps on slippery, fragile ice. In his secular cantata <em>L&#8217;hyver<\/em> from the series <em>Les quatre saisons<\/em> (&#8216;The Four Seasons&#8217;) from 1724, Joseph Bodin de Boismortier (1689-1755) perfectly depicts both the unsettling snow-white landscapes and frosty gusts of wind, as well as the spirit of joyful celebration.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><span style=\"font-size: 10pt; color: #999999;\">Marta Dziewanowska-Pachowska<\/span><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>PROGRAM<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Giuseppe Torelli \u2013 <em>Pastorale per il S.S. Natale<\/em><br><span style=\"font-size: 10pt;\">Grave \u2013 Vivace \u2013 Largo \u2013 Vivace<\/span><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Joseph Bodin de Boismortier \u2013 <em>L\u2019Hyver<\/em><br><span style=\"font-size: 10pt;\"><em>Charmans Zephirs<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>L\u2019Hyver porte par tout ses funestes ravages<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Les vents brisent leurs chaines<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Le ciel, pour nous livrer la guerre<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Souverain maitre du toner<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Mais au milieu de tant d\u2019allarmes<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Quel aimable f\u00eate<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>J\u2019apper\u00e7ois la Muse tragique<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>En vain Bor\u00e9e arm\u00e9 de frimas et de glace<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Le doux Printemps ranime<\/em><\/span><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">&#8212; intermission &#8212;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Antonio Vivaldi \u2013 <em>L\u02bcInverno<\/em> RV 297<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">Allegro non molto | Largo | Allegro<br><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Alessandro Scarlatti \u2013 <em>O di Betlemme altera povert\u00e0 venturosa<br><\/em><span style=\"font-size: 10pt;\">Introduzione<\/span><br><span style=\"font-size: 10pt;\">Recitativo <em>O di Betlemme altera<\/em><\/span><br><span style=\"font-size: 10pt;\">Aria <em>Dal bel seno d&#8217;una stella<\/em><\/span><br><span style=\"font-size: 10pt;\">Recitativo <em>Presa d&#8217;uomo la forma<\/em><\/span><br><span style=\"font-size: 10pt;\">Aria <em>L&#8217;autor d&#8217;ogni mio bene<\/em><\/span><br><span style=\"font-size: 10pt;\">Recitativo <em>Fortunati pastori<\/em><\/span><br><span style=\"font-size: 10pt;\">Aria <em>Tocc\u00f2 la prima sorte a voi<\/em><\/span><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">&nbsp;<\/h4>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/olga-pasiecznik\/\"><strong>OLGA PASIECZNIK<\/strong><\/a> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Duration: approx. 1 h 10 mins<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The solemn atmosphere of Christmas was an inexhaustible source of inspiration for composers of the Baroque era. One of the outstanding works intended for this time is Pastorale per il S.S. Natale by Giuseppe Torelli. The sixth of twelve concerti grossi Op. 8 ends with a merry procession of the shepherds who come down from [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":46114,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[123],"class_list":["post-46068","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2026-2027"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>O DI BETLEMME \/ RECITAL OF OLGA PASIECZNIK - Polska Opera Kr\u00f3lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/o-di-betlemme-recital-of-olga-pasiecznik-2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O DI BETLEMME \/ RECITAL OF OLGA PASIECZNIK - Polska Opera Kr\u00f3lewska\" \/>\n<meta property=\"og:description\" content=\"The solemn atmosphere of Christmas was an inexhaustible source of inspiration for composers of the Baroque era. One of the outstanding works intended for this time is Pastorale per il S.S. Natale by Giuseppe Torelli. 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