{"id":45689,"date":"2026-09-04T10:00:00","date_gmt":"2026-09-04T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=45689"},"modified":"2026-10-23T13:21:44","modified_gmt":"2026-10-23T11:21:44","slug":"il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere\/","title":{"rendered":"IL RITORNO D&#8217;ULISSE IN PATRIA \/ CLAUDIO MONTEVERDI \u2013\u00a0PREMIERE"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Torna, deh torna Ulisse<\/em> (\u201cReturn, ah, return, Ulysses\u201d) \u2013 sings Penelope, tormented by waiting for the return of her beloved husband, but also by the persistence of the suitors eager to take his place. One of the most poignant passages in Claudio Monteverdi\u2019s body of work takes on even greater significance when it becomes clear that, for the most faithful of wives, recognizing her miraculously returned husband will not be easy at all. Her greatest wish has been fulfilled, yet her heart does not leap and her reason remains doubtful. Time \u2013 as well as enchantment \u2013 have altered the beloved facial features and, presumably, his personality as well. Who is Ulysses? Who has he become? These questions also confront the hero himself \u2013 shaped by war and by his lengthy journey \u2013 as he must redefine his role in his homeland and in his own home. Minerva, his divine protectress, comes to his aid and guides the protagonists toward a happy ending.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Il ritorno d\u2019Ulisse in patria<\/em> (<em>The Return of Ulysses to His Homeland<\/em>), Claudio Monteverdi\u2019s penultimate dramatic work, premiered in 1640. The libretto by Giacomo Badoaro reflects the expectations of the contemporary Venetian audience, eager for spectacular entertainment. The changing scenes and sets, however, are merely a point of departure for showcasing the full extent of Monteverdi\u2019s musical genius. Every phrase is imbued with meaning, while successive motifs reflect the full range of emotions experienced by the characters. In this new staging of Homer\u2019s story, told by director Robert Bondara, movement plays a particularly important role \u2013 a universal language linking human nature with the elemental force of the supernatural world. Maestro Krzysztof Garstka is responsible for the musical direction of the production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size wp-block-paragraph\">Marta Dziewanowska-Pachowska<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MUSIC DIRECTOR <strong>KRZYSZTOF GARSTKA<\/strong><br>STAGE DIRECTOR <strong>ROBERT BONDARA<\/strong><br>SET DESIGN AND COSTUMES <strong>DIANA MARSZA\u0141EK <strong>(<strong>PSiST GUILD<\/strong>)<\/strong>&nbsp;<\/strong><br>LIGHTING DESIGN <strong>MACIEJ IGIELSKI<\/strong><br>VIDEO PROJECTIONS <strong>JAGODA CHALCI\u0143SKA<\/strong><br>ASSISTANT DIRECTORS <strong>S\u0141AWOMIR JURCZAK, AGNIESZKA KOZ\u0141OWSKA<\/strong><br>STAGE MANAGERS <strong>AGNIESZKA ORLIKOWSKA, TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">CAST<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">L&#8217;HUMANA FRAGILITA <strong>KACPER SZEL\u0104\u017bEK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">TEMPO <strong>MICHA\u0141 DEMBI\u0143SKI \/ <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\" data-type=\"artysci\" data-id=\"11654\">PAWE\u0141 MICHALCZUK<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">FORTUNA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\" data-type=\"artysci\" data-id=\"9062\">MARTA BOBERSKA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">AMORE <strong>MA\u0141GORZATA TROJANOWSKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">GIOVE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\" data-type=\"artysci\" data-id=\"9059\">SYLWESTER SMULCZY\u0143SKI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">NETTUNO <strong>MICHA\u0141 DEMBI\u0143SKI \/ <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\" data-type=\"artysci\" data-id=\"11654\">PAWE\u0141 MICHALCZUK<\/a><\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MINERVA <strong>MARTA BRZEZI\u0143SKA-SZMAJ<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ULISSE <strong>KAROL KOZ\u0141OWSKI \/ ALEKSANDER REWI\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">PENELOPE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\" data-type=\"artysci\" data-id=\"9055\">ANETA \u0141UKASZEWICZ<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">TELEMACO <strong>KACPER SZEL\u0104\u017bEK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">EURIMACO <strong>BARTOSZ GORZKOWSKI &nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MELANTO <strong>MA\u0141GORZATA TROJANOWSKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">EUMETE <strong><strong>\u0141UKASZ K\u00d3ZKA<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ANTINOO <strong><strong>IHOR TYKHONOV<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">PISANDRO <strong>KRZYSZTOF STARUCH-LOREK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ANFINOMO<strong> JAN MACHOWSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CORO DI FEACI: <strong>ANDRZEJ KLEPACKI, <strong>DOROTA<\/strong> <strong>LACHOWICZ<\/strong>, <strong>I<strong>HOR TYKHONOV<\/strong><\/strong><\/strong><br>CORO IN CIELO: <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dorota-lachowicz\/\" data-type=\"artysci\" data-id=\"9061\">DOROTA LACHOWICZ<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/iwona-lubowicz\/\" data-type=\"artysci\" data-id=\"9076\">IWONA LUBOWICZ<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/julita-miroslawska\/\" data-type=\"artysci\" data-id=\"9058\">JULITA MIROS\u0141AWSKA<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\" data-type=\"artysci\" data-id=\"9059\">SYLWESTER SMULCZY\u0143SKI<\/a><\/strong><br>CORO MARITIMO: <strong>JOANNA KLEBBA, ANDRZEJ KLEPACKI, JAN MACHOWSKI, <strong>I<strong>HOR TYKHONOV<\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ULISSE II <strong>KAROL URBA\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MINERVA II <strong>MARTA \u017bABKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\" data-type=\"page\" data-id=\"15802\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CONDUCTOR <strong>KRZYSZTOF GARSTKA<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">The seats in the auditorium are not numbered.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Performance in the original language version with Polish surtitles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PLEASE NOTE: The entrance to the Royal Theatre in the Royal \u0141azienki Park is located on Agrykola street.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Torna, deh torna Ulisse (\u201cReturn, ah, return, Ulysses\u201d) \u2013 sings Penelope, tormented by waiting for the return of her beloved husband, but also by the persistence of the suitors eager to take his place. One of the most poignant passages in Claudio Monteverdi\u2019s body of work takes on even greater significance when it becomes clear [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":45770,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[123],"class_list":["post-45689","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2026-2027"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IL RITORNO D&#039;ULISSE IN PATRIA \/ CLAUDIO MONTEVERDI \u2013\u00a0PREMIERE - Polska Opera Kr\u00f3lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IL RITORNO D&#039;ULISSE IN PATRIA \/ CLAUDIO MONTEVERDI \u2013\u00a0PREMIERE - Polska Opera Kr\u00f3lewska\" \/>\n<meta property=\"og:description\" content=\"Torna, deh torna Ulisse (\u201cReturn, ah, return, Ulysses\u201d) \u2013 sings Penelope, tormented by waiting for the return of her beloved husband, but also by the persistence of the suitors eager to take his place. One of the most poignant passages in Claudio Monteverdi\u2019s body of work takes on even greater significance when it becomes clear [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere\/\" \/>\n<meta property=\"og:site_name\" content=\"Polska Opera Kr\u00f3lewska\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/web.facebook.com\/PolskaOperaKrolewska\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-23T11:21:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2026\/09\/strona_powrot-ulissesa_11.2026.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"860\" \/>\n\t<meta property=\"og:image:height\" content=\"485\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/operakrolewska.pl\\\/en\\\/repetoire\\\/il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere\\\/\",\"url\":\"https:\\\/\\\/operakrolewska.pl\\\/en\\\/repetoire\\\/il-ritorno-dulisse-in-patria-claudio-monteverdi-premiere\\\/\",\"name\":\"IL RITORNO D'ULISSE IN PATRIA \\\/ CLAUDIO MONTEVERDI \u2013\u00a0PREMIERE - 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