{"id":45685,"date":"2026-09-04T10:00:00","date_gmt":"2026-09-04T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=45685"},"modified":"2026-09-04T14:01:20","modified_gmt":"2026-09-04T12:01:20","slug":"der-freischutz-carl-maria-von-weber-concert-version","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/der-freischutz-carl-maria-von-weber-concert-version\/","title":{"rendered":"DER FREISCH\u00dcTZ \/ CARL MARIA VON WEBER (CONCERT VERSION)"},"content":{"rendered":"\n

Event held as part of the celebrations of the 200th anniversary of the composer\u2019s death and the 200th anniversary of the Polish premiere of<\/strong> Der Freisch\u00fctz<\/em><\/strong><\/strong>.<\/p>\n\n\n\n

<\/div>\n\n\n\n

A forest shrouded in mystery, the close bond between human life and nature, and, above all, folk beliefs that insist on seeing the intervention of supernatural forces in the everyday turns of fate. Carl Maria von Weber\u2019s Der Freisch\u00fctz<\/em> (The Freeshooter<\/em>) is regarded not only as a masterpiece of German opera, but also as the first Romantic opera \u2013 a work that inspired later composers and opened up entirely new paths in the development of the genre. The terror of the Wolf\u2019s Glen, diabolical cunning, and the power of dark fate acquire an uncanny sense of reality, intensified by sophisticated harmony and the original, highly evocative use of the orchestra\u2019s sonorities. Weber successfully combines the tradition of the German Singspiel with the innovative technique of recurring motifs. Samiel\u2019s demonic motif and the chromaticism permeating the darker scenes stand in contrast to the gentle diatonicism symbolizing goodness and pure intentions.<\/p>\n\n\n\n

Weber\u2019s groundbreaking work, written to a libretto by Johann Friedrich Kind, received its world premiere in Berlin in 1821 and was greeted with extraordinary enthusiasm by the audience. It was soon adapted for stages in Vienna, Leipzig, and Prague, as well as London and Paris. Before long, in August 1826, Frejszyc<\/em> also won the hearts of Warsaw audiences \u2013 the production, in Wojciech Bogus\u0142awski\u2019s translation, was staged at the National Theatre by Karol Kurpi\u0144ski. On the bicentenary of that event, the Artists of the Polish Royal Opera will bring this extraordinary musical world to life once again \u2013 in concert form.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

CAST<\/h2>\n\n\n\n

MAX BENJAMIN BRUNS<\/strong> 
AGATHE JOANNA ZAWARTKO<\/strong> 
\u00c4NNCHEN KAMILA DUTKOWSKA <\/strong>
KASPAR PAWE\u0141 MICHALCZUK <\/a><\/strong>
KUNO BARTOSZ KIESZKOWSKI <\/strong>
OTTOKAR WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a><\/strong> 
PUSTELNIK \/ EREMIT WOJTEK GIERLACH<\/a><\/strong> 
KILIAN MATEUSZ KULCZY\u0143SKI<\/strong> 
VIER BRAUTJUNGFERN …<\/p>\n\n\n\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong>
THE CHAMBER CHOIR OF THE POLISH ROYAL OPERA<\/strong>
THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

KAROL KNAPI\u0143SKI <\/a><\/strong>CHORUS MASTER<\/p>\n\n\n\n

JAKUB SZAFRA\u0143SKI<\/a><\/strong> CHOIR MASTER<\/p>\n\n\n\n

VOLKER PERPLIES <\/strong>MUSICAL COLLABORATION \/ LANGUAGE CONSULTANT<\/p>\n\n\n\n

KAROL SZWECH <\/a><\/strong>ASSISTANT CONDUCTOR<\/p>\n\n\n\n

MARTA KLUCZY\u0143SKA<\/a><\/strong> CONDUCTOR<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 2h 20 mins (with an intermission)<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Event held as part of the celebrations of the 200th anniversary of the composer\u2019s death and the 200th anniversary of the Polish premiere of Der Freisch\u00fctz. 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