{"id":44913,"date":"2026-07-01T10:00:00","date_gmt":"2026-07-01T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=44913"},"modified":"2026-07-02T00:15:25","modified_gmt":"2026-07-01T22:15:25","slug":"musick-for-these-distracted-tymes","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/musick-for-these-distracted-tymes\/","title":{"rendered":"MUSICK FOR THESE DISTRACTED TYMES"},"content":{"rendered":"\n

The recorder is an instrument directly associated with the music of earlier eras. Its universal character meant that it was readily used both by itinerant musicians and by court artists. Thanks to its natural, warm timbre, close to the human voice so highly prized, especially in the sixteenth century, it proved ideally suited to solo performance and, above all, to ensemble playing. After all, recorders come in various sizes and cover a wide range of registers, while the coherence of their sound perfectly brings out the depth of expression enchanted in Renaissance motets, madrigals, and songs. The program will open with Alla Battaglia<\/em>, an extraordinarily evocative song from 1487 by the Flemish master of polyphony Heinrich Isaac, celebrating the victorious siege of the fortress of Sarzanello and its recovery by Florence. It will be followed by Thomas Tomkins\u2019s Sad Pavan for These Distracted Times<\/em>, written in 1649, only two weeks after the execution of Charles I, King of England and Scotland. Like a refrain, the program will return to works by Anthony Holborne, a composer associated with the court of Queen Elizabeth I, from his 1599 collection Pavans, Galliards, Almains and other short Aeirs, both grave and light, in five parts, for Viols, Violins, or other Musicall Winde Instruments<\/em>. The works of this highly esteemed and erudite musician have intriguing, often ambiguous titles, leaving ample room for interpretation by performers and listeners alike. No less ambiguous and moving are the pieces concerned with religious themes (by Orlando di Lasso and Vicente Lusitano) and with love (by John Wilbye and Ludwig Senfl).<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

PROGRAM<\/h2>\n\n\n\n

Heinrich Isaac (1450\u20131517) \u2013 Alla Battaglia<\/em> <\/p>\n\n\n\n

Thomas Tomkins (1572-1656) \u2013 Sad Pavan for These Distracted Times<\/em> <\/p>\n\n\n\n

Anthony Holborne (1545-1602) \u2013 Infernum \u2013 Galliarda<\/em> <\/p>\n\n\n\n

Orlando di Lasso (1532-1594) \u2013 Peccata Mea Domine<\/em> <\/p>\n\n\n\n

John Wilbye (1574-1638) \u2013 Weep, Weep Mine Eyes<\/em> <\/p>\n\n\n\n

Anthony Holborne (1545-1602) \u2013 The Image of Melancholy<\/em> <\/p>\n\n\n\n

Ludwig Senfl (1486-1543) \u2013 Tandernaken<\/em> <\/p>\n\n\n\n

Vicente Lusitano (1520-1561) \u2013 Sancta Mater, istud agas<\/em> <\/p>\n\n\n\n

Anthony Holborne (1545-1602) \u2013 Paradizo \u2013 The Honey-Suckle<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h2>\n\n\n\n

CRACOW RECORDER CONSORT:<\/strong><\/p>\n\n\n\n

KATARZYNA CZUBEK<\/strong><\/p>\n\n\n\n

JULIE KU\u010cEROV\u00c1<\/strong><\/p>\n\n\n\n

ZS\u00d3FIA S\u00c1NTA<\/strong><\/p>\n\n\n\n

RODRIGO BARATA<\/strong><\/p>\n\n\n\n

RADOS\u0141AW ORAWSKI<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 50 mins<\/p>\n\n\n\n

The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"

The recorder is an instrument directly associated with the music of earlier eras. Its universal character meant that it was readily used both by itinerant musicians and by court artists. Thanks to its natural, warm timbre, close to the human voice so highly prized, especially in the sixteenth century, it proved ideally suited to solo […]<\/p>\n","protected":false},"author":15,"featured_media":16118,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[127],"sezon":[123],"class_list":["post-44913","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-4th-festival-in-tempore-regum-music-in-the-time-of-kings","sezon-2026-2027"],"acf":[],"yoast_head":"\nMUSICK FOR THESE DISTRACTED TYMES - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/musick-for-these-distracted-tymes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUSICK FOR THESE DISTRACTED TYMES - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The recorder is an instrument directly associated with the music of earlier eras. 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