{"id":44909,"date":"2026-07-01T10:00:00","date_gmt":"2026-07-01T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=44909"},"modified":"2026-07-02T00:20:09","modified_gmt":"2026-07-01T22:20:09","slug":"latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version\/","title":{"rendered":"LATONA IN DELO \/ JOHANN CHRISTOPH SCHMIDT (A THEATRICAL DIVERTIMENTO IN CONCERT VERSION)"},"content":{"rendered":"\n<p>Johann Christoph Schmidt (1664\u20131728) secured his place in the history of Polish music through his activity at the court of King Augustus II \u2013 as a musician, teacher, and composer. From 1697, as royal Kapellmeister, he organised and then co-directed \u2013 together with Jacek R\u00f3\u017cycki (1635\u20131703) \u2013 the Polish royal chapel, which for almost a decade formally served both the court in Poland and Saxony, performing successfully in Warsaw, Krak\u00f3w, and Dresden. The vocal-instrumental K\u00f6niglich Pohlnische Capelle, however, took part above all in religious services \u2013 Protestant or Catholic, depending on need \u2013 and in concerts, while Italian and French troupes were brought in for theatrical performances, with musicians from the court ensemble employed only occasionally. It was Italian opera that enjoyed particular popularity: with its expressive power and wealth of invention, it enchanted all of Europe, although it also had its opponents. Suffice it to say that it was present at the Saxon court, even though \u2013 as Alina \u017b\u00f3rawska-Witkowska observes \u2013 Augustus II \u201cnever became an enthusiast of the genre\u201d.<\/p>\n\n\n\n<p>It was in this artistic context, among the Italian artists active in Warsaw, that Johann Christoph Schmidt\u2019s theatrical divertimento <em>Latona in Delo<\/em> was created. The work was staged in 1699 by the troupe of Gennaro Sacco. The librettist, Pietro Francesco De Silva, based his story on the Ovidian myth, while the inspiration for introducing the theme of love was the relationship between King Augustus II and Urszula Lubomirska. It was with them that the main characters \u2013 Latona and Jupiter \u2013 were identified, and their vicissitudes reflected the social arrangements of the court. <em>Latona in Delo<\/em> is the first opera staged in the Polish-Lithuanian Commonwealth to have survived to the present day in both its musical and literary form. It is known, however, that in the later years of Saxon rule, many more Italian operas were seen in Warsaw.<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Marta Dziewanowska-Pachowska<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">CAST<\/h2>\n\n\n\n<p class=\"has-text-align-center\">MARTE\/GIOVE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\" type=\"artysci\" id=\"11654\">PAWE\u0141<\/a><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\" type=\"artysci\" id=\"11654\"> <\/a><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\" type=\"artysci\" id=\"11654\">MICHALCZUK<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">PACE\/ERMINA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/iwona-lubowicz\/\" type=\"artysci\" id=\"9076\">IWONA LUBOWICZ<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">GIANO\/GRIPPO <strong>JACEK SZPONARSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">AMORE\/LATONA <strong>DOROTA SZCZEPA\u0143SKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">MERCURIO\/CORIMBO <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\" type=\"artysci\" id=\"9059\">SYLWESTER SMULCZY\u0143SKI<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">DELBA\/IRIDE\/SIRENA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\" type=\"artysci\" id=\"9062\">MARTA BOBERSKA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">SIRENA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dorota-lachowicz\/\" type=\"artysci\" id=\"9061\">DOROTA LACHOWICZ<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\" type=\"page\" id=\"15802\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">MUSIC DIRECTOR <strong>MARTYNA PASTUSZKA<\/strong><\/p>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 2h (with an intermission)<\/p>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johann Christoph Schmidt (1664\u20131728) secured his place in the history of Polish music through his activity at the court of King Augustus II \u2013 as a musician, teacher, and composer. From 1697, as royal Kapellmeister, he organised and then co-directed \u2013 together with Jacek R\u00f3\u017cycki (1635\u20131703) \u2013 the Polish royal chapel, which for almost a [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":16118,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[127],"sezon":[123],"class_list":["post-44909","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-4th-festival-in-tempore-regum-music-in-the-time-of-kings","sezon-2026-2027"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LATONA IN DELO \/ JOHANN CHRISTOPH SCHMIDT (A THEATRICAL DIVERTIMENTO IN CONCERT VERSION) - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LATONA IN DELO \/ JOHANN CHRISTOPH SCHMIDT (A THEATRICAL DIVERTIMENTO IN CONCERT VERSION) - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Johann Christoph Schmidt (1664\u20131728) secured his place in the history of Polish music through his activity at the court of King Augustus II \u2013 as a musician, teacher, and composer. From 1697, as royal Kapellmeister, he organised and then co-directed \u2013 together with Jacek R\u00f3\u017cycki (1635\u20131703) \u2013 the Polish royal chapel, which for almost a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operakrolewska.pl\/en\/repetoire\/latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version\/\" \/>\n<meta property=\"og:site_name\" content=\"Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/web.facebook.com\/PolskaOperaKrolewska\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-01T22:20:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/08\/pok_festiwal-_www_864x490px_festival-in-tempore-regum.png\" \/>\n\t<meta property=\"og:image:width\" content=\"865\" \/>\n\t<meta property=\"og:image:height\" content=\"491\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/operakrolewska.pl\\\/en\\\/repetoire\\\/latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version\\\/\",\"url\":\"https:\\\/\\\/operakrolewska.pl\\\/en\\\/repetoire\\\/latona-in-delo-johann-christoph-schmidt-a-theatrical-divertimento-in-concert-version\\\/\",\"name\":\"LATONA IN DELO \\\/ JOHANN CHRISTOPH SCHMIDT (A THEATRICAL DIVERTIMENTO IN CONCERT VERSION) - 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