{"id":44864,"date":"2026-07-01T10:00:00","date_gmt":"2026-07-01T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=44864"},"modified":"2026-07-02T00:10:38","modified_gmt":"2026-07-01T22:10:38","slug":"invictissimo-ac-potentissimo-regi-poloniae","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/invictissimo-ac-potentissimo-regi-poloniae\/","title":{"rendered":"INVICTISSIMO AC POTENTISSIMO REGI POLONIAE"},"content":{"rendered":"\n<p>King Stephen B\u00e1thory went down in Polish history as an outstanding politician and a prudent ruler. Alongside his military and diplomatic successes, his achievements included intensive efforts to support the development of Polish art and science. However, few testimonies exist concerning the king\u2019s musical interests, although it is known that he maintained a forty-member court chapel. The monarch must have valued polyphonic music, since the Italian composer Teodoro Riccio, who was in the service of the Prussian Duke George Frederick, dedicated his <em>Liber primus missarum<\/em> (1579) to \u201cthe most invincible and powerful Stephen, King of Poland [\u2026]\u201d (\u201cinvictissimo ac potentissimo Stephano Regi Poloniae [\u2026]\u201d). This gift was no coincidence and was intended to strengthen relations between Prussia and the Polish-Lithuanian Commonwealth, giving us an idea of the important role attributed at that time to musical composition in shaping international relations.<\/p>\n\n\n\n<p>The publication, printed in 1579 at Osterberger\u2019s workshop in K\u00f6nigsberg, contains six complete settings of the <em>ordinarium missae<\/em>, among them the six-voice <em>Missa vidi turbam magnam<\/em>. The Mass was based on musical material from a motet previously composed by Riccio, which \u2013 preceded by a Gregorian offertory \u2013 will open the concert programme. The little-known body of work of the composer from Brescia reveals a broad spectrum of expressive possibilities within Renaissance polyphony: the mastery of individual vocal lines, the variability of their configurations, and the sophistication of polyphonic textures. The musical image of the liturgy from the time of the Polish \u201cGolden Age\u201d is complemented by traditional plainchants, representing the living tradition of the Church, and by Miko\u0142aj Ziele\u0144ski\u2019s five-voice motet <em>Levavi oculos meos in montes<\/em>. The program concludes with two earlier Marian compositions: <em>Ave mater o Maria,<\/em> of Burgundian-Netherlandish provenance, preserved in one of the most valuable Polish treasures of musical heritage \u2013 the medieval manuscript Kras 52, and the five-voice motet <em>Intemerata Dei Mater <\/em>by Johannes Ockeghem, the Franco-Flemish master of 15th-century polyphony (c. 1410\u20131497).<\/p>\n\n\n\n<p class=\"has-text-align-right has-small-font-size\">Marta Dziewanowska-Pachowska<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">PROGRAM<\/h2>\n\n\n\n<p class=\"has-text-align-center\">Anonim \u2013 <em>De profundis clamavi<\/em> (Gregorian offertory) \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Vidi turbam magnam<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Anonim \u2013 <em>Salvum fac populum tuum<\/em> (Gregorian gradual) \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Missa vidi turbam magnam<\/em> \u2013 <em>Kyrie<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Missa vidi turbam magnam<\/em> \u2013 <em>Gloria<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Anonim \u2013 <em>Alleluia. De profundis clamavi<\/em> (Gregorian alleluia) \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Missa vidi turbam magnam<\/em> \u2013 <em>Credo<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Anonim \u2013 <em>Ad te levavi oculos meos<\/em> (Gregorian tractus) \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Miko\u0142aj Ziele\u0144ski (c. 1560\u2013c. 1620) \u2013 <em>Levavi oculos meos in montes<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Missa vidi turbam magnam<\/em> \u2013 <em>Sanctus<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Teodoro Riccio (c. 1540\u2013after 1600) \u2013 <em>Missa vidi turbam magnam<\/em> \u2013 <em>Agnus Dei<\/em> \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Anonim \u2013 <em>Ave mater o Maria<\/em> (<em>Kras 52<\/em>) \u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center\">Johannes Ockeghem (c. 1410\u20131497) \u2013 <em>Intemerata Dei Mater<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">PERFORMERS<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>P\u00d3\u0141.CH\u00d3R VOCAL ENSEMBLE:<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>ALEKSANDRA KNAPI\u0143SKA<br>KAROLINA ZAJ\u0104C<br>KRZYSZTOF TRUSKOWSKI<br>ANTONI KRASOWSKI<br>ANTONI BALASI\u0143SKI<br>STANIS\u0141AW NIED\u0179WIED\u0179&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-knapinski\/\" type=\"artysci\" id=\"35416\">KAROL KNAPI\u0143SKI<\/a><\/strong> CONDUCTOR<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1h (no intermission)<\/p>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>King Stephen B\u00e1thory went down in Polish history as an outstanding politician and a prudent ruler. Alongside his military and diplomatic successes, his achievements included intensive efforts to support the development of Polish art and science. However, few testimonies exist concerning the king\u2019s musical interests, although it is known that he maintained a forty-member court [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":16118,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[127],"sezon":[123],"class_list":["post-44864","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-4th-festival-in-tempore-regum-music-in-the-time-of-kings","sezon-2026-2027"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>INVICTISSIMO AC POTENTISSIMO REGI POLONIAE - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/invictissimo-ac-potentissimo-regi-poloniae\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"INVICTISSIMO AC POTENTISSIMO REGI POLONIAE - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"King Stephen B\u00e1thory went down in Polish history as an outstanding politician and a prudent ruler. Alongside his military and diplomatic successes, his achievements included intensive efforts to support the development of Polish art and science. 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