{"id":44807,"date":"2026-07-01T10:00:00","date_gmt":"2026-07-01T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=44807"},"modified":"2026-08-19T15:59:17","modified_gmt":"2026-08-19T13:59:17","slug":"mass-in-d-major-johann-gottlob-harrer-inauguration-of-the-festival","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/mass-in-d-major-johann-gottlob-harrer-inauguration-of-the-festival\/","title":{"rendered":"MASS IN D MAJOR \/ JOHANN GOTTLOB HARRER | INAUGURATION OF THE FESTIVAL"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Johann Gottlob Harrer (1703\u20131755) received his musical education in Italy thanks to the patronage of Heinrich Br\u00fchl. The high-ranking official and favourite of Augustus III of Saxony must have been firmly convinced of Harrer\u2019s talent, since he employed him for nearly twenty years as his Kapellmeister and later, in 1750, recommended him for the prestigious post of cantor at St Thomas\u2019s Church in Leipzig. Thus, Harrer became the direct successor of the great Johann Sebastian Bach and held this distinguished position until his death in 1755.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harrer\u2019s <em>Mass in D major<\/em>, preserved in a Dresden manuscript (D-Dl, Mus.2740-D-2), was composed in 1735, at a time when the composer was staying in Warsaw, probably already as a musician in Chancellor Br\u00fchl\u2019s ensemble. The composer most likely arrived in the Polish capital in the autumn of 1734 in the entourage of King Augustus III, and presumably left for Dresden with him in August 1736. He had, however, visited Warsaw before and served there \u2013 at least in 1732 \u2013 as a so-called <em>supernumerarius<\/em> in the Polish court ensemble of King Augustus II. It may therefore be assumed that the <em>Mass in D major<\/em> was most likely intended for Warsaw and, if it was performed there, that it was given by the combined forces of the royal singers, the musicians of Br\u00fchl\u2019s ensemble, and members of the ensemble of the Collegiate Church of St. John. Elaborate in form and ceremonial in character, the <em>Mass in D major<\/em> is one of Harrer\u2019s most important sacred works. Although its monumental form is rooted in the Baroque tradition and its handling of sonority draws on the achievements of the Italian masters, the lightness of texture and refined melodic lines characteristic of the galant style already foreshadow a new era.<\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\">Marta Dziewanowska-Pachowska<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">PROGRAM<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Johann Gottlob Harrer (1703-1755) \u2013 Mass in D major HarWV 32<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">I <em>Kyrie <\/em>\u2013 <em>Christe <\/em>\u2013 <em>Kyrie<\/em><br>II <em>Gloria <\/em>\u2013 <em>Qui tollis <\/em>\u2013 <em>Quoniam <\/em>\u2013 <em>Cum Sancto Spiritu<\/em><br>III <em>Credo <\/em>\u2013 <em>Crucifixus <\/em>\u2013 <em>Et resurrexit <\/em>\u2013 <em>Et vitam<\/em><br>IV <em>Sanctus<\/em><br>V <em>Benedictus \u2013 Osanna<\/em><br>VI <em>Agnus Dei <\/em>\u2013 <em>Dona nobis pacem<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has-medium-font-size\">PERFORMERS<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\" type=\"artysci\" id=\"9062\"><strong>MARTA BOBERSKA<\/strong><\/a> SOPRANO&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>JAKUB FOLTAK<\/strong> COUNTERTENOR&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>JACEK SZPONARSKI<\/strong> TENOR&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>MICHA\u0141 DEMBI\u0143SKI <\/strong>BASS&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>THE CHAMBER CHOIR OF THE POLISH ROYAL OPERA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\" type=\"page\" id=\"15802\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/jakub-szafranski\/\" type=\"artysci\" id=\"22133\">JAKUB SZAFR<\/a><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/jakub-szafranski\/\" type=\"artysci\" id=\"22133\">A\u0143SKI<\/a><\/strong><\/strong> CHAMBER CHOIR MASTER<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\" type=\"artysci\" id=\"9037\">KRZYSZTOF GARSTKA <\/a><\/strong>HARPSICHORD\/POSITIVE ORGAN, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Duration: approx. 1h<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The seats in the auditorium are not numbered.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johann Gottlob Harrer (1703\u20131755) received his musical education in Italy thanks to the patronage of Heinrich Br\u00fchl. The high-ranking official and favourite of Augustus III of Saxony must have been firmly convinced of Harrer\u2019s talent, since he employed him for nearly twenty years as his Kapellmeister and later, in 1750, recommended him for the prestigious [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":16118,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[127],"sezon":[123],"class_list":["post-44807","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-4th-festival-in-tempore-regum-music-in-the-time-of-kings","sezon-2026-2027"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MASS IN D MAJOR \/ JOHANN GOTTLOB HARRER | INAUGURATION OF THE FESTIVAL - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/mass-in-d-major-johann-gottlob-harrer-inauguration-of-the-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MASS IN D MAJOR \/ JOHANN GOTTLOB HARRER | INAUGURATION OF THE FESTIVAL - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Johann Gottlob Harrer (1703\u20131755) received his musical education in Italy thanks to the patronage of Heinrich Br\u00fchl. 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