{"id":43444,"date":"2026-04-09T09:30:00","date_gmt":"2026-04-09T07:30:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=43444"},"modified":"2026-04-20T18:41:52","modified_gmt":"2026-04-20T16:41:52","slug":"night-of-museums-chamber-concerts-4","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/night-of-museums-chamber-concerts-4\/","title":{"rendered":"NIGHT OF MUSEUMS \/ CHAMBER CONCERTS"},"content":{"rendered":"\n

FREE ADMISSION<\/strong><\/p>\n\n\n\n

Places are limited, allocated on a first-come, first-served basis.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

The Polish Royal Opera once again joins in the Night of Museums \u2013 a unique celebration of culture and art. On this special evening, the enchanting space of the Old Orangery in Warsaw\u2019s Royal \u0141azienki Park will be filled with a variety of music performed by outstanding soloists of the Polish Royal Opera, accompanied on the piano by Dagmara Dudzi\u0144ska.<\/p>\n\n\n\n

The first two concerts will be devoted to Polish vocal lyricism. At 19:00, we will hear songs by Stanis\u0142aw Niewiadomski, combining \u2013 as Irena Poniatowska observed \u2013 \u201cthe spirit of Polish poetry with beautiful vocal arrangements,\u201d along with works by Jan Gall, full of simplicity and charm. At 19:25, soloists of the Polish Royal Opera will perform Kalina<\/em> by Ignacy Marceli Komorowski, which enjoyed great popularity in the 19th century, selected songs from Op. 18 by Ignacy Jan Paderewski, likely written under the influence of his deep affection for Helena G\u00f3rska, as well as deeply moving songs by Mieczys\u0142aw Kar\u0142owicz set to the poetry of Kazimierz Przerwa-Tetmajer, which was a particularly strong source of inspiration for the composer.<\/p>\n\n\n\n

After a short break, the stage of the Royal Theatre will be taken over by the powerful emotions embedded in German Romantic songs. The depth of feeling is expressed in a particularly striking way in Robert Schumann\u2019s Dichterliebe<\/em>, set to poems by Heinrich Heine. The piece opens with a declaration of love, not coincidentally containing a musical quotation from a composition by Clara Wieck-Schumann. However, emotions of the heart can take many forms, as will be proven by moving interpretations of selected songs by Schubert, Brahms, Wolf, and Strauss.<\/p>\n\n\n\n

W roku obchod\u00f3w 270. rocznicy urodzin oraz 235. rocznicy \u015bmierci Wolfganga Amadeusza Mozarta nie mo\u017ce zabrakn\u0105\u0107 fragment\u00f3w z oper wiede\u0144skiego mistrza. B\u0119dzie zatem mo\u017cna us\u0142ysze\u0107 zaloty Narda z Weso\u0142ej ogrodniczki<\/em>, zachwyci\u0107 si\u0119 sprytem uroczej Zuzanny z Wesela Figara<\/em>, pozna\u0107 natur\u0119 mi\u0142o\u015bci w rozumieniu Dorabelli z Cosi fan tutte <\/em>czy w ko\u0144cu wraz z Zerlin\u0105 ulec urokowi tytu\u0142owego bohatera opery Don Giovanni<\/em>. Natomiast fina\u0142 wieczoru nale\u017ce\u0107 b\u0119dzie do kr\u00f3la opery komicznej \u2013 Gioachina Rossiniego. Fragmenty ze s\u0142ynnej W\u0142oszki w Algierze<\/em> oraz przypisywany mistrzowi opery komicznej \u2013 cho\u0107 prawdopodobnie opracowany przez angielskiego kompozytora Roberta Lucasa Pearsalla \u2013 Duet kot\u00f3w<\/em> z pewno\u015bci\u0105 pozostawi\u0105 publiczno\u015b\u0107 w pogodnym nastroju.  <\/p>\n\n\n\n

In the year marking the 270th anniversary of the birth and the 235th anniversary of the death of Wolfgang Amadeus Mozart, no program would be complete without excerpts from the operas of the Viennese master. Audiences will therefore get the chance to hear Nardo\u2019s advances from La finta giardiniera<\/em>, admire the wit of the charming Susanna from Le nozze di Figaro<\/em>, explore the nature of love as understood by Dorabella in Cos\u00ec fan tutte<\/em>, and finally, together with Zerlina, succumb to the charm of the title character in Don Giovanni<\/em>. The evening will conclude with the king of comic opera, Gioachino Rossini. Excerpts from the famous L\u2019italiana in Algeri<\/em> and the Duetto buffo di due gatti<\/em>, attributed to the master of comic opera \u2013 though most likely arranged by the English composer Robert Lucas Pearsall \u2013 will surely leave the audience in a cheerful mood.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/h4>\n\n\n\n

19:00-19:15<\/span><\/strong><\/p>\n\n\n\n

Stanis\u0142aw Niewiadomski (1859\u20131936)<\/strong><\/p>\n\n\n\n

Ostatnia r\u00f3\u017ca<\/em> \u2013 lyrics A. Asnyk
Indele i Mendele<\/em> \u2013 lyrics M. Konopnicka
Zaczarowana kr\u00f3lewna<\/em> \u2013 lyrics M. Konopnicka
Zosia<\/em> \u2013 lyrics T. Lenartowicz 
Mi\u0119dzy nami nic nie by\u0142o<\/em> \u2013 lyrics A. Asnyk <\/p>\n\n\n\n

Jan Gall (1856\u20131912)<\/strong><\/p>\n\n\n\n

Gdybym by\u0142 m\u0142odszy, dziewczyno<\/em> \u2013 lyrics A. Asnyk
Twe ciche, du\u017ce, jasne oczy<\/em> \u2013 lyrics A. Asnyk<\/p>\n\n\n\n

19:25-19:40<\/span><\/strong><\/p>\n\n\n\n

Ignacy Marceli Komorowski (1824\u20131857)<\/strong><\/p>\n\n\n\n

Kalina<\/em> \u2013 lyrics T. Lenartowicz<\/p>\n\n\n\n

Ignacy Jan Paderewski (1860\u20131941)<\/strong> <\/p>\n\n\n\n

Tylem wytrwa\u0142<\/em> Op. 18 No. 5 \u2013 lyrics A. Mickiewicz
Gdybym si\u0119 zmieni\u0142<\/em> Op. 18 No. 6 \u2013 lyrics A. Mickiewicz <\/p>\n\n\n\n

Mieczys\u0142aw Kar\u0142owicz (1876\u20131909)<\/strong><\/p>\n\n\n\n

Zasmuconej<\/em> \u2013 lyrics K. Przerwa-Tetmajer  
Pod jaworem<\/em> \u2013 lyrics K. Przerwa-Tetmajer  
Z now\u0105 wiosn\u0105<\/em> \u2013 lyrics K. Przerwa-Tetmajer<\/p>\n\n\n\n

19:50-20:05<\/span><\/strong><\/p>\n\n\n\n

Robert Schumann (1810\u20131856)<\/strong><\/p>\n\n\n\n

Dichterliebe<\/em> Op. 48 \u2013 lyrics H. Heine (selection):
1. Im wundersch\u00f6nen Monat Mai<\/em>
2. Aus meinen Tr\u00e4nen sprie\u00dfen<\/em>
3. Die Rose, die Lilie, die Taube, die Sonne<\/em><\/p>\n\n\n\n

Drei zweistimmige Lieder<\/em> Op. 43 (selection):
1. Wenn ich ein V\u00f6glein w\u00e4r<\/em> \u2013 lyrics G. F. Treitschke
3. Sch\u00f6n Bl\u00fcmelein<\/em> \u2013 lyrics R. Reinick<\/p>\n\n\n\n

Franz Schubert (1797\u20131828) <\/strong><\/p>\n\n\n\n

Lachen und Weinen<\/em> Op. 59 No. 4 \u2013 lyrics F. R\u00fcckert<\/p>\n\n\n\n

Johannes Brahms (1833\u20131897) <\/strong><\/p>\n\n\n\n

M\u00e4dchenlied<\/em> Op. 107 No. 5 \u2013 lyrics P. Heyse <\/p>\n\n\n\n

Hugo Wolf (1860\u20131903) <\/strong><\/p>\n\n\n\n

M\u00f6rike-Lieder<\/em> No. 12, Verborgenheit <\/em>\u2013 lyrics E. M\u00f6rike<\/p>\n\n\n\n

Richard Strauss (1864\u20131949) <\/strong><\/p>\n\n\n\n

Morgen!<\/em> Op. 27 No. 4 \u2013 lyrics J. H. Mackay<\/p>\n\n\n\n

20:25-20:40<\/span><\/strong><\/p>\n\n\n\n

Wolfgang Amadeus Mozart (1756\u20131791)<\/strong><\/p>\n\n\n\n

Via resti servita<\/em> \u2013 duet (Susanna and Marcellina) from the opera Le nozze di Figaro<\/em>
Con un vezzo all\u2019Italiana<\/em> \u2013 aria (Nardo) from the opera La finta giardiniera<\/em> 
Crudel! perch\u00e9 finora\u2026<\/em> \u2013 duet (Susanna and Count) from the opera Le nozze di Figaro <\/em>
\u00c8 amore un ladroncello<\/em> \u2013 aria (Dorabella) from the opera Cos\u00ec fan tutte <\/em>
L\u00e0 ci darem la mano<\/em> \u2013 duet (Zerlina and Don Giovanni) from the opera Don Giovanni <\/em><\/p>\n\n\n\n

20:50-21:05<\/span><\/strong><\/p>\n\n\n\n

Gioachino Rossini (1792\u20131868)<\/strong><\/p>\n\n\n\n

Duetto buffo di due gatti<\/em> 
Cruda sorte<\/em> \u2013 aria (Isabella) from the opera L\u2019Italiana in Algeri<\/em> 
Ai capricci della sorte<\/em> \u2013 duet (Isabella and Taddeo) from the opera L\u2019Italiana in Algeri<\/em> <\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

MARTA BOBERSKA<\/a><\/strong> SOPRANO
TATIANA HEMPEL-GIERLACH<\/a><\/strong> SOPRANO
DOROTA LACHOWICZ<\/a><\/strong> MEZZOSOPRANO
ANETA \u0141UKASZEWICZ<\/a><\/strong> MEZZOSOPRANO
LESZEK \u015aWIDZI\u0143SKI<\/a><\/strong> TENOR
WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a><\/strong> BARITONE<\/p>\n\n\n\n

DAGMARA DUDZI\u0143SKA<\/a><\/strong> GRAND PIANO<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 2 h 5 mins<\/p>\n\n\n\n

The seats in the auditorium are not numbered.<\/h5>\n\n\n\n
PLEASE NOTE: The entrance to the Royal Theatre is located on Agrykola street.<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"

FREE ADMISSION Places are limited, allocated on a first-come, first-served basis. The Polish Royal Opera once again joins in the Night of Museums \u2013 a unique celebration of culture and art. On this special evening, the enchanting space of the Old Orangery in Warsaw\u2019s Royal \u0141azienki Park will be filled with a variety of music […]<\/p>\n","protected":false},"author":15,"featured_media":5222,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[],"class_list":["post-43444","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized"],"acf":[],"yoast_head":"\nNIGHT OF MUSEUMS \/ CHAMBER CONCERTS - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/night-of-museums-chamber-concerts-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NIGHT OF MUSEUMS \/ CHAMBER CONCERTS - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"FREE ADMISSION Places are limited, allocated on a first-come, first-served basis. The Polish Royal Opera once again joins in the Night of Museums \u2013 a unique celebration of culture and art. 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