{"id":42806,"date":"2026-03-06T12:01:00","date_gmt":"2026-03-06T11:01:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=42806"},"modified":"2026-03-06T15:03:04","modified_gmt":"2026-03-06T14:03:04","slug":"mozart-reinecke-dvorak","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/mozart-reinecke-dvorak\/","title":{"rendered":"MOZART \u2013 REINECKE \u2013 DVORAK"},"content":{"rendered":"\n

The solemn and graceful overture to La clemenza di Tito<\/em> by Wolfgang Amadeus Mozart (1756\u20131791) gently guides the listener toward the themes that appear later in the concert. The world premiere of the hastily written The Clemency of Titus<\/em> took place during the coronation festivities of Leopold II as King of Bohemia, held in Prague just a few months before the composer\u2019s death.<\/p>\n\n\n\n

Next, we will hear one of the final works of the German composer Carl Reinecke (1824\u20131910), who was also regarded as an outstanding interpreter of Mozart\u2019s piano works. Reinecke frequently turned to the works of the Viennese master \u2013 as well as to those of other composers of the past \u2013 in his conducting career. In his own compositions, however, he adhered to classical models, paying particular attention to the elegance of form and the beauty of melody. An excellent example of this approach is one of the composer\u2019s last works \u2013 the Flute Concerto in D major, Op. 283. Completed in 1908, it was premiered in 1909 by the dedicatee, the outstanding flutist Maximilian Schwedler. The first movement, captivating in its lightness, is followed by a poignant, pain-filled Lento<\/em>, which leads to a lively and refined virtuosic finale.<\/p>\n\n\n\n

Niespotykana inwencja melodyczna wyr\u00f3\u017cnia\u0142a czo\u0142owego czeskiego kompozytora Anton\u00edna Dvo\u0159\u00e1ka (1841-1904), kt\u00f3rego Symfonia nr 8 wype\u0142ni swym wyrafinowanym brzmieniem drug\u0105 cz\u0119\u015b\u0107 koncertu. Obdarzony muzycznym talentem syn rze\u017anika z ma\u0142ej miejscowo\u015bci Nelahozeves nieopodal Pragi, osi\u0105gn\u0105\u0142 mi\u0119dzynarodowe uznanie. Podobnie jak Ludwig van Beethoven, pozostawi\u0142 po sobie dziewi\u0119\u0107 symfonii. Przedostatnia z nich zachowuje tradycyjn\u0105 czterocz\u0119\u015bciow\u0105 struktur\u0119, jednak wewn\u0119trzna budowa poszczeg\u00f3lnych ust\u0119p\u00f3w zaskakuje doborem nieoczywistych rozwi\u0105za\u0144, zw\u0142aszcza w finale, \u0142\u0105cz\u0105cym w sobie cechy wariacji, formy rondowej i sonatowej. Potoczysta narracja, r\u00f3\u017cnorodno\u015b\u0107 motyw\u00f3w, doskona\u0142e wyczucie mo\u017cliwo\u015bci kolorystycznych orkiestry i z ducha czeska atmosfera sk\u0142adaj\u0105 si\u0119 na pe\u0142n\u0105 ekspresji poetyck\u0105 ca\u0142o\u015b\u0107.<\/p>\n\n\n\n

Extraordinary melodic invention distinguished the leading Czech composer Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904), whose Symphony No. 8 will fill the second part of the concert with its refined sound. The musically gifted son of a butcher from the small town of Nelahozeves near Prague achieved international recognition. Like Ludwig van Beethoven, he left behind nine symphonies. The penultimate of them retains the traditional four-movement structure; however, the internal design of the individual sections surprises with its selection of unexpected solutions, especially in the finale, which combines elements of variation, rondo, and sonata form. A flowing narrative, a rich variety of motifs, a refined sense of orchestral color, and a distinctly Czech atmosphere come together to create a poetic and expressive whole.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/strong><\/p>\n\n\n\n

Wolfgang Amadeus Mozart (1756-1791) \u2013 Overture to the opera La clemenza di Tito<\/em><\/p>\n\n\n\n

Carl Reinecke (1824\u20131910) \u2013 Flute Concerto in D major, Op. 283<\/p>\n\n\n\n

Allegro molto moderato<\/em>
Lento e mesto<\/em>
Finale: Moderato \u2013 Allegro molto<\/em><\/p>\n\n\n\n

—– intermission —–<\/p>\n\n\n\n

Anton\u00edn Dvo\u0159\u00e1k (1841\u20131904) \u2013 Symphony No. 8 in G major, Op. 88<\/p>\n\n\n\n

Allegro con brio<\/em>
Adagio<\/em>
Allegretto grazioso <\/em>
Allegro ma non troppo<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/strong><\/h4>\n\n\n\n

\u0141UKASZ D\u0141UGOSZ<\/strong> FLUTE<\/p>\n\n\n\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

SZYMON MORUS <\/strong>CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1h 40 mins (with an intermission)<\/p>\n","protected":false},"excerpt":{"rendered":"

The solemn and graceful overture to La clemenza di Tito by Wolfgang Amadeus Mozart (1756\u20131791) gently guides the listener toward the themes that appear later in the concert. The world premiere of the hastily written The Clemency of Titus took place during the coronation festivities of Leopold II as King of Bohemia, held in Prague […]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[106],"sezon":[105],"class_list":["post-42806","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-symphonic-concert-season-2025-2026","sezon-2025-2026-2"],"acf":[],"yoast_head":"\nMOZART \u2013 REINECKE \u2013 DVORAK - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/mozart-reinecke-dvorak\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MOZART \u2013 REINECKE \u2013 DVORAK - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The solemn and graceful overture to La clemenza di Tito by Wolfgang Amadeus Mozart (1756\u20131791) gently guides the listener toward the themes that appear later in the concert. 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