{"id":42173,"date":"2026-02-04T11:00:00","date_gmt":"2026-02-04T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=42173"},"modified":"2026-04-15T19:50:39","modified_gmt":"2026-04-15T17:50:39","slug":"il-trionfo-del-tempo-e-del-disinganno-georg-friedrich-haendel-2-3-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/il-trionfo-del-tempo-e-del-disinganno-georg-friedrich-haendel-2-3-2\/","title":{"rendered":"IL TRIONFO DEL TEMPO E DEL DISINGANNO \/ GEORG FRIEDRICH HANDEL"},"content":{"rendered":"\n<p>The event is part of <a href=\"https:\/\/www.opera.bydgoszcz.pl\/bydgoski-festiwal-operowy-1\/xxxii-bydgoski-festiwal-operowy-1.html\">the 32nd Bydgoszcz Opera Festival<\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>If we are to believe the accounts of the composer&#8217;s first biographer, John Mainwaring, the twenty-year-old Georg Friedrich Handel, while in Hamburg, looked with a hint of contempt at the scores of Italian composers. However, Ferdinando de Medici&#8217;s words soon came true, that what Handel needed was &#8220;only a journey to Italy to embrace the style and taste that prevail there&#8221;. Indeed, immersion in the artistic life of Florence, Rome, and later Naples and Venice gave the composer&#8217;s mature style a special originality and refinement. One of the fruits of this journey to Italy is <em>Il trionfo del Tempo e del Disinganno<\/em> HWV 46a from 1707 &#8211; an oratorio written for Rome, described as a &#8220;secret opera&#8221; by Romain Rolland. At that time, the city had a church ban on performing <em>drammi per musica<\/em>, which did not cool down the aesthetic needs of an elite group of audiences enamored with lavish dramatic works.<\/p>\n\n\n\n<p>The libretto prepared for Handel by Cardinal Benedetto Pamphili concerns universal issues \u2013 the nature of Beauty, the essence of Truth, the limits of Pleasure, and the inevitability of the passage of Time. The dispute of the four allegorical characters leads the audience deeper and deeper into reflection on the challenges posed to man by the reality surrounding him. Alongside high values, temptations and disappointments arise. Notably, this first version of the oratorio is crowned by Bellezza&#8217;s wistful aria<em> Tu del Ciel<\/em> (changed to a triumphant <em>Alleluia<\/em> in subsequent versions), dominated by a sense of helplessness and \u2013 given the experience gained \u2013 a longing for innocence. The creators of the stage interpretation of Handel&#8217;s masterpiece at the Polish Royal Opera follow the shadow present in this vision. By embedding musical dialogues within a contemporary narrative, they pose bold, engaging questions about the role of values in a world where knowledge and understanding come at a high price.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">MUSIC DIRECTOR <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong><br>STAGE DIRECTOR <strong>WALDEMAR RA\u0179NIAK<\/strong><br>SET DESIGN AND COSTUMES <strong>BARBARA GUZIK<\/strong><br>LIGHTING DESIGN <strong>ADA BYSTRZYCKA<\/strong><br>VIDEO PROJECTIONS <strong>WOJTEK KAPELA<\/strong><br>ASSISTANT DIRECTORS <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\">AGNIESZKA KOZ\u0141OWSKA<\/a><\/strong><br>STAGE MANAGER<strong> <strong>TATIANA HEMPEL-GIERLACH<\/strong><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">CAST<\/h4>\n\n\n\n<p class=\"has-text-align-center\">BELLEZZA <strong><strong>JULIA PLI\u015a<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">PIACERE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\">ANETA \u0141UKASZEWICZ<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">DISINGANNO <strong>JAKUB FOLTAK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">TEMPO <strong>ALEKSANDER REWI\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">ACTORS <strong><strong><strong>PATRYCJA GRZYWI\u0143SKA, JOANNA LICHOROWICZ-GRE\u015a, VOVA MAKOVSKYI, <strong>MIKO\u0141AJ \u0141UKASIEWICZ<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">CONDUCTOR <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 2 h 20 mins (with one intermission)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong>Patron of\u00a0<em>OPERA ON TOUR<\/em><\/strong><\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a  href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image.png\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-150x150.png\" alt=\"\" class=\"wp-image-39269\" srcset=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-150x150.png 150w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-300x300.png 300w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image.png 763w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/figure><\/div>\n\n\n<p class=\"has-text-align-center\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The event is part of the 32nd Bydgoszcz Opera Festival If we are to believe the accounts of the composer&#8217;s first biographer, John Mainwaring, the twenty-year-old Georg Friedrich Handel, while in Hamburg, looked with a hint of contempt at the scores of Italian composers. However, Ferdinando de Medici&#8217;s words soon came true, that what Handel [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":39827,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[107],"sezon":[82,105],"class_list":["post-42173","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-opera-on-tour-season-2025-2026","sezon-2024-2025","sezon-2025-2026-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>IL TRIONFO DEL TEMPO E DEL DISINGANNO \/ GEORG FRIEDRICH HANDEL - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-trionfo-del-tempo-e-del-disinganno-georg-friedrich-haendel-2-3-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IL TRIONFO DEL TEMPO E DEL DISINGANNO \/ GEORG FRIEDRICH HANDEL - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The event is part of the 32nd Bydgoszcz Opera Festival If we are to believe the accounts of the composer&#8217;s first biographer, John Mainwaring, the twenty-year-old Georg Friedrich Handel, while in Hamburg, looked with a hint of contempt at the scores of Italian composers. 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