{"id":41858,"date":"2026-01-09T11:00:00","date_gmt":"2026-01-09T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=41858"},"modified":"2026-01-09T12:19:06","modified_gmt":"2026-01-09T11:19:06","slug":"ravel-tansman-beethoven","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/ravel-tansman-beethoven\/","title":{"rendered":"RAVEL\u00a0\u2013 TANSMAN\u00a0\u2013 BEETHOVEN"},"content":{"rendered":"\n

Concise in form and subtle in sonority, Maurice Ravel\u2019s Fanfare<\/em> is part of the collaborative ballet L\u2019\u00e9ventail de Jeanne<\/em> of 1927. Ravel was entrusted with composing the introduction, which he treated as a kind of playful orchestral experiment. As Roland-Manuel, a scholar of Ravel\u2019s work, noted \u2013 somewhat humorously, yet with striking accuracy \u2013 the opening of this \u201cLilliputian\u201d fanfare seems to imitate the buzzing of insects, while its climax evokes the style of Wagner\u2019s G\u00f6tterd\u00e4mmerung<\/em>. Ravel\u2019s sensitivity to timbre and his search for diverse, unconventional instrumental solutions are also particularly evident in Trois Po\u00e8mes de St\u00e9phane Mallarm\u00e9<\/em>. This work invites us on a musical journey into the mysterious world of one of the key French poets, who focused not only on the meaning of words but also on their sound. How perfectly this symbol-laden poetry resonates with the sonic imagination of the composer of the famous Bol\u00e9ro<\/em>! The two works by Ravel will be separated by music by Aleksander Tansman. Although this Polish composer permanently emigrated from his homeland as early as 1919, his works frequently draw on native traditions. An excellent example is the neoclassical Si<\/em>nfonietta No. 1 for chamber orchestra from 1924, featuring a beautiful Mazurka as its second movement.<\/p>\n\n\n\n

The finale of the concert will feature the first of Ludwig van Beethoven\u2019s famous nine symphonies. Composed at the turn of the century, it premiered on April 2, 1800, at the Burgtheater in Vienna. While the work retains a classical formal structure reflecting the symphonic traditions of Joseph Haydn and Wolfgang Amadeus Mozart, it also contains hints of the transformations that would define nineteenth-century music. One should note the special role of the wind instruments, as well as the distinctly expressive third movement, whose flowing motion and vibrant energy \u2013 still labeled a Minuet \u2013 already contain the seeds of the Scherzo. This is no coincidence: starting with his next symphony, Beethoven would openly and permanently abandon the courtly dance resonating with the old order, ushering in a new \u2013 already Romantic \u2013 tradition.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/h4>\n\n\n\n

Maurice Ravel (1875\u20131937) \u2013 Fanfare from the ballet L\u2019eventail de Jeanne<\/em><\/p>\n\n\n\n

Aleksander Tansman (1897-1986) \u2013 Sinfonietta No. 1<\/p>\n\n\n\n

I. Allegro assai<\/em>
II. Mazurka<\/em>
III. Notturno<\/em>
IV. Fuga e Toccata<\/em><\/p>\n\n\n\n

Maurice Ravel \u2013 Trois Po\u00e8mes de St\u00e9phane Mallarm\u00e9<\/em>, M.64<\/p>\n\n\n\n

Soupir
Placet futile
Surgi de la croupe et du bond<\/em><\/p>\n\n\n\n

Ludwig van Beethoven (1770\u20131827) \u2013 Symphony No. 1 in C major, Op. 21<\/p>\n\n\n\n

I. Adagio molto \u2013 Allegro con brio<\/em>
II. Andante cantabile con moto<\/em>
III. Menuetto: Allegro molto e vivace<\/em>
IV. Adagio \u2013 Allegro molto e vivace<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

ANETA \u0141UKASZEWICZ<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

KAROL KNAPI\u0143SKI<\/a><\/strong> CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1 h 30 mins (with an intermission)<\/p>\n","protected":false},"excerpt":{"rendered":"

Concise in form and subtle in sonority, Maurice Ravel\u2019s Fanfare is part of the collaborative ballet L\u2019\u00e9ventail de Jeanne of 1927. Ravel was entrusted with composing the introduction, which he treated as a kind of playful orchestral experiment. As Roland-Manuel, a scholar of Ravel\u2019s work, noted \u2013 somewhat humorously, yet with striking accuracy \u2013 the […]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[106],"sezon":[],"class_list":["post-41858","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-symphonic-concert-season-2025-2026"],"acf":[],"yoast_head":"\nRAVEL\u00a0\u2013 TANSMAN\u00a0\u2013 BEETHOVEN - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/ravel-tansman-beethoven\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RAVEL\u00a0\u2013 TANSMAN\u00a0\u2013 BEETHOVEN - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Concise in form and subtle in sonority, Maurice Ravel\u2019s Fanfare is part of the collaborative ballet L\u2019\u00e9ventail de Jeanne of 1927. 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