{"id":41752,"date":"2026-01-09T11:00:00","date_gmt":"2026-01-09T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=41752"},"modified":"2026-01-09T12:04:55","modified_gmt":"2026-01-09T11:04:55","slug":"der-tod-jesu-carl-heinrich-graun","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/der-tod-jesu-carl-heinrich-graun\/","title":{"rendered":"DER TOD JESU \/ CARL HEINRICH GRAUN"},"content":{"rendered":"\n<p>Carl Heinrich Graun (1704\u20131759) gained fame and recognition both as a composer and as an outstanding singer. Already as a child, he impressed audiences with his beautiful soprano voice, and as an adult \u2013 with his tenor. From an early age, he received training and gained performance experience both in church music and on the operatic stage. From 1740 until his death, he served as Kapellmeister at the royal court of Frederick II, where, alongside numerous operas composed in the Italian style, he also wrote instrumental and sacred works. The Passion oratorio <em>Der Tod Jesu<\/em> ranks among the composer\u2019s most significant achievements within the latter genre.<\/p>\n\n\n\n<p>The work was composed on commission from Frederick II\u2019s younger sister, Princess Anna Amalia, who entrusted the writing of the libretto to Karl Wilhelm Ramler (1725\u20131798). The poet \u2013 honored in his own time with the distinguished title \u201cthe German Horace\u201d \u2013 created an outstanding text drawing on elements from all four Gospels. The portrayal of Christ as the embodiment of virtue received a superb musical interpretation from Graun. The elegant treatment of the chorales, the refinement of the chorus writing, and the extraordinary virtuosity of the arias captivated contemporary audiences, who sought in music profound expression, emotional depth, and refined taste. From its premiere in March 1755 onward, the work was performed annually in Berlin, adding splendor to the celebrations of Holy Week. This tradition remained alive until the end of the nineteenth century, when Graun\u2019s composition was replaced by J. S. Bach\u2019s <em>St Matthew Passion<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-right has-cyan-bluish-gray-color has-text-color has-link-color has-small-font-size wp-elements-3ed8db0f183a7212864b3d899361aec6\"><strong>Marta Dziewanowska-Pachowska<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PROGRAM<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Carl Heinrich Graun (1704\u20131759) \u2013 Der Tod Jesu, GraunWV B:VII:2<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Chorale: <em>Du, dessen Augen flossen<\/em><br>Chorus: <em>Sein Odem ist schwach<\/em><br>Recitative (soprano): <em>Gethsemane! Gethsemane!<\/em><br>Aria (soprano): <em>Du Held, auf den die K\u00f6cher<\/em><br>Chorale: <em>Wen hab\u2019 ich sonst als dich allein<\/em><br>Recitative (soprano): <em>Ach mein Immanuel!<\/em><br>Aria (soprano): <em>Ein Gebet um neue St\u00e4rke<\/em><br>Recitative (tenor): <em>Nun klingen Waffen<\/em><br>Aria (tenor): <em>Ihr weichgeschaffnen Seelen<\/em><br>Chorus: <em>Unsre Seele ist gebeuget<\/em><br>Chorale: <em>Ich will von meiner Missetat<\/em><br>Recitative (bass): <em>Jerusalem, voll Mordlust<\/em><br>Aria (bass): <em>So stehet ein Berg Gottes<\/em><br>Chorus: <em>Christus hat uns ein Vorbild gelassen<\/em><br>Chorale:<em> Ich werde dir zu Ehren alles wagen<\/em><br>Recitative (soprano): <em>Da steht der traurige, verh\u00e4ngnisvolle Pfahl<\/em><br>Duet (I and II soprano): <em>Feinde, die ihr mich betr\u00fcbt<\/em><br>Recitative (soprano): <em>Wer ist der Heilige, zum Muster uns verliehn<\/em><br>Aria (soprano): <em>Singt dem g\u00f6ttlichen Propheten<\/em><br>Chorus: <em>Freuet euch alle, ihr Frommen<\/em><br>Chorale: <em>Wie herrlich ist die neue Welt<\/em><br>Recitative (bass): <em>Auf einmal f\u00e4llt der aufgehaltne Schmerz<\/em><br>Recitative accompagnato (bass): <em>Es steigen Seraphim<\/em><br>Chorale (chorus, bass solo): <em>Ihr Augen, weint!<\/em> <br>Chorus: <em>Hier liegen wir ger\u00fchrte S\u00fcnder<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>MA\u0141GORZATA TROJANOWSKA<\/strong> I SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\">ANETA \u0141UKASZEWICZ<\/a><\/strong> II SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\">SYLWESTER SMULCZY\u0143SKI<\/a><\/strong> TENOR<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>J\u0118DRZEJ SUSKA<\/strong> BASS<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-chorus-of-the-polish-royal-opera\/\">THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-knapinski\/\">KAROL KNAPI\u0143SKI<\/a><\/strong> CHORUS MASTER<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong> HARPSICHORD\/ POSITIVE ORGAN, CONDUCTOR<\/p>\n\n\n\n<p class=\"has-text-align-center\"><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Duration: approx. 1 h 20 mins (no intermission)<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">The seats in the auditorium are not numbered.<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Carl Heinrich Graun (1704\u20131759) gained fame and recognition both as a composer and as an outstanding singer. Already as a child, he impressed audiences with his beautiful soprano voice, and as an adult \u2013 with his tenor. From an early age, he received training and gained performance experience both in church music and on the [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[110],"sezon":[105],"class_list":["post-41752","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-early-music-at-the-royal-castle-season-2025-2026","sezon-2025-2026-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>DER TOD JESU \/ CARL HEINRICH GRAUN - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/der-tod-jesu-carl-heinrich-graun\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DER TOD JESU \/ CARL HEINRICH GRAUN - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Carl Heinrich Graun (1704\u20131759) gained fame and recognition both as a composer and as an outstanding singer. 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