{"id":41166,"date":"2025-12-05T11:00:00","date_gmt":"2025-12-05T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=41166"},"modified":"2026-05-06T17:23:01","modified_gmt":"2026-05-06T15:23:01","slug":"il-signor-bruschino-gioachino-rossini-premiere","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/il-signor-bruschino-gioachino-rossini-premiere\/","title":{"rendered":"IL SIGNOR BRUSCHINO \/ GIOACHINO ROSSINI \u2013 PREMIERE"},"content":{"rendered":"\n<p><em>Signor Bruschino, ossia Il figlio per azzardo<\/em> from 1813 is the last of five one-act operas composed by Gioachino Rossini for the Venetian Teatro San Mois\u00e8. The libretto by Giuseppe Foppa can make one\u2019s head spin: Florville wishes to marry his beloved Sofia, yet her guardian, Don Gaudenzio, opposes the match, planning to give her in marriage to the son of his friend \u2013 Don Bruschino. And here begins a true farce, whose musical tempo could probably be driven only by the genuine master of comic opera, Gioachino Rossini. The innkeeper thinks Florville is Don Gaudenzio\u2019s secretary; Florville pretends to be Bruschino&#8217;s cousin, or the young Bruschino himself, making a fool of old Bruschino, who \u2013 how is it possible? \u2013 does not recognise his own child!<strong> <\/strong>But he who laughs last, laughs best. When Don Bruschino recognizes the complexity of the intrigue, he joins the game himself, wishing to take revenge on Don Gaudenzio. Love ultimately triumphs, but how many unexpected twists and turns, how many unbelievable situations will unfold along the way\u2026<\/p>\n\n\n\n<p>It is this intricate story, far too rarely shown on theatre stages, that the excellent opera director Jitka Stokalska returns to after many years. In the new staging of Rossini\u2019s farce, she creates a world that is partly real and partly dreamlike, where wakefulness blends with sleep and reality can surprise not only the characters but also the audience. None of this would be possible without the superb music, delightful in its lightness, virtuosity, and originality. The rousing overture with its characteristic tapping of the bow on the stand offers a perfect preview of a mixture of disarming lyricism and comic brilliance brewed in the fumes of absurdity, while the mastery of the arias and the sheer madness of the ensemble scenes make this improbable story vivid and genuinely amusing.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">MUSIC DIRECTION <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-szwech\/\">KAROL SZWECH<\/a><\/strong><br>STAGE DIRECTOR <strong>JITKA STOKALSKA<\/strong><br>SET DESIGN <strong>WOJCIECH STEFANIAK<\/strong><br>COSTUMES <strong>MATEUSZ KAROLCZUK<\/strong><br>CHOREOGRAPHY COLLABORATION <strong>ANNA HOP<\/strong><br>LIGHTING DESIGN <strong>MACIEJ IGIELSKI<\/strong><br>VIDEO PROJECTIONS <strong>WOJTEK KAPELA<\/strong>&nbsp;<br>ASSISTANT CONDUCTOR <strong>ANTONIO RUSSO<\/strong><br>ASSISTANT DIRECTORS <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\">AGNIESZKA KOZ\u0141OWSKA<\/a><\/strong><br>STAGE MANAGER <strong>WANDA KARPI\u0143SKA<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">CAST<\/h4>\n\n\n\n<p class=\"has-text-align-center\">GAUDENZIO <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\">PAWE\u0141 MICHALCZUK<\/a><\/strong><br>SOFIA <strong>ALEKSANDRA KUBAS-KRUK<\/strong><br>BRUSCHINO, PADRE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/witold-zoladkiewicz\/\">WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a><\/strong> <br>BRUSCHINO, FIGLIO <strong>ERNEST TYMCZYSZYN<\/strong> <br>FLORVILLE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\">SYLWESTER SMULCZY\u0143SKI<\/a> <\/strong><br>COMMISSARIO DI POLIZIA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/piotr-kedziora\/\">PIOTR K\u0118DZIORA<\/a><\/strong> <br>FILIBERTO <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/robert-szpregiel\/\">ROBERT SZPR\u0118GIEL<\/a><\/strong><br>MARIANNA <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dorota-lachowicz\/\">DOROTA LACHOWICZ<\/a> <\/strong><br>SERVITORI <strong><strong>BARTOSZ DOPYTALSKI<\/strong><\/strong>, <strong>JERZY KLONOWSKI, MACIEJ JAN KRA\u015aNIEWSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">PIANOFORTE <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dagmara-dudzinska\/\">DAGMARA DUDZI\u0143SKA<\/a><\/strong> <\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-orchestra-of-the-polish-royal-opera\/\">THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">CONDUCTOR <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-szwech\/\">KAROL SZWECH<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: 1h 40 mins (with an intermission)<\/p>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n\n\n\n<p><strong>PLEASE NOTE: The entrance to the Royal Theatre is located on Agrykola street.<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Signor Bruschino, ossia Il figlio per azzardo from 1813 is the last of five one-act operas composed by Gioachino Rossini for the Venetian Teatro San Mois\u00e8. The libretto by Giuseppe Foppa can make one\u2019s head spin: Florville wishes to marry his beloved Sofia, yet her guardian, Don Gaudenzio, opposes the match, planning to give her [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":41315,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[105],"class_list":["post-41166","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2025-2026-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IL SIGNOR BRUSCHINO \/ GIOACHINO ROSSINI \u2013 PREMIERE - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-signor-bruschino-gioachino-rossini-premiere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IL SIGNOR BRUSCHINO \/ GIOACHINO ROSSINI \u2013 PREMIERE - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Signor Bruschino, ossia Il figlio per azzardo from 1813 is the last of five one-act operas composed by Gioachino Rossini for the Venetian Teatro San Mois\u00e8. 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