{"id":40843,"date":"2025-11-12T16:47:00","date_gmt":"2025-11-12T15:47:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=40843"},"modified":"2025-11-26T11:48:07","modified_gmt":"2025-11-26T10:48:07","slug":"meeting-with-decorations-in-the-proscenium-workshop-for-children-aged-7-12-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/meeting-with-decorations-in-the-proscenium-workshop-for-children-aged-7-12-2-2\/","title":{"rendered":"WINTER HOLIDAYS WITH THE POLISH ROYAL OPERA | Meeting with MAKE-UP. PAINTED FACES \/ WORKSHOPS FOR FAMILIES WITH CHILDREN 9+"},"content":{"rendered":"\n

The mask \u2013 a timeless symbol of carnival, the ball, and the exchange of roles. It is hard to find a better pretext to touch upon the theme of theatre make-up, an art without which no operatic performance can take place. After all, opera and carnival have been intertwined since the very beginning. In 1598, it was during the carnival season that Dafne<\/em> by Jacopo Peri \u2013 regarded as the world’s first opera \u2013 was staged. Opera buffa, in turn, drew from its earliest days on the Italian commedia dell\u2019arte<\/em> \u2013 one of the most recognizable theatrical forms associated with street carnival performances and masks. The motif of the mask appears in the libretti themselves (for example, Giuseppe Verdi\u2019s Un ballo in maschera<\/em>, Charles Gounod\u2019s Rom\u00e9o et Juliette<\/em>, or Krzysztof Penderecki\u2019s The Black Mask<\/em>), and even more often, it exists simply as an element of costume.<\/p>\n\n\n\n

During the workshop, we will draw inspiration from the most beautiful masks featured in productions by the Polish Royal Opera. Using professional accessories such as face paint, special markers, adhesives, and rhinestones, we will try to paint different interpretations of the carnival mask on our faces. All this will take place under the watchful eye and with the support of make-up artist Anna Danikowska.<\/p>\n\n\n\n

The highlight of the workshop will be a performance from soloist Justyna St\u0119pie\u0144-Grozdew, who will sing Oscar\u2019s aria from Giuseppe Verdi\u2019s opera Un ballo in maschera<\/em> (The Masked Ball<\/em>).<\/p>\n\n\n\n

We invite children along with their guardians \u2013 it’s up to you to decide which role you’d like to play: makeup artist or model. Let’s get started!<\/p>\n\n\n\n

The workshop is intended for children aged 9 and above.<\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/strong><\/p>\n\n\n\n

JUSTYNA ST\u0118PIE\u0143<\/a><\/strong> SOPRANO<\/p>\n\n\n\n

MONIKA KOLASI\u0143SKA<\/a><\/strong> GRAND PIANO<\/p>\n\n\n\n

ANNA SZAWIEL<\/strong> SCRIPT ANS HOST<\/p>\n\n\n\n

ANNA DANIKOWSKA<\/strong> MAKE-UP<\/p>\n\n\n\n

<\/div>\n\n\n\n

Regulations of ticket sales and participation in an educational event organized by the Polish Royal Opera [pdf download]<\/a><\/p>\n\n\n\n

Declaration of a participant in an educational event<\/a><\/p>\n\n\n\n

\n\n\n\n

Duration: approx. 60 mins<\/p>\n\n\n\n

The workshop is conducted in Polish.<\/strong><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

The mask \u2013 a timeless symbol of carnival, the ball, and the exchange of roles. It is hard to find a better pretext to touch upon the theme of theatre make-up, an art without which no operatic performance can take place. After all, opera and carnival have been intertwined since the very beginning. In 1598, […]<\/p>\n","protected":false},"author":11,"featured_media":40944,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1],"cykle":[108],"sezon":[],"class_list":["post-40843","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","cykle-opera-workshops-season-2025-2026"],"acf":[],"yoast_head":"\nWINTER HOLIDAYS WITH THE POLISH ROYAL OPERA | Meeting with MAKE-UP. 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