{"id":40763,"date":"2025-10-24T13:44:33","date_gmt":"2025-10-24T11:44:33","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=40763"},"modified":"2025-11-24T11:17:18","modified_gmt":"2025-11-24T10:17:18","slug":"vergnugte-ruh-johann-sebastian-bach-cantatas","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/vergnugte-ruh-johann-sebastian-bach-cantatas\/","title":{"rendered":"VERGN\u00dcGTE RUH \/ JOHANN SEBASTIAN BACH \u2013 CANTATAS"},"content":{"rendered":"\n<p>The cantatas written by Johann Sebastian Bach throughout his life are rich in symbolism and express the abundance of meaning contained within the Baroque musical language. During the concert, the refined craft of the Leipzig cantor will be showcased in the interpretation of Andreas Scholl, one of the world\u2019s most prominent countertenors. This will be the first time that this outstanding artist, renowned for his performances of early music, will appear on a Warsaw stage.<\/p>\n\n\n\n<p>The concert will open with the solo cantata <em>Ich habe genug<\/em>, BWV 82, written for bass voice and composed for the Feast of the Presentation of the Lord on February 2, 1727. However, Bach returned to this work three more times: in 1731, he created a version for soprano, in 1735 for mezzo-soprano, and in February 1747, he entrusted the solo part to his son-in-law, who sang alto. The libretto\u2019s mystical longing for death, inspired by the hope of union with Christ, finds a profound and ambiguous expression in the musical means employed by the composer. The opening aria and its corresponding closing section are enriched by a stunning oboe part. In passages filled with dissonances and sigh motifs, one can hear the sorrows of earthly existence, but also the faith that fills the heart with joy at the prospect of an imminent meeting with God. The lullaby-like third movement offers a gentle cradle to sleep \u2013 after which comes an awakening in heaven.<\/p>\n\n\n\n<p>The longing for union with God is also the theme of the cantata <em>Vergn\u00fcgte Ruh, beliebte Seelenlust<\/em>, BWV 170, which was first performed on July 28, 1726. The work opens with a moving aria whose pastoral character was a clear allusion to the image of Christ as the Good Shepherd for an 18th-century listener. The \u201cblissful peace\u201d and \u201cjoy of the soul\u201d will be experienced by the redeemed in the heavenly pastures,  the path to which leads through the renunciation of sin and the embrace of the path of virtue. A perfect musical depiction of this journey can be found in Bach\u2019s compositional techniques \u2013 in his instrumentation, melodic invention, and expressive means. Between the two cantatas, we will hear the <em>Ouverture in G minor<\/em> by Johann Bernhard Bach (1676\u20131749), a distant relative of the Leipzig cantor. This composer spent most of his life at the ducal court in Eisenach and serving at the Church of St. George. However, his remarkable instrumental works soon reached Leipzig and were incorporated by Johann Sebastian into the repertoire of the <em>Collegium Musicum<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-right has-cyan-bluish-gray-color has-text-color has-link-color has-small-font-size wp-elements-5af144a26c44d018e29c9e83b7b41835\">Marta Dziewanowska-Pachowska<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>PROGRAM<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Johann Sebastian Bach&nbsp;\u2013&nbsp;Cantata&nbsp;<em>Ich habe genug<\/em>, BWV 82<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Aria:\u00a0<em>Ich habe genug<\/em><br>Recitative:\u00a0<em>Ich habe genug<\/em><br>Aria:\u00a0<em>Schlummert ein , ihr matten Augen<\/em><br>Recitative: <em>Mein Gott! wenn k\u00f6mmt das sch\u00f6ne: Nun!<\/em><br>Aria:\u00a0<em>Ich freue mich auf meinen Tod<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Johann Bernhard Bach&nbsp;\u2013&nbsp;Ouverture-Suite&nbsp;in G minor<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Ouverture | Air | Rondeau | Loure | Fantaisie | Passepied<\/p>\n\n\n\n<p class=\"has-text-align-center\">Johann Sebastian Bach&nbsp;\u2013&nbsp;Cantata&nbsp;<em>Vergn\u00fcgte Ruh<\/em>, BWV 170<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Aria: <em>Vergn\u00fcgte Ruh, beliebte Seelenlust<\/em><br>Recitative: <em>Die Welt, das S\u00fcndenhaus<\/em><br>Aria: <em>Wie jammern mich doch die verkehrten Herzen<\/em><br>Recitative: <em>Wer sollte sich demnach wohl hier zu leben w\u00fcnschen<\/em><br>Aria: <em>Mir ekelt mehr zu leben<\/em><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>ANDREAS SCHOLL&nbsp;<\/strong>COUNTERTENOR<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong>&nbsp;HARPSICHORD \/ POSITIVE ORGAN, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><strong>Patron of the Polish Royal Opera<br>Patron of <em>Opera on Tour<\/em><\/strong><\/h5>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a  href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"170\" src=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-300x170.jpg\" alt=\"\" class=\"wp-image-39622\" srcset=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-300x170.jpg 300w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-768x436.jpg 768w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-365x206.jpg 365w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-860x485.jpg 860w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom.jpg 880w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>","protected":false},"excerpt":{"rendered":"<p>The cantatas written by Johann Sebastian Bach throughout his life are rich in symbolism and express the abundance of meaning contained within the Baroque musical language. During the concert, the refined craft of the Leipzig cantor will be showcased in the interpretation of Andreas Scholl, one of the world\u2019s most prominent countertenors. This will be [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":40761,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[],"class_list":["post-40763","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VERGN\u00dcGTE RUH \/ JOHANN SEBASTIAN BACH \u2013 CANTATAS - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/vergnugte-ruh-johann-sebastian-bach-cantatas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VERGN\u00dcGTE RUH \/ JOHANN SEBASTIAN BACH \u2013 CANTATAS - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The cantatas written by Johann Sebastian Bach throughout his life are rich in symbolism and express the abundance of meaning contained within the Baroque musical language. 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This will be [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operakrolewska.pl\/en\/repetoire\/vergnugte-ruh-johann-sebastian-bach-cantatas\/\" \/>\n<meta property=\"og:site_name\" content=\"Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/web.facebook.com\/PolskaOperaKrolewska\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-24T10:17:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/10\/strona_scholl_12.2025.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"860\" \/>\n\t<meta property=\"og:image:height\" content=\"485\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/operakrolewska.pl\/en\/repetoire\/vergnugte-ruh-johann-sebastian-bach-cantatas\/\",\"url\":\"https:\/\/operakrolewska.pl\/en\/repetoire\/vergnugte-ruh-johann-sebastian-bach-cantatas\/\",\"name\":\"VERGN\u00dcGTE RUH \/ JOHANN SEBASTIAN BACH \u2013 CANTATAS - 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