{"id":38813,"date":"2025-07-07T11:00:00","date_gmt":"2025-07-07T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=38813"},"modified":"2025-09-04T10:19:42","modified_gmt":"2025-09-04T08:19:42","slug":"dobrzynski-berlioz","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/dobrzynski-berlioz\/","title":{"rendered":"DOBRZY\u0143SKI \u2013 BERLIOZ"},"content":{"rendered":"\n

Ignacy Feliks Dobrzy\u0144ski worked on his only opera, Monbar, or The Filibusters<\/em>, during the 1830s. Despite earlier efforts to bring it to the stage, the work finally premiered a quarter of a century later, in 1863, at the Warsaw Opera. Unfortunately, the outbreak of the January Uprising soon caused the title to disappear from the repertoire. The overture to this remarkable opera reflects the composer\u2019s exceptional inventiveness in color and melody, as well as his outstanding command of the orchestral sound palette. <\/p>\n\n\n\n

The dramatic power of expression of Dobrzy\u0144ski’s work corresponds with the artistic stance of Hector Berlioz. A leading figure of French Romantic music, Berlioz was renowned not only as a composer and conductor but also as a man of letters. The written word served as a fundamental source of inspiration for his musical creations. In his lyric scene Herminie<\/em> (1828) for soprano and orchestra, he uses a poem by Pierre-Ange Vieillard based on an episode from Torquato Tasso\u2019s Jerusalem Delivered<\/em>. The story of a pagan princess hopelessly in love with the Christian knight Tancred served as a point of departure for Berlioz to craft a score of remarkable emotional intensity. The second half of the concert will feature the symphony Harold in Italy<\/em> (1834), whose literary program is based on a poem by Lord Byron. It was Niccol\u00f2 Paganini himself who initially inspired Berlioz to compose this work featuring a solo viola, as the virtuoso was seeking new repertoire. However, Paganini ultimately declined to premiere the composition, famously exclaiming: “That\u2019s not it at all! I am silent for too long; I must be playing the whole time.” How mistaken he was! The recurring viola theme that unifies the symphony\u2019s movements, the flowing solo passages interwoven with the brilliant orchestral writing, the inventive harmonies, and the superb structure left Paganini deeply impressed. After the Paris concert on the 16th of December 1838, he reportedly knelt before Berlioz in front of witnesses and kissed his hands.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/h4>\n\n\n\n

Ignacy Feliks Dobrzy\u0144ski (1807-1867) \u2013 Overture to the Opera Monbar, or The Filibusters<\/em>, Op. 30<\/p>\n\n\n\n

Hector Berlioz (1803-1869) \u2013 Herminie<\/em> H 29<\/p>\n\n\n\n

1. Recitative: Quel trouble te poursuit, malheureuse<\/em>
2. Aria: Ah! Si de la tendresse o\u00f9 mon c\u0153ur<\/em>
3. Recitative: Que dis-je? \u00f2u s\u2019\u00e9garent mes v\u0153ux?<\/em>
4. Aria: Arr\u00eate! Cher Tancr\u00e8de<\/em>
5. Recitative: Que Clorinde est heureuse<\/em>
6. Aria: Venez, venez, terribles armes!<\/em>
7. Pri\u00e8re. Dieu des chr\u00e9tiens, toi que j\u2019ignore<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

\u2014 intermission \u2014<\/p>\n\n\n\n

Hector Berlioz (1803-1869) \u2013 Symphony Harold en Italie<\/em> (Harold in Italy) for viola and orchestra, H 69<\/p>\n\n\n\n

1. Harold aux montagnes. Sc\u00e8nes de m\u00e9lancolie, de bonheur, et de joie<\/em>
2. Marche de p\u00e9lerins chantant la pri\u00e8re du soir<\/em>
3. S\u00e9r\u00e9nade d\u2019un montagnard des Abruzzes \u00e0 sa ma\u00eetresse<\/em>
4. Orgie de brigands. Souvenirs des sc\u00e8nes pr\u00e9c\u00e9dentes <\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

MONIKA LEDZION<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n

KATARZYNA BUDNIK<\/strong> VIOLA<\/p>\n\n\n\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n\n\n\n

\u0141UKASZ BOROWICZ<\/strong> CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1 h 40 mins (with an intermission)<\/p>\n\n\n\n

\n\n\n\n

PATRON OF THE POLISH ROYAL OPERA<\/strong><\/p>\n\n\n

\n
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Ignacy Feliks Dobrzy\u0144ski worked on his only opera, Monbar, or The Filibusters, during the 1830s. Despite earlier efforts to bring it to the stage, the work finally premiered a quarter of a century later, in 1863, at the Warsaw Opera. Unfortunately, the outbreak of the January Uprising soon caused the title to disappear from the […]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[106],"sezon":[],"class_list":["post-38813","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-symphonic-concert-season-2025-2026"],"acf":[],"yoast_head":"\nDOBRZY\u0143SKI \u2013 BERLIOZ - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/dobrzynski-berlioz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DOBRZY\u0143SKI \u2013 BERLIOZ - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Ignacy Feliks Dobrzy\u0144ski worked on his only opera, Monbar, or The Filibusters, during the 1830s. 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