{"id":38803,"date":"2025-07-07T11:00:00","date_gmt":"2025-07-07T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=38803"},"modified":"2025-09-04T10:14:48","modified_gmt":"2025-09-04T08:14:48","slug":"noskowski-mozart-schumann","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/noskowski-mozart-schumann\/","title":{"rendered":"NOSKOWSKI \u2013 MOZART \u2013 SCHUMANN"},"content":{"rendered":"\n

Warsaw-born Zygmunt Noskowski likely ventured into the Tatra Mountains for the first time in 1861. At the age of fifteen, he had the chance to behold the enchanting Morskie Oko, which at that time had no sign of the famous mountain shelter that now attracts crowds of tourists. The breathtaking view of the peaks towering above the lake\u2019s crystalline surface must have etched itself deeply into his heart and memory. Fourteen years later, he dedicated to it a work composed immediately after completing his composition studies in Berlin \u2013 a piece he wanted to present upon his return to his homeland. The perfect form and profound expressiveness of the symphony make it, in the words of critic Gustaw Roguski, a piece from which \u201cnot the smallest thought could be removed nor added without disturbing its wholeness.\u201d Indeed, it is a remarkable and emotionally charged work, combining awe at the mountain landscape, the dread of a harsh reality, and an enduring hope for the rebirth of Poland\u2019s independence.  <\/p>\n\n\n\n

The Clarinet Concerto in A major, KV 622, is not only Mozart\u2019s last concerto for a wind instrument but also the final concerto he ever composed. It was written in the autumn of 1791 for his close friend, the renowned clarinetist Anton Stadler, just a few weeks before the composer\u2019s death. The work encapsulates all the elements of Mozart\u2019s mature style \u2013 it captivates with lyricism, excellent use of the capabilities of the solo instrument, and an almost intimate, impeccably balanced dialogue between the soloist and the orchestra.<\/p>\n\n\n\n

The concert program concludes with Robert Schumann\u2019s Symphony No. 4 in D minor \u2013 a key often associated with sorrow and melancholy. Originally titled Symphonic Fantasy<\/em>, the work\u2019s refined structure is reflected in its four movements, performed attacca<\/em>, which are unified by recurring themes and motifs presented in different variations. A mood of contemplation intertwines with passages full of vigor and joy, as though the composer tried to capture the ever-changing nature of human emotions within a single composition.<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/h4>\n\n\n\n

Zygmunt Noskowski (1846-1909) \u2013 Concert Ouverture Morskie Oko<\/em> Op. 19<\/p>\n\n\n\n

Wolfgang Amadeusz Mozart (1756-1791) \u2013 Clarinet Concerto in A major, K. 622<\/p>\n\n\n\n

I Allegro<\/em>
II Adagio<\/em>
III Rondo: Allegr<\/em>o<\/p>\n\n\n\n

\u2014 intermission \u2014<\/p>\n\n\n\n

Robert Schumann (1810-1856) \u2013Symphony No. 4 in D minor, Op. 120<\/p>\n\n\n\n

1. Ziemlich langsam. Lebhaft<\/em>
2. Romanze: Ziemlich langsam<\/em>
3. Scherzo: Lebhaft<\/em>
4. Langsam. Lebhaft<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

JULIAN PAPROCKI<\/strong> CLARINET<\/p>\n\n\n\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

MONIKA WOLI\u0143SKA<\/strong> CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1h 40 mins (with an intermission)<\/p>\n\n\n\n

\n\n\n\n

PATRON OF THE POLISH ROYAL OPERA<\/strong><\/p>\n\n\n

\n
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Warsaw-born Zygmunt Noskowski likely ventured into the Tatra Mountains for the first time in 1861. At the age of fifteen, he had the chance to behold the enchanting Morskie Oko, which at that time had no sign of the famous mountain shelter that now attracts crowds of tourists. The breathtaking view of the peaks towering […]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[106],"sezon":[],"class_list":["post-38803","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-symphonic-concert-season-2025-2026"],"acf":[],"yoast_head":"\nNOSKOWSKI \u2013 MOZART \u2013 SCHUMANN - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/noskowski-mozart-schumann\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NOSKOWSKI \u2013 MOZART \u2013 SCHUMANN - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Warsaw-born Zygmunt Noskowski likely ventured into the Tatra Mountains for the first time in 1861. 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