{"id":38749,"date":"2025-07-07T11:00:00","date_gmt":"2025-07-07T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=38749"},"modified":"2025-10-10T12:26:05","modified_gmt":"2025-10-10T10:26:05","slug":"les-quatre-saisons-joseph-bodin-de-boismortier-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/les-quatre-saisons-joseph-bodin-de-boismortier-2\/","title":{"rendered":"LES QUATRE SAISONS \/ JOSEPH BODIN DE BOISMORTIER"},"content":{"rendered":"\n

<\/a>Joseph Bodin de Boismortier (1689-1755) was one of the few 18th-century composers who could write music without having to count on the generosity of wealthy patrons. His works gained so much popularity that they brought him not only fame but also money. In 1724, he received a special royal privilege – the lifelong right to print and sell the sheet music of his compositions. Among the first titles that came off the Parisian press in that same year was the cycle of cantatas Les 4 saisons<\/em>.<\/p>\n\n\n\n

The first one \u2013 Spring (Le printemps<\/em>) \u2013 is a tribute to the French tradition and its love of dance and ornamentation. In the delightful arias, one can hear, among others, the song of a cuckoo, dance rhythms, and drone bass notes, which emphasize the pastoral character of the composition. It is the apotheosis of nature coming to life and the awakening of love. In the subsequent parts of the cycle, the composer draws on the achievements of Italian masters as willingly as he does on the French style, proving his extraordinary melodic inventiveness and harmonic sense. After the Summer (L’\u00e9t\u00e9<\/em>), a time of reverie and hard work, comes the joyful Autumn (L’automne<\/em>) with its promise of revelry, and finally, the most complex in terms of dramaturgy and sound, Winter (L’hyver<\/em>).<\/p>\n\n\n\n

Marta Dziewanowska-Pachowska<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/h4>\n\n\n\n

Joseph Bodin de Boismortier \u2013 Les quatre saisons op. 5<\/strong><\/p>\n\n\n\n

Le printemps<\/em>
I. Les fougueux aquilons ont fait place au Z\u00e9phyr<\/em>
II. Venez sous ces feuillages<\/em>
III. J’entends des concerts d’all\u00e9gresse<\/em>
IV. L’amour ordonne la f\u00eate<\/em>
V. R\u00e8gne, amour, fais voler tes armes<\/em>
VI. Le retour de la jeune Flore<\/em>
VII. Les gr\u00e2ces, les jeux innocents<\/em><\/p>\n\n\n\n

L\u2019\u00e9t\u00e9<\/em>
I. L’ardente canicule a tari nos fontaines<\/em>
II. \u00d4 toi qui r\u00e9ponds l’abondance<\/em>
III. Mais quelle est mon erreur<\/em>
IV. Moissonnez ces fertiles plaines<\/em>
V. Cependant, le soleil termine sa carri\u00e8re<\/em>
VI. \u00d4 nuit, cache aux yeux indiscrets<\/em><\/p>\n\n\n\n

L\u2019automne<\/em>
I. O\u00f9 suis-je<\/em>
II. Chantons, dansons, et qu’on nous verse \u00e0 boire<\/em>
III. Mais profitant des beaux jours de l’automne<\/em>
IV. Coule dans nos veines<\/em>
V. Quel est donc de mes sens l’aveuglement extr\u00eame<\/em>
VI. En vain la plus fi\u00e8re beaut\u00e9<\/em>
VII. C’en est fait, \u00e0 Bacchus, je c\u00e8de la victoire<\/em><\/p>\n\n\n\n

L\u2019hyver<\/em>
I. Charmants z\u00e9phyrs, brilliante Flore<\/em>
II. L’hiver porte partout ses funestes ravages<\/em>
III. Les vents brisent leurs cha\u00eenes<\/em>
IV. Le ciel, pour nous livrer la guerre<\/em>
V. Souverain ma\u00eetre du tonnerre<\/em>
VI. Mais au milieu de tant d’alarmes<\/em>
VII. Quelle aimable f\u00eate<\/em>
VIII. J’aper\u00e7ois la muse tragique<\/em>
IX. En vain Bor\u00e9e arm\u00e9 de frimas et de glace<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

OLGA PASIECZNIK<\/a><\/strong> SOPRANO<\/p>\n\n\n\n

ADAM DOBEK<\/strong><\/strong> BARITONE<\/p>\n\n\n\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n

KRZYSZTOF GARSTKA<\/a><\/strong> HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1 h 30 min<\/p>\n\n\n\n

The seats in the auditorium are not numbered.<\/p>\n\n\n\n

\n\n\n\n

PATRON OF THE POLISH ROYAL OPERA<\/strong><\/p>\n\n\n

\n
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