{"id":38733,"date":"2025-07-07T11:00:00","date_gmt":"2025-07-07T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=38733"},"modified":"2025-09-11T12:47:06","modified_gmt":"2025-09-11T10:47:06","slug":"stabat-mater-vivaldi-pergolesi-2-3","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/stabat-mater-vivaldi-pergolesi-2-3\/","title":{"rendered":"STABAT MATER"},"content":{"rendered":"\n<p>The concert is part of the 10th Grzegorz Gerwazy Gorczyki International Festival<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The moving text of the medieval sequence <em>Stabat Mater Dolorosa<\/em> has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. The dramatic description of the suffering of the Mother of God looking at the martyrdom of her only Son, was constantly present in the works of the greatest of artists: Gioacchino Rossini and Giuseppe Verdi, and later, in the 20<sup>th<\/sup> century, Karol Szymanowski, Arvo P\u00e4rt, and Krzysztof Penderecki, to name a few.<\/p>\n\n\n\n<p>One of the greatest works of the Baroque era to take on this subject is <em>Stabat Mater<\/em> by Antonio Vivaldi. The composer used only half of the original liturgical text, concentrating on the most faithful depiction of the weeping Mary. The skillful application of rhetorical figures as well as harmonic solutions led to the creation of an exceptionally meaningful and deeply moving composition.<\/p>\n\n\n\n<p>It was in <em>Stabat Mater<\/em> that the genius of the prematurely deceased Giovanni Battista Pergolesi revealed itself in an exceptional way. Tormented by his illness and suspecting that the end was near, the then barely 25-year-old composer created a true masterpiece, astounding with its suggestive musical content and clarity of construction. Despite a modest cast (soprano, alto, two violins, and basso continuo), the composition dazzles with enchanting melodies, moving arias, and striking instrumental sequences. It is this power of expression that has granted Pergolesi a leading position among the numerous artists who depicted the story of Our Lady of Sorrows grieving by the cross.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>PROGRAM<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Antonio Vivaldi \u2013 <em>Stabat Mater<\/em><br><\/strong><span style=\"font-size: 10pt;\"><em>Stabat Mater dolorosa<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Cujus animam gementem<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>O quam tristis<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Quis est homo<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Quis non posset<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Pro peccatis suae gentis<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Eja mater, fons amoris<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Fac ut ardeat<\/em><\/span><br><span style=\"font-size: 10pt;\"><em>Amen<\/em><\/span><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>Giovanni Battista Pergolesi \u2013 <em>Stabat Mater<\/em><br><\/strong><em><span style=\"font-size: 10pt;\">Stabat Mater dolorosa<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Cujus animam gementem<\/span><\/em><br><em><span style=\"font-size: 10pt;\">O quam tristis et afflicta<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Quae moerebat et dolebat<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Quis est homo qui non fleret<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Vidit suum dulcem natum<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Eja Mater, fons amoris<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Fac ut ardeat cor meum<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Sancta Mater, istud agas<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Fac ut portem Christi mortem<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Inflammatus et accensus<\/span><\/em><br><em><span style=\"font-size: 10pt;\">Quanto corpus morietur<\/span><\/em><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\"><strong>MARTA BOBERSKA<\/strong><\/a> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\">ANETA \u0141UKASZEWICZ<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong> POSITIVE ORGAN, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1h<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><strong>Patron of the Polish Royal Opera<\/strong><br><strong>Patron of Opera on Tour<\/strong><\/h5>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"170\" src=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-300x170.jpg\" alt=\"\" class=\"wp-image-39622\" style=\"width:auto;height:120px\" srcset=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-300x170.jpg 300w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-768x436.jpg 768w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-365x206.jpg 365w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom-860x485.jpg 860w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/poziom.jpg 880w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><strong><strong>Patron of Opera on Tour<\/strong><\/strong><br><strong>Patron of Opera Workshops<\/strong><\/h5>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-thumbnail is-resized\"><a  href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image.png\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-150x150.png\" alt=\"\" class=\"wp-image-39269\" style=\"width:auto;height:100px\" srcset=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-150x150.png 150w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image-300x300.png 300w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/image.png 763w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/figure><\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><strong><strong><strong>Patron of Opera on Tour<\/strong><\/strong><\/strong><\/h5>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-medium\"><a  href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/logo-fundacja_duze_podstawowe_poziomprawa_rgb.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"161\" src=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/logo-fundacja_duze_podstawowe_poziomprawa_rgb-300x161.jpg\" alt=\"\" class=\"wp-image-39979\" srcset=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/logo-fundacja_duze_podstawowe_poziomprawa_rgb-300x161.jpg 300w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/logo-fundacja_duze_podstawowe_poziomprawa_rgb-768x412.jpg 768w, https:\/\/operakrolewska.pl\/wp-content\/uploads\/2025\/07\/logo-fundacja_duze_podstawowe_poziomprawa_rgb.jpg 950w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The concert is part of the 10th Grzegorz Gerwazy Gorczyki International Festival The moving text of the medieval sequence Stabat Mater Dolorosa has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. The dramatic description of the suffering of the Mother of God looking at the martyrdom [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":27650,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[107],"sezon":[64],"class_list":["post-38733","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-opera-on-tour-season-2025-2026","sezon-2023-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>STABAT MATER - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/stabat-mater-vivaldi-pergolesi-2-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STABAT MATER - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The concert is part of the 10th Grzegorz Gerwazy Gorczyki International Festival The moving text of the medieval sequence Stabat Mater Dolorosa has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. 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