{"id":37321,"date":"2025-04-07T11:00:00","date_gmt":"2025-04-07T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=37321"},"modified":"2025-06-04T12:07:08","modified_gmt":"2025-06-04T10:07:08","slug":"in-the-world-of-erik-satie-chamber-concert-on-the-100th-anniversary-of-the-composers-death","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/in-the-world-of-erik-satie-chamber-concert-on-the-100th-anniversary-of-the-composers-death\/","title":{"rendered":"IN THE WORLD OF ERIK SATIE \/ CHAMBER CONCERT ON THE 100TH ANNIVERSARY OF THE COMPOSER&#8217;S DEATH"},"content":{"rendered":"\n<p>Co-founder of Parisian bohemia, scandalist, and precursor of new music trends \u2013 this is how one can characterize the colorful figure of French composer Erik Satie (1866-1925). His harmonic experiments inspired Claude Debussy, and his interest in repetitiveness preceded the concepts of American minimalists. In his compositions, he successfully combined elements from ancient traditions with the latest ideas and his own unconventional sound concepts.<\/p>\n\n\n\n<p>The concert program, which is a tribute to the composer who died 100 years ago, will open with the melancholic <em>Gymnop\u00e9dies<\/em>, considered to be a harbinger of the development of the ambient genre. The similarly styled vocal-instrumental <em>Trois M\u00e9lodies<\/em> from 1886 delight with their delicacy and perfectly capture the mood of the poetry of J. P. Contamine de Latour. On the other hand, the songs full of musical surprises from the cycle <em>Trois M\u00e9lodies<\/em> from 1916 are a testament to the refined sense of humor and irony characteristic of the eccentric creator.<\/p>\n\n\n\n<p>The concert will also feature compositions by musicians for whom Satie&#8217;s discoveries were a significant source of inspiration. We will hear the songs of Claude Debussy, shimmering with diverse colors and shades, as well as pieces by two members of the famous Group of Six. In <em>Trois po\u00e8mes de Jean Cocteau<\/em> Op. 59 dedicated to Erik Satie, Darius Milhaud evocatively depicts the charms of the artistic district of Montmartre in the interwar period. The nostalgic and charming musical image of Paris is also present in one of the songs from the cycle <em>Banalit\u00e9s<\/em> by Francis Poulenc to the words of Guillaume Apollinaire from 1940.<\/p>\n\n\n\n<p>The concert will conclude with two heart-warming cabaret songs by Erik Satie \u2013 the waltz-like <em>Tendrement<\/em> and <em>Je te veux<\/em>. Their enchanting melodies and light character seem to be a testament to the fact that Paris is truly the capital of love.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PROGRAM<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Erik Satie<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Gymnop\u00e9die<\/em> nr 1<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>Trois m\u00e9lodies<\/em> de 1916<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>La statue de bronze<br>Daph\u00e9n\u00e9o<br>Le chapelier<\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>Trois m\u00e9lodies<\/em> de 1886<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Les anges<br>El\u00e9gie<br>Sylvie<\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Darius Milhaud<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Trois po\u00e8mes de Jean Cocteau<\/em> op. 59 <em>Pour Erik Satie<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Fum\u00e9e<br>F\u00eate de Bordeaux<br>F\u00eate de Montmartre<\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Claude Debussy<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Beau soir <\/em>L. 84 (6)<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Nuit d\u2019etoiles<\/em> L. 4<\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Deux romances<\/em> L. 79<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Romance<br>Les Cloches<\/em><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Francis Poulenc<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Banalit\u00e9s <\/em>(FP 107)<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em>Chanson d\u2019Orkenise<br>H\u00f4tel<br>Fagnes de Wallonie<br>Voyage \u00e0 Paris<br>Sanglots<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Les Chemins de l\u2019amour<\/em> (FP 106-Ia)<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>Erik Satie<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Tendrement<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><em>Je te veux<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">WYKONAWCY<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/gabriela-kaminska\/\">GABRIELA KAMI\u0143SKA<\/a><\/strong> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/monika-ledzion-porczynska\/\">MONIKA LEDZION-PORCZY\u0143SKA<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/witold-zoladkiewicz\/\">WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a><\/strong> BARITONE<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dagmara-dudzinska\/\">DAGMARA DUDZI\u0143SKA<\/a><\/strong> GRAND PIANO<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1 h<\/p>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Co-founder of Parisian bohemia, scandalist, and precursor of new music trends \u2013 this is how one can characterize the colorful figure of French composer Erik Satie (1866-1925). His harmonic experiments inspired Claude Debussy, and his interest in repetitiveness preceded the concepts of American minimalists. In his compositions, he successfully combined elements from ancient traditions with [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":10082,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[],"class_list":["post-37321","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>IN THE WORLD OF ERIK SATIE \/ CHAMBER CONCERT ON THE 100TH ANNIVERSARY OF THE COMPOSER&#039;S DEATH - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/in-the-world-of-erik-satie-chamber-concert-on-the-100th-anniversary-of-the-composers-death\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IN THE WORLD OF ERIK SATIE \/ CHAMBER CONCERT ON THE 100TH ANNIVERSARY OF THE COMPOSER&#039;S DEATH - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Co-founder of Parisian bohemia, scandalist, and precursor of new music trends \u2013 this is how one can characterize the colorful figure of French composer Erik Satie (1866-1925). 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