{"id":35558,"date":"2025-01-14T09:01:52","date_gmt":"2025-01-14T08:01:52","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=35558"},"modified":"2025-02-27T15:10:54","modified_gmt":"2025-02-27T14:10:54","slug":"plaisir-damour-chamber-concert","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/plaisir-damour-chamber-concert\/","title":{"rendered":"PLAISIR D&#8217;AMOUR \/ CHAMBER CONCERT"},"content":{"rendered":"\n<p><em>O, learn to read what silent love hath writ:<br>To hear with eyes belongs to love\u2019s fine wit.<\/em><br>(William Shakespeare)<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Filled with love, the concert will open with two of <em>Four Love Sonnets<\/em> by Tadeusz Baird, composed in 1956 to texts by William Shakespeare translated by Maciej S\u0142omczy\u0144ski. These compositions, described by Jerzy Artysz as \u201cincredible, [\u2026] striking in their simplicity,\u201d are a finely crafted homage to the music of bygone eras. Next, we will hear the charming songs of Stanis\u0142aw Moniuszko, a key figure in the development of Polish vocal lyricism, as well as works from Ignacy Jan Paderewski&#8217;s first song cycle. Although the renowned pianist selected texts from the most uplifting volume of poetry by Adam Asnyk, the prevailing emotions are still those of sorrow and longing for love, masterfully conveyed through musical means. The darker side of love also captivated Mieczys\u0142aw Kar\u0142owicz (<em>Z erotyk\u00f3w<\/em> to words by Kazimierz Przerwa-Tetmajer), yet this composer, who skillfully aligned the vocal and piano parts, also occasionally turned toward brighter themes. For instance, in <em><em>Zasmuconej<\/em><\/em> to words by Kazimierz Gli\u0144ski, the sorrowful verses are followed by consolation and a hope for the return of joy. The program also includes songs rooted in the Romantic tradition by Witold Friemann, melodically enchanting pieces by Stanis\u0142aw Niewiadomski, and vocal compositions of Jan Gall, which, as Zdzis\u0142aw Jachimecki described, possess \u201ca truly Italian sweetness.\u201d<\/p>\n\n\n\n<p>International compositions will take center stage in the second part of the concert. German lyricism will be represented by the atmospheric songs of Robert Schumann, who found inspiration in the texts of Heinrich Heine. <em>Die Lotosblume<\/em> seems to conceal a story of the composer\u2019s own feelings for his future wife, a theme unmistakably spotlighted in the cycle <em>Dichterliebe<\/em>, Op. 48. Indeed, the opening measures of the first song in the collection, <em>Im wundersch\u00f6nen Monat Mai<\/em>, include a quote from Clara Schumann\u2019s piano concerto. <\/p>\n\n\n\n<p>Finally, the concert will feature French songs full of brilliance and sweetness, yet not devoid of darkness. Gabriel Faur\u00e9\u2019s <em>Apr\u00e8s un r\u00eave<\/em> echoes the character of an Italian <em>canzona<\/em>, while in <em>Chanson romanesque<\/em> by Maurice Ravel &#8211; a composer fascinated by dance &#8211; one can hear references to the sensual Spanish <em>guajira<\/em>. The program also includes the deeply expressive <em>Extase<\/em> by Henri Duparc, one of the few compositions the composer chose to preserve for posterity (having destroyed most of his works). The evening will conclude with the charming song <em>Plaisir d\u2019amour<\/em> by Jean-Paul-\u00c9gide Martini, which not only inspired arrangements for various ensembles but also served as the musical foundation for one of Elvis Presley\u2019s greatest hits.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PROGRAM<\/h4>\n\n\n\n<p class=\"has-text-align-center\">Tadeusz Baird (1928-1981)<br>Sonnet 23 <em>Sp\u00f3jrz, co tu ciche serce wypisa\u0142o<\/em> from the cycle <em>Four Love Sonnets<\/em><br>Sonnet 91 <em>Drwi\u0119, maj\u0105c ciebie, z ca\u0142ej ludzkiej pychy<\/em> from the cycle <em><em>Four Love Sonnets<\/em><\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Stanis\u0142aw Moniuszko (1819-1872)<br><em>Nawr\u00f3cona<\/em><br><em>Polna r\u00f3\u017cyczka<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Ignacy Jan Paderewski (1860-1941)<br><em>Gdy ostatnia r\u00f3\u017ca zwi\u0119d\u0142a<br>Ch\u0142opca mego mi zabrali<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Mieczys\u0142aw Kar\u0142owicz (1876-1909)<br><em>Zasmuconej<br>Z erotyk\u00f3w<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Witold Friemann (1889-1977)<br><em>Cudne oczy<br>Noc majowa<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Stanis\u0142aw Niewiadomski (1857-1936)<br><em>Jak\u017ce Ci\u0119 mam bra\u0107 dziewczyno<br>Zosia<br>Mi\u0119dzy nami nic nie by\u0142o<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Jan Gall (1856-1912)<br><em>Gdybym by\u0142 m\u0142odszy, dziewczyno<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Robert Schumann (1810-1856)<br><em>Die Lotosblume<\/em> from the cycle <em>Myrthen<\/em> Op. 25<br><em>Widmung <\/em>from the cycle <em>Myrthen<\/em> Op. 25<br><em>An meinem Herzen, an meiner Brust<\/em> from the cycle <em>Frauenliebe und Leben<\/em> Op. 42<br><em>Er, der Herrlichste von allen <\/em>from the cycle <em>Frauenliebe und Leben <\/em>Op. 42<br><em>Im wundersch\u00f6nen Monat Mai <\/em>from the cycle <em>Dichterliebe<\/em> Op. 48<br><em>Die Rose, die Lilie, die Taube, die Sonne<\/em> from the cycle <em>Dichterliebe<\/em> Op. 48<\/p>\n\n\n\n<p class=\"has-text-align-center\">Gabriel Faur\u00e9 (1845-1924)<br><em>Apr\u00e8s un r\u00eave<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Henri Duparc (1848-1933)<br><em>Extase<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Maurice Ravel (1875-1937)<br><em>Chanson romanesque<\/em> from the cycle <em>Don Quichotte \u00e0 Dulcin\u00e9e<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Jean-Paul-\u00c9gide Martini (1741-1816)<br><em>Plaisir d&#8217;amour<\/em><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/tatjana-hempel-gierlach\/\">TATIANA HEMPEL-GIERLACH<\/a><\/strong> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/justyna-stepien\/\">JUSTYNA ST\u0118PIE\u0143<\/a><\/strong> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/robert-szpregiel\/\">ROBERT SZPR\u0118GIEL<\/a><\/strong> BARITONE<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dagmara-dudzinska\/\">DAGMARA DUDZI\u0143SKA<\/a><\/strong> GRAND PIANO<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1 h<\/p>\n\n\n\n<p>The seats in the auditorium are not numbered.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O, learn to read what silent love hath writ:To hear with eyes belongs to love\u2019s fine wit.(William Shakespeare) Filled with love, the concert will open with two of Four Love Sonnets by Tadeusz Baird, composed in 1956 to texts by William Shakespeare translated by Maciej S\u0142omczy\u0144ski. These compositions, described by Jerzy Artysz as \u201cincredible, [\u2026] [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":10082,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[],"class_list":["post-35558","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PLAISIR D&#039;AMOUR \/ CHAMBER CONCERT - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/plaisir-damour-chamber-concert\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PLAISIR D&#039;AMOUR \/ CHAMBER CONCERT - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"O, learn to read what silent love hath writ:To hear with eyes belongs to love\u2019s fine wit.(William Shakespeare) Filled with love, the concert will open with two of Four Love Sonnets by Tadeusz Baird, composed in 1956 to texts by William Shakespeare translated by Maciej S\u0142omczy\u0144ski. 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