{"id":35435,"date":"2025-01-07T14:58:18","date_gmt":"2025-01-07T13:58:18","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=35435"},"modified":"2025-01-07T16:01:43","modified_gmt":"2025-01-07T15:01:43","slug":"eroine-haendel-vivaldi-arias-and-i-duets-online-2-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/eroine-haendel-vivaldi-arias-and-i-duets-online-2-2-2\/","title":{"rendered":"EROI(NE) \/ HAENDEL \u2013 VIVALDI. ARIAS AND DUETS"},"content":{"rendered":"\n<p><strong><a href=\"https:\/\/operakrolewska.pl\/en\/change-of-concert-program-10-01-2025\/\">ATTENTION! CHANGE OF CONCERT PROGRAM<\/a><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Heroes and heroines &#8211; great characters whose dramatic fates became the basis for the musical tales of the Baroque era. Full of twists and turns, the often tragic adventures of mythical heroes prompted composers to create music full of tension and suffering, but also joy and hope. Phenomenal arias and duets still remain a challenge for singers &#8211; both in terms of singing and acting, also offering instrumentalists a wide field for interpretation.<\/p>\n\n\n\n<p>The music of Georg Friedrich Handel invariably delights with its inexhaustible inventiveness. In beautiful vocal parts, the composer was able to perfectly convey the drama of a breakup (the duet of Floridante and Elmira), the extraordinary bond between mother and son (the duet of Cornelia and Sesto), and all the various shades of love, which may be faithful (the aria of Tolomeo) and a source of true happiness (the duet of Radamisto and Zenobia), but sometimes may also lead to murder and madness (the aria of Dejanira).<\/p>\n\n\n\n<p>Antonio Vivaldi entrusted the singers with parts that were no less moving. Also in his works, faithful love may serve as proof of the hero&#8217;s virtue (Griselda) or be the cause of his inglorious deeds (Ottone). The passions depicted with sounds are deeply touching, and the heroes of the story are not always easy to judge from a moral standpoint.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>PROGRAM<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\">G.F. Haendel \u2013 sinfonia from the opera <em>Floridante<\/em> HWV 14<br>G.F. Haendel \u2013 duet (Floridante and Elmira) <em>Ah mia cara se tu resti<\/em> from the opera <em>Floridante<\/em> HWV 14<br>G.F. Haendel \u2013 aria (Tolomeo) <em>Stille amare<\/em> from the opera <em>Tolomeo, Re d&#8217;Egitto<\/em> HWV 25<br>G.F. Haendel \u2013 aria (Dejanira) <em>Where shall I fly<\/em> from the opera <em>Hercules<\/em> HWV 60<br>G.F. Haendel \u2013 duet (Cornelia and Sesto) <em>Son nata a lagrimar<\/em> from the opera <em>Giulio Cesare<\/em> HWV 17<br>A. Vivaldi \u2013 sinfonia from the opera <em>L&#8217;Olimpiade<\/em> RV 729<br>A. Vivaldi \u2013 aria (Vagaus) <em>Armatae face et anguibus<\/em> from the oratorium <em>Juditha triumphans <\/em>RV 644<br>A. Vivaldi \u2013 aria (Juditha) <em>Agitata infido flatu<\/em> from the oratorium <em>Juditha triumphans<\/em> RV 644<br>A. Vivaldi \u2013 aria (Ottone) <em>Vede orgogliosa l\u2019onda<\/em> from the opera <em>Griselda<\/em> RV 718<br>A. Vivaldi \u2013 aria (Griselda) <em>Ho il cor gi\u00e0 lacero<\/em> from the opera <em>Griselda<\/em> RV 718<br>G.F. Haendel \u2013 duet (Radamisto and Zenobia) <em>Non ho pi\u00f9 affanni<\/em> from the opera <em>Radamisto <\/em>HWV 12b<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\"><strong>PERFORMERS<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\">ANETA \u0141UKASZEWICZ<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/artysci\/anna-radziejewska-en\/\"><strong>ANNA RADZIEJEWSKA<\/strong><\/a> MEZZOSOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\">THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPER CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1h<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ATTENTION! CHANGE OF CONCERT PROGRAM Heroes and heroines &#8211; great characters whose dramatic fates became the basis for the musical tales of the Baroque era. Full of twists and turns, the often tragic adventures of mythical heroes prompted composers to create music full of tension and suffering, but also joy and hope. Phenomenal arias and [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1],"cykle":[],"sezon":[61,86],"class_list":["post-35435","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","sezon-2020-2021-en","sezon-2024-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>EROI(NE) \/ HAENDEL \u2013 VIVALDI. 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