{"id":34066,"date":"2024-11-04T11:00:00","date_gmt":"2024-11-04T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=34066"},"modified":"2025-01-20T12:56:24","modified_gmt":"2025-01-20T11:56:24","slug":"the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-acis-and-galatea-4","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-acis-and-galatea-4\/","title":{"rendered":"ACIS AND GALATEA \/ GEORG FRIEDRICH HAENDEL"},"content":{"rendered":"\n<p>Stories from Ovid&#8217;s <em>Metamorphoses<\/em> became the inspiration for many Baroque works. That is hardly surprising, since the ancient Roman poem abounds in delightful stories full of symbolism, and the title motif of transformation gives the creators room for various interpretations. A perfect example is the mythical love story of the shepherd Acis and the nymph Galatea, which, reforged by John Gay (probably with the help of other poets) into an excellent libretto, became the basis for George Frideric Handel&#8217;s one-act opera. A new stage interpretation of this work glistening with baroque <em>chiaroscuro<\/em> was undertaken by Natalia Koz\u0142owska.<\/p>\n\n\n\n<p>The plot of the opera is seemingly simple. The young love each other, but their happiness is interrupted by the cruel attack of the Cyclops Polyphemus. Rejected by the nymph, the giant takes Acis&#8217;s life. However, Galatea transforms her lover into a stream with her magical powers, making him immortal. How beautifully Handel&#8217;s music reflects the feelings tormenting the characters! On the one hand, we hear resounding love, happiness, and fulfillment, on the other &#8211; the thunders of disappointment and rage. The lively and joyful arias of the lovers crowned by the duet <em>Happy we!<\/em> contrast with the ominous chorus <em>Wretched lovers<\/em>, abounding in musical symbols &#8211; from galloping imitations to chords interrupted by rests. In the end, the enchanting sound of Galatea&#8217;s final aria, kept in a pastoral mood, brings solace and faith in the invincible power of love.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">MUSIC DIRECTION <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a><br>DIRECTION AND LIGHTING DESIGN <strong>NATALIA KOZ\u0141OWSKA<\/strong><br>SET DESIGN <strong>MARIANNA OKLEJAK<\/strong><br>COSTUMES <strong>PAULINA CZERNEK<br><\/strong>VIDEO PROJECTIONS <strong>MAREK ZAMOJSKI<br><\/strong>CHORUS MASTER <strong><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-knapinski\/\">KAROL KNAPI\u0143SKI<\/a><\/strong><\/strong><br>CHOREOGRAPHY CONSULTANT<strong> JOANNA LICHOROWICZ-GRE\u015a<\/strong><br>ASSISTANT DIRECTORS <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\">AGNIESZKA KOZ\u0141OWSKA<\/a><br><\/strong>ASSISTANT COSTUME DESIGNER <strong>ANNA PUCHALSKA<\/strong><br>STAGE MANAGER <strong>AGNIESZKA ORLIKOWSKA<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>CAST<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\">ACIS <strong>\u0141UKASZ K\u00d3ZKA<br><\/strong>GALATEA <b>SYLWIA ST\u0118PIE\u0143<\/b><strong><br><\/strong>DAMON <strong>ALEKSANDER REWI\u0143SKI<br><\/strong>POLYPHEMUS<strong>&nbsp;<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\">PAWE\u0141 MICHALCZUK<\/a><br><\/strong>SHEPHERDS <strong><a href=\"https:\/\/operakrolewska.pl\/en\/the-chorus-of-the-polish-royal-opera\/\">THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">CONDUCTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Duration: approx 2h (with intermission)<br><br>The seats in the auditorium are not numbered.<br><br>Performance for viewers from the age of 16.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Stories from Ovid&#8217;s Metamorphoses became the inspiration for many Baroque works. That is hardly surprising, since the ancient Roman poem abounds in delightful stories full of symbolism, and the title motif of transformation gives the creators room for various interpretations. A perfect example is the mythical love story of the shepherd Acis and the nymph [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":26971,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[86],"class_list":["post-34066","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2024-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ACIS AND GALATEA \/ GEORG FRIEDRICH HAENDEL - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-acis-and-galatea-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ACIS AND GALATEA \/ GEORG FRIEDRICH HAENDEL - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Stories from Ovid&#8217;s Metamorphoses became the inspiration for many Baroque works. That is hardly surprising, since the ancient Roman poem abounds in delightful stories full of symbolism, and the title motif of transformation gives the creators room for various interpretations. 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