{"id":32697,"date":"2024-07-09T14:00:00","date_gmt":"2024-07-09T12:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=32697"},"modified":"2024-07-12T15:02:37","modified_gmt":"2024-07-12T13:02:37","slug":"in-paradisum-final-concert-of-the-festival","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/in-paradisum-final-concert-of-the-festival\/","title":{"rendered":"IN PARADISUM \/ FINAL CONCERT OF THE FESTIVAL"},"content":{"rendered":"\n

Both Conductus funebris<\/em> by Grzegorz Gerwazy Gorczycki and the cantata La\u00df, F\u00fcrstin, la\u00df noch einen Strahl <\/em>BWV 198 by Johann Sebastian Bach are funereal music, yet performed in different ceremonies. Gorczycki’s unique cycle of four church concerts was probably composed for the occasion of the funeral of King Augustus II celebrated in January 1734 in Krak\u00f3w. The sparing use of the concertante technique helps to preserve a serious and reflective mood. On the other hand, Bach’s cantata was written in 1727 for the funeral ceremonies of the king’s wife, Christiane Eberhardine. Unlike her husband, who converted to the Catholic faith in order to receive the Polish royal title, she never renounced her Lutheran faith. Some fragments of the composition, full of peace, tenderness, and pain, with its rich instrumentation and refined musical means, were later reused by Bach in his St. Mark Passion<\/em>, which regrettably has not been preserved in its entirety to this day. Still, heavenly music accompanied the family of the Saxon electors not only in the face of death but also served to celebrate life. The second part of the concert will be filled with the sound of the solemn cantata T\u00f6net, ihr Pauken! Erschallet, Trompeten!<\/em> BWV 214, which Johann Sebastian wrote in 1733 to commemorate the birth of Maria Josepha, Queen of Poland, wife of Augustus III of Saxony. From the very first notes, listeners can rightly associate the work with the Christmas season. Bach, satisfied with the effect, adapted much of this music writing the famous Weichnachtsoratorium<\/em>, of course with changed text. However, some word-music connections are present only in the original version of the piece. Just listen to the solemn first chorus (not coincidentally set to the rhythm of a polonaise), where – following the text – the composer successively introduces timpani, trumpets, and strings; the idea may be obvious, but how effective! Similarly, the ‘singing’ mentioned in the text is illustrated with imitational entrances of subsequent voices – a tribute to the glorious traditions of polyphonic vocal music, the sources of which date back to the previous era.<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/strong><\/h4>\n\n\n\n

Grzegorz Gerwazy Gorczycki \u2013 Conductus funebris<\/em><\/strong><\/p>\n\n\n\n

Subvenite Sancti Dei<\/em>
Libera me Domine<\/em>
In paradisum<\/em>
Salve Regina<\/em><\/p>\n\n\n\n

Johann Sebastian Bach \u2013 Cantata La\u00df, F\u00fcrstin, la\u00df noch einen Strahl<\/em>  BWV 198<\/strong><\/p>\n\n\n\n

Chorus: La\u00df, F\u00fcrstin, la\u00df noch einen Strahl<\/em>
Recitative (soprano): Dein Sachsen, dein best\u00fcrztes Mei\u00dfen<\/em>
Aria (soprano): Verstummt, verstummt, ihr holden Saiten!<\/em> Recytatyw (alt): Der Glocken bebendes Get\u00f6n<\/em>
Aria (alto): Wie starb die Heldin so vergn\u00fcgt!<\/em>
Recitative (tenor): Ihr Leben lie\u00df die Kunst zu sterben<\/em>
Chorus: An dir, du F\u00fcrbild gro\u00dfer Frauen<\/em>
Aria (tenor): Der Ewigkeit saphirnes Haus<\/em>
Recitative, Arioso & Recitative (bass): Was Wunder ists? Du bist es wert<\/em> Ch\u00f3r: Doch, K\u00f6nigin! du stirbest nicht<\/em><\/p>\n\n\n\n

— INTERMISSION —<\/p>\n\n\n\n

Johann Sebastian Bach \u2013 Kantata T\u00f6net, ihr Pauken! Erschallet, Trompeten! BWV 214<\/strong><\/p>\n\n\n\n

Chorus: T\u00f6net, ihr Pauken! Erschallet, Trompeten!<\/em>
Recitative (tenor): Heut ist der Tag<\/em>
Aria (soprano): Blast die wohlgegriffnen Fl\u00f6ten<\/em>
Recitative (soprano): Mein knallendes Metall<\/em>
Aria (alto): Fromme Musen! meine Glieder<\/em>
Recitative (alto): Unsre K\u00f6nigin im Lande<\/em>
Aria (bass): Kron und Preis gekr\u00f6nter Damen<\/em>
Recitative (bass): So dringe in das weite Erdenrund<\/em>
Chorus: Bl\u00fchet, ihr Linden in Sachsen, wie Zedern<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/strong><\/h4>\n\n\n\n

MARTA BOBERSKA<\/a><\/strong> SOPRANO<\/p>\n\n\n\n

GABRIELA CELI\u0143SKA<\/strong> ALTO<\/p>\n\n\n\n

SYLWESTER SMULCZY\u0143SKI<\/a><\/strong> TENOR <\/p>\n\n\n\n

PAWE\u0141 MICHALCZUK<\/strong> BASS<\/p>\n\n\n\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong> <\/p>\n\n\n\n

JAKUB SZAFRA\u0143SKI<\/a><\/strong> CHORUS MASTER<\/p>\n\n\n\n

ANDRZEJ KOSENDIAK<\/strong> CONDUCTOR <\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1 h 20 mins (plus intermission)<\/p>\n","protected":false},"excerpt":{"rendered":"

Both Conductus funebris by Grzegorz Gerwazy Gorczycki and the cantata La\u00df, F\u00fcrstin, la\u00df noch einen Strahl BWV 198 by Johann Sebastian Bach are funereal music, yet performed in different ceremonies. Gorczycki’s unique cycle of four church concerts was probably composed for the occasion of the funeral of King Augustus II celebrated in January 1734 in […]<\/p>\n","protected":false},"author":15,"featured_media":16117,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[87],"sezon":[86],"class_list":["post-32697","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-3rd-festival-in-tempore-regum-music-in-the-time-of-kings","sezon-2024-2025-en"],"acf":[],"yoast_head":"\nIN PARADISUM \/ FINAL CONCERT OF THE FESTIVAL - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/in-paradisum-final-concert-of-the-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IN PARADISUM \/ FINAL CONCERT OF THE FESTIVAL - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Both Conductus funebris by Grzegorz Gerwazy Gorczycki and the cantata La\u00df, F\u00fcrstin, la\u00df noch einen Strahl BWV 198 by Johann Sebastian Bach are funereal music, yet performed in different ceremonies. 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