{"id":32667,"date":"2024-07-09T14:00:00","date_gmt":"2024-07-09T12:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=32667"},"modified":"2024-10-17T19:40:24","modified_gmt":"2024-10-17T17:40:24","slug":"the-turn-of-the-screw-benjamin-britten-premiere-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-turn-of-the-screw-benjamin-britten-premiere-2\/","title":{"rendered":"THE TURN OF THE SCREW \/ BENJAMIN BRITTEN \u2013 PREMIERE"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&#8220;The ceremony of innocence is drowned&#8221; &#8211; this ominous quote from the famous poem <em>The Second Coming<\/em> by the Irish poet William Butler Yeats opens the second act of Benjamin Britten&#8217;s opera <em>The turn of the screw<\/em>, providing a sort of key to its interpretation. The libretto of the work was based on a novel by Henry James, full of understatements and hidden symbolism. A new governess arrives at Bly House to look after the orphaned siblings &#8211; Miles and Flora. However, does she stand a chance to protect them from the ghosts inhabiting the mansion? What secrets are the siblings hiding? What role do the late butler Peter Quint and the former teacher Miss Jessel play in the story?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The atmosphere of terror is emphasized by the brilliant use of an orchestra consisting of only thirteen instruments and the refined musical form of the piece. The prologue opening the work functions as a theme and the following short scenes are preceded by its successive variations. The tightening of the screw appearing in the title is also reflected in the harmonic structure of the work. As the events unfold, the viewer plunges deeper and deeper into what is inevitable, and the autobiographical allusions hidden in Britten&#8217;s work stimulate reflection on growing up, the power of desire and human nature.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MUSIC DIRECTOR <strong>LILIANNA KRYCH<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">DIRECTOR, SET DESIGNER, VISUALISATIONS <strong>KAMILA SIWI\u0143SKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">COSTUMES, LIGHTING DESIGN, SET DESIGN COLLABORATION <strong>AGATA SKWARCZY\u0143SKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CHOREOGRAPHY, STAGE MOVEMENT <strong>GIEORGIJ PUCHALSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">PUPPET MAKER <strong>KATARZYNA PIETRZYKOWSKA<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">PUPPET ANIMATION CONSULTANT <strong>PIOTR MICHALCZUK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ASSISTANT CONDUCTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-szwech\/\"><strong>KAROL SZWECH<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ASSISTANT DIRECTORS <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\">AGNIESZKA KOZ\u0141OWSKA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">ASSISTANT SET DESIGNER<strong> ANNA ROG\u00d3\u017b<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">STAGE MANAGER <strong>WANDA KARPI\u0143SKA<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>CAST<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">GOVERNESS <strong><strong>ANNA FARYSEJ<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">FLORA <strong><strong>KAROLINA R\u00d3\u017bA KOZ\u0141OWSKA<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MILES <strong>MARCIN GADALI\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">QUINT <strong>JACEK SZPONARSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">GROSE <strong>OLGA RUSIN<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">JESSEL <strong>ALEKSANDRA KLIMCZAK<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">LORD (DANCER) <strong>GIEORGIJ PUCHALSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-orchestra-of-the-polish-royal-opera\/\"><b>THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CONDUCTOR <strong>LILIANNA KRYCH<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Performance suitable for viewers over the age of 16.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">Duration: approx. 2h (with an intermission)<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">The seats in the auditorium are not numbered.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;The ceremony of innocence is drowned&#8221; &#8211; this ominous quote from the famous poem The Second Coming by the Irish poet William Butler Yeats opens the second act of Benjamin Britten&#8217;s opera The turn of the screw, providing a sort of key to its interpretation. The libretto of the work was based on a novel [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":32674,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[86],"class_list":["post-32667","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2024-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE TURN OF THE SCREW \/ BENJAMIN BRITTEN \u2013 PREMIERE - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/the-turn-of-the-screw-benjamin-britten-premiere-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE TURN OF THE SCREW \/ BENJAMIN BRITTEN \u2013 PREMIERE - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"&#8220;The ceremony of innocence is drowned&#8221; &#8211; this ominous quote from the famous poem The Second Coming by the Irish poet William Butler Yeats opens the second act of Benjamin Britten&#8217;s opera The turn of the screw, providing a sort of key to its interpretation. 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