{"id":32640,"date":"2024-07-09T14:00:00","date_gmt":"2024-07-09T12:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=32640"},"modified":"2024-10-07T11:32:15","modified_gmt":"2024-10-07T09:32:15","slug":"the-haunted-manor-stanislaw-moniuszko-concert-version-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-haunted-manor-stanislaw-moniuszko-concert-version-2-2\/","title":{"rendered":"THE HAUNTED MANOR \/ STANIS\u0141AW MONIUSZKO (CONCERT VERSION)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The event is part of the 27th Festival of Polish Composers.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Haunted Manor<\/em> by Stanis\u0142aw Moniuszko was produced by the Polish Royal Opera at a very special moment. On the one hand, the premiere of this patriotic opera was the finale of the celebration of the 100<sup>th<\/sup> anniversary of Poland regaining its independence. On the other hand, it was the opening of 2019, which, by the Resolution of the Sejm of the Republic of Poland, was named the Year of Stanis\u0142aw Moniuszko. The performance directed by Ryszard Peryt features outstanding soloists, the Chorus and the Orchestra of the Polish Royal Opera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The only things that make me happy are my good health and my work, to which, as the only true comfort after everyday defeats, I enthusiastically returned after a long rest&#8230;<\/em> This is what Moniuszko wrote to his friend, resuming his work on the manuscript of <em>The Haunted Manor<\/em>, which he began in 1861. Shocked by the defeat of the January Uprising, the composer created a work to uplift the Polish spirit, similar to the epic poem <em>Pan Tadeusz <\/em>by Adam Mickiewicz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The premiere of <em>The Haunted Manor<\/em> took place in Warsaw on the 28<sup>th<\/sup> of September 1865. Despite the enthusiastic reception by the audience, the opera was banned after only three performances. Tsarist censorship quickly noticed the captivating atmosphere of Polishness hidden both in the libretto prepared by Jan Ch\u0119ci\u0144ski and in the music itself. Moniuszko used not only rhythms characteristic of Polish dances but also a number of other musical techniques. The arias and choruses contain references to native folklore and lyrical traditions of the romantic song. How touching must those memories of the old rituals have been during a time of captivity&#8230; How meaningful was the famous Chimes Aria, in which the longing for the deceased mother conceals inconsolable weeping over the fate of the enslaved Motherland&#8230;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">FRAGMENTS PERFORMED<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Intrada<br>Tercetto (Stefan, Zbigniew and Maciej) <em>Cichy domku modrzewiowy<\/em><br>Tercetto (Cze\u015bnikowa, Stefan and Zbigniew) <em>Witam was, witam ukochane dzieciska<\/em><br>Dumka (Jadwiga) <em>Biegnie s\u0142ucha\u0107 w lasy, w knieje<\/em><br>Duettino (Damazy and Hanna) <em>Gdzie\u017c postawi\u0107 to naczynie?<\/em><br>Aria (Miecznik) <em>Kto z mych dziewek<\/em><br>Duet (Maciej and Sko\u0142uba) <em>Czemu\u015bmy nie wzi\u0119li \u015bwiecy<\/em><br>Aria (Sko\u0142uba) <em>Ten zegar stary<\/em><br>Recitativo and aria (Stefan) <em>Cisza doko\u0142a<\/em><br>Duet (Zbigniew and Stefan) <em>Kto tu? Pan brat!<\/em><br>Quatrtet (Hanna, Jadwiga, Stefan and Zbigniew) <em>A jednak<\/em><br>Finale <em>Pan? W zegarze?<\/em><br>Aria (Hanna) <em>Do grobu trwa\u0107 w bez\u017cennym stanie<\/em><br>Finale <em>Co to ma znaczy\u0107?<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><br><\/strong>COSTUMES AND PROPS&nbsp; <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marlena-skoneczko\/\"><strong>MARLENA SKONECZKO<\/strong><\/a><br>STAGE MANAGER <strong>TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">CAST<\/h4>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MIECZNIK <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/witold-zoladkiewicz\/\"><strong>WITOLD \u017bO\u0141\u0104DKIEWICZ<\/strong><\/a><strong><br><\/strong>HANNA\u00a0<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/gabriela-kaminska\/\"><strong>GABRIELA KAMI\u0143SKA<\/strong><\/a><br>JADWIGA\u00a0<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\"><strong>\u00a0<\/strong><\/a><strong><strong><a href=\"https:\/\/operakrolewska.pl\/artysci\/aneta-lukaszewicz\/\">ANETA \u0141UKASZEWIC<\/a><\/strong><a href=\"https:\/\/operakrolewska.pl\/artysci\/monika-ledzion-porczynska\/\"><strong>Z<\/strong><\/a><\/strong><b><br><\/b>DAMAZY<strong> <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/mateusz-zajdel\/\">MATEUSZ ZAJDEL<\/a><br><\/strong>STEFAN <strong>JACEK SZPONARSKI<br><\/strong>ZBIGNIEW <strong><strong>TOMASZ RAFF<\/strong><br><\/strong>CZE\u015aNIKOWA\u00a0<strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dorota-lachowicz\/\">DOROTA LACHOWICZ<\/a><\/strong><br>SKO\u0141UBA\u00a0<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\"><strong>S\u0141AWOMIR JURCZAK<\/strong><\/a><br>MACIEJ <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/robert-szpregiel\/\"><strong>ROBERT SZPR\u0118GIEL<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>&nbsp;<a href=\"https:\/\/operakrolewska.pl\/en\/the-orchestra-of-the-polish-royal-opera\/\">THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CONDUCTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dawid-runtz\/\"><strong>DAWID RUNTZ<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:49px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Duration: approx. 1h 50 mins<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The event is part of the 27th Festival of Polish Composers. The Haunted Manor by Stanis\u0142aw Moniuszko was produced by the Polish Royal Opera at a very special moment. On the one hand, the premiere of this patriotic opera was the finale of the celebration of the 100th anniversary of Poland regaining its independence. On [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":27650,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,71],"cykle":[89],"sezon":[86],"class_list":["post-32640","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-opera-on-tour","cykle-opera-on-tour-season-2024-2025","sezon-2024-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>THE HAUNTED MANOR \/ STANIS\u0141AW MONIUSZKO (CONCERT VERSION) - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/the-haunted-manor-stanislaw-moniuszko-concert-version-2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE HAUNTED MANOR \/ STANIS\u0141AW MONIUSZKO (CONCERT VERSION) - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The event is part of the 27th Festival of Polish Composers. The Haunted Manor by Stanis\u0142aw Moniuszko was produced by the Polish Royal Opera at a very special moment. On the one hand, the premiere of this patriotic opera was the finale of the celebration of the 100th anniversary of Poland regaining its independence. 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