{"id":32558,"date":"2024-07-09T14:00:00","date_gmt":"2024-07-09T12:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=32558"},"modified":"2024-09-09T23:24:27","modified_gmt":"2024-09-09T21:24:27","slug":"rinaldo-georg-friedrich-haendel-5-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/rinaldo-georg-friedrich-haendel-5-2-2\/","title":{"rendered":"RINALDO \/ GEORG FRIEDRICH HAENDEL"},"content":{"rendered":"\n<p><span style=\"font-size: revert; text-align: justify; color: initial;\">It should come as no surprise that Aaron Hill, the director of the Queen&#8217;s Theatre in London, when wanting to introduce Italian opera to English audiences, chose a fragment from the famous work <\/span><em style=\"font-size: revert; text-align: justify; color: initial;\">Jerusalem Delivered<\/em><span style=\"font-size: revert; text-align: justify; color: initial;\"> as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story takes place during the First Crusade) with the Christian ethos and the world of magic. Set in this context, the captivating love story and compelling characters make the text a perfect premise for musical drama. The artistry of the Renaissance work had already been appreciated by Claudio Monteverdi, who devoted multiple madrigals to selected themes. What\u2019s more, operas with libretti based on fragments of Tasso&#8217;s poem were composed by Giulio Caccini, Jean Baptiste Lully, and, of course, Georg Friedrich Haendel, among others.<\/span><\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p>The libretto for <em>Rinaldo<\/em> &#8211; an opera commissioned from a young but already recognized composer who had just arrived on the British Isles &#8211; was written by Giacomo Rossi based on a screenplay by Aaron Hill. According to his account, it took Haendel only two weeks to compose the score. The numerous borrowings from his earlier works did not even in the slightest affect the quality of the new opera. The first performances took place in 1711 and received an enthusiastic reception. After twenty years of staging the work revised by the composer himself, the opera disappeared from opera houses for almost 200 years. Rediscovered in the 20<sup>th<\/sup> century, it is today considered one of the most exemplary works of Haendel in this genre and continues to inspire artists and music lovers alike.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"has-text-align-center\">DIRECTOR <strong>JAROS\u0141AW KILIAN<\/strong><br>SET DESIGN AND COSTUMES <strong>DOROTA KO\u0141ODY\u0143SKA<br><\/strong>VIDEO PROJECTIONS<strong> MIKO\u0141AJ MOLENDA, MAREK ZAMOJSKI<br><\/strong>CHOREOGRAPHY <strong>RUI ISHIHARA<br><\/strong>LIGHTING DESIGN <strong>JACQUELINE SOBISZEWSKI<br><\/strong>LIGHTING <strong>PIOTR RUDZKI<br><\/strong>ASSISTANT DIRECTOR <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a><br><\/strong>II ASSISTANT DIRECTOR <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\">AGNIESZKA KOZ\u0141OWSKA<\/a><br><\/strong>ASSISTANT SET DESIGNER <strong>KAROLINA BRAMOWICZ<br><\/strong>STAGE MANAGER<strong> TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">&nbsp;CAST<\/h4>\n\n\n\n<p class=\"has-text-align-center\">GOFFREDO, LEADER OF THE CRUSADE&nbsp; <strong>JAN JAKUB MONOWID<\/strong><br>ALMIRENA, HIS DAUGHTER AND RINALDO&#8217;S BETROTHED <strong><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/olga-pasiecznik\/\">OLGA PASIECZNIK<\/a><\/strong><\/strong><br>RINALDO, CHRISTIAN KNIGHT&nbsp; <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/anna-radziejewska\/\"><strong>ANNA RADZIEJEWSKA<\/strong><\/a><br>EUSTAZIO, BROTHER TO GOFFREDO&nbsp; <strong>JAKUB FOLTAK<\/strong><br>ARGANTE, SARACEN KING OF JERUSALEM <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/pawel-michalczuk\/\"><strong>PAWE\u0141 MICHALCZUK<\/strong><\/a><br>ARMIDA, SORCERESS AND QUEEN OF DAMASCUS&nbsp; <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\"><strong>MARTA BOBERSKA<\/strong><\/a><br>MAGO CHRISTIANE, A HERMIT <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a><\/strong><br>WOMAN FROM THE SEA&nbsp; <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/iwona-lubowicz\/\">IWONA LUBOWICZ<\/a><\/strong><br>SIRENS&nbsp; <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/julita-miroslawska\/\">JULITA MIROS\u0141AWSKA<\/a><\/strong>, <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/justyna-reczeniedi\/\"><strong>JUSTYNA RECZENIEDI<\/strong><\/a><br>HERALD&nbsp; <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\"><strong>S\u0141AWOMIR JURCZAK<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">THE FURIES &#8211; DANCERS<strong> S\u0141AWOMIR GRE\u015a, JOANNA LICHOROWICZ-GRE\u015a, KAROL URBA\u0143SKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">VIOLIN, CONDUCTOR <strong>MICHA\u0141 PIOTROWSKI<\/strong> <\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: 3 h 10&nbsp;min&nbsp;(with an intermission)&nbsp;<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>The presentation of George Frideric Handel\u2019s opera RINALDO performed by the Polish Royal Opera at the Croatian National Theatre in Zagreb was co-financed by the Minister of Culture and National Heritage as part of the\u00a0program<em>\u00a0Inspiring Culture<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It should come as no surprise that Aaron Hill, the director of the Queen&#8217;s Theatre in London, when wanting to introduce Italian opera to English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story takes [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":19947,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[89],"sezon":[64,86],"class_list":["post-32558","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-opera-on-tour-season-2024-2025","sezon-2023-2024-en","sezon-2024-2025-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RINALDO \/ GEORG FRIEDRICH HAENDEL - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/rinaldo-georg-friedrich-haendel-5-2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RINALDO \/ GEORG FRIEDRICH HAENDEL - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"It should come as no surprise that Aaron Hill, the director of the Queen&#8217;s Theatre in London, when wanting to introduce Italian opera to English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. 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