{"id":31310,"date":"2024-04-05T10:00:00","date_gmt":"2024-04-05T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=31310"},"modified":"2024-06-28T13:12:02","modified_gmt":"2024-06-28T11:12:02","slug":"secular-cantatas-johann-sebastian-bach","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/secular-cantatas-johann-sebastian-bach\/","title":{"rendered":"SECULAR CANTATAS \/ JOHANN SEBASTIAN BACH"},"content":{"rendered":"\n<p>Johann Sebastian Bach, the composer of sophisticated church music rich in theological meanings, did not shy away from works that were more down-to-earth &#8211; both in form and content. His cantatas successfully graced court celebrations in Weimar, especially in K\u00f6then. Tribute compositions written to honor secular events were also written in Leipzig. One of the most famous and original works in this genre is the <em>Peasant Cantata<\/em> to the text by Picander, commissioned by Carl Heinrich von Dieskau in 1742. Its performance was to add splendor to the ceremony of taking over a new estate. Although there are echoes of folk melodies, it is certainly not folk music, and the choice of the peasant community as the setting for the plot serves aristocratic entertainment rather than social criticism. The modest peasant girl Mieke and her beloved banter, not shying away from mocking current guests and past events. The series of caricatures ends with praise for the best of masters, who are, of course, the hosts, followed by a stream of wishes and toasts. In individual movements one can find the characteristic rhythms of dances popular at that time &#8211; bourr\u00e9e, polonaise, sarabande, and minuet &#8211; which emphasize the mood of joyful celebration. Yet not every secular work by Bach had a similarly distinguished patron.<\/p>\n\n\n\n<p>In Leipzig, in addition to his duties as cantor, Johann Sebastian, together with the student ensemble of the Collegium Musicum, gave concerts in caf\u00e9s, primarily in the famous Zimmermannsches Kaffeehaus at Katharinestrasse 14. He himself loved the black drink, so it is not surprising that in 1734, using the poetic text by Picander, he created a light, humorous, yet musically refined scene <em>Schweigt stille, plaudert nicht<\/em>, BWV 211. Coffee is portrayed here not only as a fashionable drink but also as an inseparable and integral element of a happy life.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PROGRAM<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Johann Sebastian Bach<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Bauern-Kantate (Peasant Cantata) <em>Mer hahn en neue Oberkeet<\/em> BWV 212<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Ouverture<br>Aria (Duetto)<em> Mer hahn en neue Oberkeet<\/em><br>Recitative<em> Nu, Miecke, gieb dein Guschel immer her <\/em><br>Aria <em>Ach, es schmeckt doch gar zu gut<\/em><br>Recitative <em>Der Herr ist gut: Allein der Sch\u00f6sser <\/em><br>Aria <em>Ach Herr Sch\u00f6sser, geht nicht gar zu schlimm<\/em><br>Recitative <em>Es bleibt dabei, dass unser Herr der beste sei<\/em><br>Aria <em>Unser trefflicher, lieber Kammerherr<\/em><br>Recitative <em>Er hilft uns allen, alt und jung<\/em><br>Aria <em>Das ist galant, es spricht Niemand von den caducken Schocken<\/em><br>Recitative <em>Und unsre gnad&#8217;ge Frau ist nicht ein prinkel stolz<\/em><br>Aria <em>F\u00fcnfzig Taler bares Geld<\/em><br>Recitative <em>Im Ernst ein Wort!<\/em><br>Aria <em>Klein-Zschocher musse so zart und susse<\/em><br>Recitative <em>Das ist zu klug vor dich<\/em><br>Aria <em>Es nehme zehntausend Dukaten der Kammeherr<\/em><br>Recitative <em>Das klingt zu liederlich<\/em><br>Aria <em>Gib, Sch\u00f6ne, viel S\u00f6hne von artger Gestalt<\/em><br>Recitative<em> Du hast wohl recht<\/em><br>Aria <em>Dein Wachstum sei feste und lache vor Luft<\/em><br>Recitative <em>Und damit sei es auch genug<\/em><br>Aria <em>Und dass ihr&#8217;s alle wisst<\/em><br>Recitative <em>Mein Schatz, erraten!<\/em><br>Chorus <em>Wir gehn nun, wo der Tudelsack<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\">Kaffee-Kantate (Coffee Cantata) <em>Schweigt stille, plaudert nicht<\/em> BWV 211<\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\">Recitative <em>Schweigt stille<\/em><br>Aria <em>Hat man nicht mit seinen Kindern<\/em><br>Recitative <em>Du b\u00f6ses Kind<\/em><br>Aria <em>Ei! Wie schmeckt der Kaffee s\u00fc\u00dfe<\/em><br>Recitative <em>Wenn du mir nicht den Kaffee l\u00e4\u00dft<\/em><br>Aria <em>M\u00e4dchen, die von harten Sinnen<\/em><br>Recitative <em>Nun folge, was dein Vater spricht!<\/em> <br>Aria <em>Heute noch, lieber Vater<\/em><br>Recitative <em>Nun geht und sucht der alte Schlendrian<\/em><br>Tercetto <em>Die Katze l\u00e4\u00dft das Mausen nicht<\/em><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMERS<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\">MARTA BOBERSKA<\/a><\/strong> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/iwona-lubowicz\/\"><strong>IWONA LUBOWICZ<\/strong><\/a> SOPRANO<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\">SYLWESTER SMULCZY\u0143SKI<\/a><\/strong> TENOR<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>ARTUR JANDA<\/strong> BASS<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\">KRZYSZTOF GARSTKA<\/a><\/strong> HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1h<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Johann Sebastian Bach, the composer of sophisticated church music rich in theological meanings, did not shy away from works that were more down-to-earth &#8211; both in form and content. His cantatas successfully graced court celebrations in Weimar, especially in K\u00f6then. Tribute compositions written to honor secular events were also written in Leipzig. One of the [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[77],"sezon":[64],"class_list":["post-31310","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-early-music-at-the-royal-castle","sezon-2023-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SECULAR CANTATAS \/ JOHANN SEBASTIAN BACH - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/secular-cantatas-johann-sebastian-bach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SECULAR CANTATAS \/ JOHANN SEBASTIAN BACH - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Johann Sebastian Bach, the composer of sophisticated church music rich in theological meanings, did not shy away from works that were more down-to-earth &#8211; both in form and content. 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