{"id":31297,"date":"2024-04-05T10:00:00","date_gmt":"2024-04-05T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=31297"},"modified":"2024-06-26T16:23:23","modified_gmt":"2024-06-26T14:23:23","slug":"il-primo-uomo-arias-for-senesino-and-nicolini","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/il-primo-uomo-arias-for-senesino-and-nicolini\/","title":{"rendered":"IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI"},"content":{"rendered":"\n<p><strong>The concert in Szczawno-Zdr\u00f3j is part of the cycle <em>Summer Encounters with Baroque<\/em><\/strong><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>The secret of the sound of the voices of castrati, mutilated in the name of art and subjected to scrupulous education, will remain enchanted in the bygone sonosphere of olden times. To this day, only accounts of these extraordinary performers have been preserved &#8211; above all, in the rich baroque works created with their voices in mind. The special timbre, power of sound, and technical efficiency of the most outstanding castrati enchanted, among others, Georg Friedrich Haendel, who cast them to play leading roles in his operas. Playing the title role, Nicolini, that is Nicol\u00f2 Francesco Leonardo Grimaldi, certainly contributed to the success of <em>Rinaldo<\/em>, Haendel&#8217;s first opera prepared for the English stage (1711). Admired primarily for his unprecedented acting skills, he delighted the audience once again by playing Amadys of Gaul (<em>Amadigi di Gaula<\/em>, 1715).<\/p>\n\n\n\n<p>The most famous of the castrati who collaborated with Haendel was Senesino, or rather Francesco Bernardi, who in the first half of the 18th century conquered the stages of the most important Italian theaters &#8211; including Venice, Bologna, Rome, Ferrara, Florence and Naples. His untamed, difficult character did not prevent him from developing his career abroad. His strong and clear voice, perfect intonation, excellent acting, and sublime musical taste delighted the audience in such operas as <em>Giulio Cesare<\/em>, <em>Rodelinda<\/em>, <em><em>Tolomeo<\/em>,&nbsp;<em>re d&#8217;Egitto<\/em><\/em>, and <em>Siroe, re di Persia<\/em>. During the concert, expressive baroque arias will be interpreted by one of the outstanding countertenors of the young generation &#8211; Rafa\u0142 Tomkiewicz. He will be accompanied by the Period Instruments Ensemble of the Polish Royal Opera Capella Regia Polona, led by maestro Krzysztof Garstka on the harpsichord.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>PROGRAM<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>Georg Friedrich Haendel <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">Ouverture to the opera&nbsp;<em>Giulio Cesare<\/em>, HWV 17<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Giulio Cesare)&nbsp;<em>Empio, dir\u00f2, tu sei<\/em>&nbsp;from Act I of the opera&nbsp;<em>Giulio Cesare<\/em>, HWV 17<\/p>\n\n\n\n<p class=\"has-text-align-center\">Recitative and aria <em>Amadigi Io ramingo men vado\u2026 Sussurrate onde vezzose<\/em> from Act II of the opera<em> Amadigi di Gaula<\/em> HWV 11<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Amadigi) <em>Minacciami, non ho timor<\/em> from Act II of the opera Amadigi di Gaula HWV 11<\/p>\n\n\n\n<p class=\"has-text-align-center\">Ouverture to the opera <em>Floridante<\/em> HWV 14<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Tolomeo) <em>Torna sol per un momento<\/em> from Act I of the opera <em>Tolomeo, re d\u2019Egitto<\/em> HWV 25<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Amadigi) <em>Non sa temere questo mio petto<\/em> from Act I of the opera <em>Amadigi di Gaula<\/em> HWV 11<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Giulio Cesare) <em>Se in fiorito ameno prato<\/em> from Act II of the opera <em>Giulio Cesare<\/em> HWV 17<\/p>\n\n\n\n<p class=\"has-text-align-center\">Concerto grosso op. 6 nr 4<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria and recitative <em>Siroe Son stanco, ingiusti Numi\u2026 Deggio morire, o stelle<\/em> from Act III of the opera <em>Siroe, re di Persia<\/em> HWV 24<\/p>\n\n\n\n<p class=\"has-text-align-center\">Aria (Bertarido) <em>Vivi, tiranno!<\/em> from Act III of the opera <em>Rodelinda<\/em> HWV 19<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">PERFORMES<\/h4>\n\n\n\n<p class=\"has-text-align-center\"><strong>RAFA\u0141 TOMKIEWICZ<\/strong>&nbsp;COUNTERTENOR<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/capella-regia-polona\/\"><strong><\/strong><\/a><strong><a href=\"https:\/\/operakrolewska.pl\/artysci\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a>&nbsp;HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Duration: approx. 1 h 20 min<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The concert in Szczawno-Zdr\u00f3j is part of the cycle Summer Encounters with Baroque The secret of the sound of the voices of castrati, mutilated in the name of art and subjected to scrupulous education, will remain enchanted in the bygone sonosphere of olden times. To this day, only accounts of these extraordinary performers have been [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":27650,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[71],"cykle":[80],"sezon":[64],"class_list":["post-31297","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-opera-on-tour","cykle-opera-on-tour","sezon-2023-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-primo-uomo-arias-for-senesino-and-nicolini\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The concert in Szczawno-Zdr\u00f3j is part of the cycle Summer Encounters with Baroque The secret of the sound of the voices of castrati, mutilated in the name of art and subjected to scrupulous education, will remain enchanted in the bygone sonosphere of olden times. 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