{"id":31088,"date":"2024-03-08T11:00:00","date_gmt":"2024-03-08T10:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=31088"},"modified":"2024-03-08T15:02:16","modified_gmt":"2024-03-08T14:02:16","slug":"festival-mozart-2021-la-finta-giardiniera-3","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-la-finta-giardiniera-3\/","title":{"rendered":"LA FINTA GIARDINIERA \/ WOLFGANG AMADEUS MOZART"},"content":{"rendered":"\n<p><em>God be praised! Yesterday, the 13th, my opera was staged and proved so successful that it is not even possible to describe all the uproar. [&#8230;] Each aria was invariably followed by a hurricane of applause and cries: &#8220;Viva Maestro!&#8221;<\/em><\/p>\n\n\n\n<p>&#8211; this is how eighteen-year-old Wolfgang Amadeus Mozart described the premiere of his three-act opera buffa <em>La finta giardiniera<\/em> in a letter to his mother. <em>The alleged gardener<\/em> premiered in Munich on the 13<sup>th<\/sup> of January 1775, where, according to the composer&#8217;s account, it was met with an extremely enthusiastic reception.<\/p>\n\n\n\n<p>The authorship of the libretto, based on the Neapolitan farce <em>L&#8217;amor vuol sofferenza<\/em> by Leonardo Leo, has not been confirmed to this day. However, it is most often attributed to Giuseppe Petrosellini. And although the text is not at the highest literary level, the young Mozart managed to draw the best out of it &#8211; both its comic ambiguity and full parodic potential.<\/p>\n\n\n\n<p>Not only the enthusiasm of the audience at the premiere but also the reception of the work in the years that followed can testify to the extraordinary power of the early work of young Mozart. It was quickly adapted for the German stages in the form of a singspiel, and until today it has enjoyed numerous interpretations. Mozart&#8217;s famous dramatic genius has already revealed itself in the music of <em>La finta giardiniera<\/em>: elements characteristic of the <em>opera seria<\/em> genre perfectly break the comic narrative, prompting singers to demonstrate their acting skills and directors &#8211; to come up with creative and original staging solutions.<\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center\">MUSIC DIRECTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dawid-runtz\/\"><strong>DAWID RUNTZ<\/strong><\/a><br>DIRECTED BY <strong>JITKA STOKALSKA<\/strong><br>SET DESIGNER <a href=\"https:\/\/operakrolewska.pl\/artysci\/marlena-skoneczko-2\/\"><strong>MARLENA SKONECZKO<\/strong><\/a><br>CHOREOGRAPHY <strong>ALISA MAKARENKO<br><\/strong>LIGHTING DESIGN <strong>MACIEJ IGIELSKI<\/strong><br>VIDEO PROJECTIONS <strong>MAREK ZAMOJSKI<\/strong><br>LIGHTING PRODUCTION <strong>PIOTR RUDZKI<\/strong><br>ASSISTANT CONDUCTOR <strong>KAROL SZWECH<\/strong><br>ASSISTANT DIRECTOR <a href=\"https:\/\/operakrolewska.pl\/artysci\/slawomir-jurczak-2\/\"><strong>S\u0141AWOMIR JURCZAK<\/strong><\/a><br>II ASSISTANT DIRECTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/agnieszka-kozlowska\/\"><strong>AGNIESZKA KOZ\u0141OWSKA<\/strong><\/a><br>STAGE MANAGER&nbsp;<strong>DOROTA LACHOWICZ<\/strong><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\"><strong>CAST<\/strong><\/h4>\n\n\n\n<p class=\"has-text-align-center\">DON ANCHISE, PODESTA <strong>MATEUSZ ZAJDEL<\/strong><br>LA MARCHESA VIOLANTE (SANDRINA) <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/iwona-handzlik\/\">IWONA HANDZLIK<\/a> <\/strong><br>IL CONTINO BELFIORE &#8211;<strong>SEBASTIAN MACH\u00a0<\/strong><br>ARMINDA<strong> <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/anna-wierzbicka\/\">ANNA WIERZBICKA<\/a>\u00a0<\/strong><br>IL CAVALIER RAMIRO<strong>\u00a0JAN JAKUB MONOWID<\/strong><br>SERPETTA<strong>\u00a0<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/julita-miroslawska\/\">JULITA MIROS\u0141AWSKA<\/a><\/strong><br>ROBERTO (NARDO) <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/robert-szpregiel\/\">ROBERT SZPR\u0118GIEL<\/a><\/strong><br>MIMES <strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/slawomir-jurczak\/\">S\u0141AWOMIR JURCZAK<\/a>,<\/strong> <strong>JERZY KLONOWSKI,\u00a0RAFA\u0141 KARNICKI, MACIEJ JAN KRA\u015aNIEWSKI<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-orchestra-of-the-polish-royal-opera\/\"><strong>THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">HARPSICHORD <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-trzaskowski\/\"><strong>KRZYSZTOF TRZASKOWSKI<\/strong><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\">CONDUCTOR <a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/karol-szwech\/\"><strong>KAROL SZWECH<\/strong><\/a><\/p>\n\n\n\n<div style=\"height:70px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h5 class=\"wp-block-heading\">Duration: approx. 2 h 50 min.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">The seats in the auditorium are not numbered.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>PLEASE NOTE: the entrance to the Royal Theatre in the \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>God be praised! Yesterday, the 13th, my opera was staged and proved so successful that it is not even possible to describe all the uproar. [&#8230;] Each aria was invariably followed by a hurricane of applause and cries: &#8220;Viva Maestro!&#8221; &#8211; this is how eighteen-year-old Wolfgang Amadeus Mozart described the premiere of his three-act opera [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":18035,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[61,64],"class_list":["post-31088","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2020-2021-en","sezon-2023-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LA FINTA GIARDINIERA \/ WOLFGANG AMADEUS MOZART - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-la-finta-giardiniera-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LA FINTA GIARDINIERA \/ WOLFGANG AMADEUS MOZART - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"God be praised! Yesterday, the 13th, my opera was staged and proved so successful that it is not even possible to describe all the uproar. 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