{"id":30817,"date":"2024-02-06T10:00:00","date_gmt":"2024-02-06T09:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=30817"},"modified":"2024-03-26T20:39:13","modified_gmt":"2024-03-26T19:39:13","slug":"a-play-about-the-passion-and-resurrection","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/a-play-about-the-passion-and-resurrection\/","title":{"rendered":"A PLAY ABOUT THE PASSION AND RESURRECTION"},"content":{"rendered":"\n

The tradition of passion-themed performances dates back to the Middle Ages. Shown in churches and schools, during religious processions and court ceremonies over the centuries, they constituted a testimony to the dramatic story of the Passion of the Christ that continues to be relevant to this day – originally documented in the New Testament, and then interpreted many times in literature, art, and music. The Polish Royal Opera brings back the richness of old Polish customs, pointing to the universal message of the Passion through a new reading of old texts and musical pieces. <\/p>\n\n\n\n

A Play about the Passion and Resurrection<\/em> is a tale of innocent suffering and human weakness, but also about hope and the victory of goodness and truth. Patryk Kencki’s script composed of old Polish texts is filled with the oldest Polish songs and dances arranged by Jacek Urbaniak. In addition to works by well-known authors, such as Cyprian Bazylik, Krzysztof Klabon, Miko\u0142aj Gom\u00f3\u0142ka, and Wac\u0142aw of Szamotu\u0142y, we will hear anonymous compositions from Renaissance tablatures. Performed on period instruments, they will evoke the atmosphere, color, and diversity of Poland from a bygone era. However, the performance is not an attempt to reconstruct Renaissance or Baroque theater: the biblical story is presented in an inventive way using modern means appropriate to the sensitivity of the modern viewer.<\/p>\n\n\n\n

<\/div>\n\n\n\n

MUSIC DIRECTOR KRZYSZTOF GARSTKA<\/a><\/strong><\/p>\n\n\n\n

DIRECTOR, LIGHTING DESIGN JERZY MACHOWSKI<\/strong><\/p>\n\n\n\n

PLAY SCRIPT PATRYK KENCKI<\/strong><\/p>\n\n\n\n

SET DESIGN AND COSTUMES ALEKSANDRA REDA<\/strong><\/p>\n\n\n\n

MUSIC, ARRANGEMENT JACEK URBANIAK<\/strong><\/p>\n\n\n\n

CHORUS MASTER JAKUB SZAFRA\u0143SKI<\/a><\/strong><\/p>\n\n\n\n

ASSISTANT DIRECTORS S\u0141AWOMIR JURCZAK<\/a>, AGNIESZKA KOZ\u0141OWSKA<\/a><\/strong><\/p>\n\n\n\n

ASSISTANT SET DESIGNER PAULINA ARASZKIEWICZ<\/strong><\/p>\n\n\n\n

STAGE MANAGER TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

CAST<\/h4>\n\n\n\n

PROLOGUS \/ JESUS \/ EPILOGUS ADAM KRUSZEWSKI<\/strong><\/p>\n\n\n\n

ZECHARIAH \/ PETER PAWE\u0141 MICHALCZUK<\/a><\/strong><\/p>\n\n\n\n

PRIMUS ANDRZEJ KLEPACKI<\/strong><\/p>\n\n\n\n

SECUNDUS JAKUB A. GRABOWSKI<\/strong><\/p>\n\n\n\n

TERTIUS JAN MACHOWSKI<\/strong><\/p>\n\n\n\n

IVAN PIOTR CHWEDOROWICZ<\/a><\/strong><\/p>\n\n\n\n

PHARISEE WOJTEK GIERLACH<\/a><\/strong><\/p>\n\n\n\n

ANNAS MATEUSZ ZAJDEL<\/strong><\/p>\n\n\n\n

CAIAPHAS LESZEK \u015aWIDZI\u0143SKI<\/a><\/strong><\/p>\n\n\n\n

JUDAS  WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a><\/strong><\/p>\n\n\n\n

JOHN ROBERT SZPR\u0118GIEL<\/a><\/strong><\/p>\n\n\n\n

MARY ANETA \u0141UKASZEWICZ<\/a><\/strong><\/p>\n\n\n\n

PONTIUS PILATE SYLWESTER SMULCZY\u0143SKI<\/a><\/strong><\/p>\n\n\n\n

ANGEL BARBARA ROGALA<\/strong><\/p>\n\n\n\n

MARY MAGDALENE GABRIELA KAMI\u0143SKA<\/a><\/strong><\/p>\n\n\n\n

MARY SALOME DOROTA LACHOWICZ<\/a><\/strong><\/p>\n\n\n\n

MARY JACOBI JUSTYNA ST\u0118PIE\u0143<\/a><\/strong><\/p>\n\n\n\n

DEVIL PIOTR K\u0118DZIORA<\/a><\/strong><\/p>\n\n\n\n

APOSTLE OF THE CROSS MARTA SCHNURA<\/strong><\/p>\n\n\n\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n\n\n\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n

CONDUCTOR KRZYSZTOF GARSTKA <\/strong><\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

The seats in the auditorium are not numbered.<\/p>\n\n\n\n

PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/p>\n","protected":false},"excerpt":{"rendered":"

The tradition of passion-themed performances dates back to the Middle Ages. Shown in churches and schools, during religious processions and court ceremonies over the centuries, they constituted a testimony to the dramatic story of the Passion of the Christ that continues to be relevant to this day – originally documented in the New Testament, and […]<\/p>\n","protected":false},"author":11,"featured_media":30827,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[64],"class_list":["post-30817","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nA PLAY ABOUT THE PASSION AND RESURRECTION - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/a-play-about-the-passion-and-resurrection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A PLAY ABOUT THE PASSION AND RESURRECTION - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The tradition of passion-themed performances dates back to the Middle Ages. 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