{"id":30355,"date":"2023-12-28T09:00:00","date_gmt":"2023-12-28T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=30355"},"modified":"2024-04-04T22:49:26","modified_gmt":"2024-04-04T20:49:26","slug":"stabat-mater-vivaldi-pergolesi-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/stabat-mater-vivaldi-pergolesi-2\/","title":{"rendered":"EARLY MUSIC AT THE ROYAL CASTLE.\u00a0STABAT MATER"},"content":{"rendered":"\n

The moving text of the medieval sequence Stabat Mater Dolorosa<\/em> has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. The dramatic description of the suffering of the Mother of God looking at the martyrdom of her only Son, was constantly present in the works of the greatest of artists: Gioacchino Rossini and Giuseppe Verdi, and later, in the 20th<\/sup> century, Karol Szymanowski, Arvo P\u00e4rt and Krzysztof Penderecki, to name a few.<\/p>\n\n\n\n

One of the greatest works of the Baroque era taking on the subject is Stabat Mater<\/em> by Antonio Vivaldi. The composer used only half of the original liturgical text, concentrating on the most faithful depiction of the weeping Mary. The skillful application of rhetorical figures as well as harmonic solutions led to the creation of an exceptionally meaningful and deeply moving composition.<\/p>\n\n\n\n

It was in Stabat Mater<\/em> that the genius of the prematurely deceased Giovanni Battista Pergolesi revealed itself in an exceptional way. Tormented by his illness and suspecting that the end was near, the then barely 25-year-old composer created a true masterpiece, astounding with its suggestive musical content and clarity of construction. Despite a modest cast (soprano, alto, two violins, and basso continuo), the composition dazzles with enchanting melodies, moving arias, and striking instrumental sequences. It is this power of expression that has granted Pergolesi a leading position among the numerous artists who depicted the story of Our Lady of Sorrows grieving by the cross.<\/p>\n\n\n\n

<\/div>\n\n\n\n

PROGRAM<\/strong><\/h4>\n\n\n\n

Antonio Vivaldi \u2013 Stabat Mater<\/em>
<\/strong>Stabat Mater dolorosa<\/em><\/span>
Cujus animam gementem<\/em><\/span>
O quam tristis<\/em><\/span>
Quis est homo<\/em><\/span>
Quis non posset<\/em><\/span>
Pro peccatis suae gentis<\/em><\/span>
Eja mater, fons amoris<\/em><\/span>
Fac ut ardeat<\/em><\/span>
Amen<\/em><\/span><\/p>\n\n\n\n

Giovanni Battista Pergolesi \u2013 Stabat Mater<\/em>
<\/strong>Stabat Mater dolorosa<\/span><\/em>
Cujus animam gementem<\/span><\/em>
O quam tristis et afflicta<\/span><\/em>
Quae moerebat et dolebat<\/span><\/em>
Quis est homo qui non fleret<\/span><\/em>
Vidit suum dulcem natum<\/span><\/em>
Eja Mater, fons amoris<\/span><\/em>
Fac ut ardeat cor meum<\/span><\/em>
Sancta Mater, istud agas<\/span><\/em>
Fac ut portem Christi mortem<\/span><\/em>
Inflammatus et accensus<\/span><\/em>
Quanto corpus morietur<\/span><\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

MARTA BOBERSKA<\/strong><\/a> SOPRANO<\/p>\n\n\n\n

ANETA \u0141UKASZEWICZ<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n

MARTA KORBEL<\/strong> VIOLIN, CONCERT MASTER<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 1h<\/p>\n\n\n\n

The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"

The moving text of the medieval sequence Stabat Mater Dolorosa has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. The dramatic description of the suffering of the Mother of God looking at the martyrdom of her only Son, was constantly present in the works of the […]<\/p>\n","protected":false},"author":11,"featured_media":16533,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[77],"sezon":[64],"class_list":["post-30355","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","cykle-early-music-at-the-royal-castle","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nEARLY MUSIC AT THE ROYAL CASTLE.\u00a0STABAT MATER - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/stabat-mater-vivaldi-pergolesi-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EARLY MUSIC AT THE ROYAL CASTLE.\u00a0STABAT MATER - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The moving text of the medieval sequence Stabat Mater Dolorosa has for centuries been an inexhaustible source of inspiration for painters, sculptors, poets, and above all \u2013 composers. 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