{"id":29422,"date":"2023-10-11T10:00:00","date_gmt":"2023-10-11T08:00:00","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=29422"},"modified":"2023-10-16T21:51:54","modified_gmt":"2023-10-16T19:51:54","slug":"motets-and-cantatas-pasiecznik-radziejewska","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/motets-and-cantatas-pasiecznik-radziejewska\/","title":{"rendered":"MOTETS AND CANTATAS \/ PASIECZNIK \u2013 RADZIEJEWSKA"},"content":{"rendered":"\n

In the works of Baroque masters, one can find many references to winter weather and Christmas celebrations. The most famous musical illustrations of this period include the last of the violin concertos, Le quattro stagioni<\/em>, by Antonio Vivaldi. Each part of the cycle was accompanied by an appropriately themed sonnet. \u201cWe tread the icy path slowly and cautiously\u201d \u2013 this is the verse of the poem attached to the final movement of the concerto L’inverno<\/em>. Was Vivaldi himself the author of the poetry? Possibly. However, it is certain that the musical means he used perfectly reflect the weather conditions described in the written text. The composer fully demonstrates his ability to reflect poetic narrative through sounds in his less frequently performed, yet exquisite religious solo motets. Both in Sum in medio tempestatum<\/em> RV 632 and in Longe mala, umbrae, terrores<\/em> RV 629, energetic passages depicting storms and turmoil contrast with soothing heavenly melodies and a joyful Hallelujah<\/em>.<\/p>\n\n\n\n

Both the angst-provoking snow-white landscapes with frosty gusts of wind and the the joys of winter celebrations are perfectly conveyed by Joseph Bodin de Boismortier (1689-1755) in the secular cantata L’hyver<\/em> from the cycle Les quatre saisons<\/em> (The Four Seasons<\/em>) from 1724. The spirit of Christmas is also evoked by Pastorale per il S.S. Natale<\/em> by Giuseppe Torelli. The sixth of twelve concerti grossi Op. 8 ends with a joyful procession of shepherds who come down from the mountains to welcome the newborn Infant. Their exultation is also beautifully portrayed by Alessandro Scarlatti (1660-1725) in the cantata O di Betlemme<\/em>, which closes the concert program.<\/p>\n\n\n\n

<\/p>\n\n\n\n

PROGRAM<\/strong><\/h4>\n\n\n\n

Antonio Vivaldi \u2013 Sum in medio tempestatum<\/em> RV 632<\/p>\n\n\n\n

Aria Sum in medio tempestatum<\/em>
Recitativo Quid ergo faciam<\/em>
Aria Semper maesta<\/em>
Alleluia<\/em><\/p>\n\n\n\n

Antonio Vivaldi \u2013 L\u2019inverno RV 297<\/p>\n\n\n\n

Allegro non molto <\/em>\u2013 Largo <\/em>\u2013 Allegro<\/em><\/p>\n\n\n\n

Joseph Bodin de Boismortier – L\u2019Hyver<\/em><\/p>\n\n\n\n

Charmans Zephirs
L\u2019Hyver porte par tout ses funestes ravages
Les vents brisent leurs chaines
Le ciel, pour nous livrer la guerre
Souverain maitre du toner
Mais au milieu de tant d\u2019allarmes
Quel aimable f\u00eate
J\u2019apper\u00e7ois la Muse tragique
En vain Bor\u00e9e arm\u00e9 de frimas et de glace
Le doux Printemps ranime<\/em><\/p>\n\n\n\n

Giuseppe Torelli \u2013 Pastorale per il S.S. Natale<\/em><\/p>\n\n\n\n

Grave <\/em>\u2013 Vivace <\/em>\u2013 Largo <\/em>\u2013 Vivace<\/em><\/p>\n\n\n\n

Antonio Vivaldi \u2013 Longe mala, umbrae, terrores RV 629<\/p>\n\n\n\n

Antonio Vivaldi \u2013 Longe mala, umbrae, terrores<\/em> RV 629<\/p>\n\n\n\n

Aria Longe mala, umbrae, terrores<\/em>
Recitativo Recedite, nubes et fulgura<\/em>
Aria Descende, o coeli vox<\/em>
Alleluia<\/em><\/p>\n\n\n\n

Alessandro Scarlatti \u2013 O di Betlemme altera povert\u00e0 venturosa<\/em><\/p>\n\n\n\n

Introduzione<\/em>
Recitativo O di Betlemme altera<\/em>
Aria Dal bel seno d’una stella<\/em>
Recitativo Presa d’uomo la forma<\/em>
Aria L’autor d’ogni mio bene<\/em>
Recitativo Fortunati pastori<\/em>
Aria Tocc\u00f2 la prima sorte a voi<\/em><\/p>\n\n\n\n

<\/div>\n\n\n\n

PERFORMERS<\/h4>\n\n\n\n

OLGA PASIECZNIK<\/a><\/strong> SOPRANO<\/p>\n\n\n\n

ANNA RADZIEJEWSKA<\/a><\/strong> MEZZOSOPRANO<\/p>\n\n\n\n

MICHA\u0141 PIOTROWSKI<\/strong> VIOLIN<\/p>\n\n\n\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n\n\n\n

KRZYSZTOF GARSTKA<\/a><\/strong> HARPSICHORD, CONDUCTOR<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n\n\n\n

Duration: approx. 2h 15 mins (with an intermission)<\/p>\n\n\n\n

The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"

In the works of Baroque masters, one can find many references to winter weather and Christmas celebrations. The most famous musical illustrations of this period include the last of the violin concertos, Le quattro stagioni, by Antonio Vivaldi. Each part of the cycle was accompanied by an appropriately themed sonnet. \u201cWe tread the icy path […]<\/p>\n","protected":false},"author":15,"featured_media":11655,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[1,21],"cykle":[],"sezon":[64],"class_list":["post-29422","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-bez-kategorii","category-uncategorized","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nMOTETS AND CANTATAS \/ PASIECZNIK \u2013 RADZIEJEWSKA - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/motets-and-cantatas-pasiecznik-radziejewska\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MOTETS AND CANTATAS \/ PASIECZNIK \u2013 RADZIEJEWSKA - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"In the works of Baroque masters, one can find many references to winter weather and Christmas celebrations. 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