{"id":28427,"date":"2023-07-06T09:30:04","date_gmt":"2023-07-06T07:30:04","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=28427"},"modified":"2023-07-08T10:20:43","modified_gmt":"2023-07-08T08:20:43","slug":"two-dawns-polish-lyrical-songs","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/two-dawns-polish-lyrical-songs\/","title":{"rendered":"TWO DAWNS \/ POLISH LYRICAL SONGS"},"content":{"rendered":"<p>Sweet and full of hope, yet full of pain, darkness, and sadness&#8230; Polish vocal music sparkles with various emotions and moods. The poetry of native lyricists, as well as folk texts full of simple wisdom, are compellingly reflected in the melodies and harmonies woven by Polish composers of the 19th and early 20th centuries. In the creative path of each of them, the song genre played a different role. For Fryderyk Chopin, it was a side interest, described by Mieczys\u0142aw Tomaszewski as an &#8220;intimate diary&#8221;. The same can be said about Mieczys\u0142aw Kar\u0142owicz, whose early songs for voice and piano were overshadowed by mature symphonic masterpieces, yet it is in his vocal works that the composer expressed his deeply hidden feelings and thoughts.<\/p>\n<p>On the other hand, Stanis\u0142aw Moniuszko treated songs in a completely different way, with the goal of building the widest and most universal repertoire for both professional singers and amateurs of home music making. This genre also played a primary role in the works of Stanis\u0142aw Niewiadomski, an outstanding melodist who was able to combine a homely atmosphere with a high artistic level in his vocal works. Likewise, the atmosphere of Polishness is recorded in the music of Ignacy Jan Paderewski, but in the score of <em>Six Songs<\/em> op. 18 set to the poetry of Adam Mickiewicz, the virtuoso piano part takes prime over the text. First performed by the composer himself on the 11th of December 1893 during a concert at London&#8217;s Crystal Palace, it impresses with the plasticity of the landscapes and emotions painted with sounds. This unusual power of expression can be found in the song <em>Gdybym si\u0119 zmieni\u0142<\/em>\u00a0 (\u2018<em>If I Changed<\/em>\u2019) to a text by Franciszek Morawski wrongly attributed to Mickiewicz, which crowns the cycle.<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">PROGRAM<\/h4>\n<p style=\"text-align: center;\"><strong>Fryderyk Chopin (1810\u20131849)<\/strong><br \/>\n<em>Wojak<\/em> text Stefan Witwicki<br \/>\n<em>Hulanka<\/em> text Stefan Witwicki<br \/>\n<em>\u015aliczny ch\u0142opiec<\/em> text Bohdan Zaleski<br \/>\n<em>Piosnka litewska<\/em> text Ludwik Osi\u0144ski, based on the text of a Lithuanian folk song<\/p>\n<p style=\"text-align: center;\"><strong>Ignacy Jan Paderewski (1860 \u2013 1941)<\/strong><br \/>\nSix songs to texts by Adam Mickiewicz op. 18<br \/>\n<em>Pola\u0142y si\u0119 \u0142zy me<\/em><br \/>\n<em>Piosnka Dudarza<\/em><br \/>\n<em>Moja pieszczotka<\/em><br \/>\n<em>Nad wod\u0105 wielk\u0105<\/em><br \/>\n<em>Tylem wytrwa\u0142<\/em><br \/>\n<em>Gdybym si\u0119 zmieni\u0142<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Mieczys\u0142aw Kar\u0142owicz (1876 \u2013 1909)<\/strong><br \/>\n<em>Po szerokim, po szerokim morzu<\/em> text Kazimierz Tetmajer<br \/>\n<em>Zasmuconej<\/em> text Kazimierz Gli\u0144ski<br \/>\n<em>Z now\u0105 wiosn\u0105<\/em> text Czes\u0142aw Jankowski<\/p>\n<p style=\"text-align: center;\"><strong>Stanis\u0142aw Niewiadomski (1857 \u2013 1936)<\/strong><br \/>\n<em>Jab\u0142onecka<\/em> folk text<br \/>\n<em>Stoi Jawor<\/em> folk text<br \/>\n<em>Koraliki<\/em> folk text<br \/>\n<em>Mi\u0119dzy nami nic nie by\u0142o<\/em> text Adam Asnyk<br \/>\n<em>Deszczyk<\/em> <em>rosi<\/em> folk text<\/p>\n<p style=\"text-align: center;\"><strong>Stanis\u0142aw Moniuszko (1819 \u2013 1872)<\/strong><br \/>\n<em>Dwie zorze<\/em> text Teofil Lenartowicz<br \/>\n<em>Krakowiaczek<\/em> text Edmund Wasilewski<br \/>\n<em>Niech si\u0119 panie stroj\u0105 w pasy<\/em> text Julian Korsak<br \/>\n<em>Mi\u0142o\u015b\u0107<\/em> textWalter Scott, transl. Antoni Edward Odyniec<br \/>\n<em>Kum i kuma<\/em> text Jan Czeczot<br \/>\n<em>Dziad i baba<\/em> text J\u00f3zef Ignacy Kraszewski<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong>PERFORMERS<\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dorota-lachowicz\/\"><strong>DOROTA LACHOWICZ<\/strong><\/a> MEZZOSOPRANO<\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/leszek-swidzinski\/\">LESZEK \u015aWIDZI\u0143SKI<\/a><\/strong> TENOR<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/dagmara-dudzinska\/\"><strong>DAGMARA DUDZI\u0143SKA<\/strong><\/a> GRAND PIANO<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Duration: approx. 1 h<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sweet and full of hope, yet full of pain, darkness, and sadness&#8230; Polish vocal music sparkles with various emotions and moods. The poetry of native lyricists, as well as folk texts full of simple wisdom, are compellingly reflected in the melodies and harmonies woven by Polish composers of the 19th and early 20th centuries. In [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":27649,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[64],"class_list":["post-28427","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2023-2024-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>TWO DAWNS \/ POLISH LYRICAL SONGS - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/two-dawns-polish-lyrical-songs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TWO DAWNS \/ POLISH LYRICAL SONGS - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Sweet and full of hope, yet full of pain, darkness, and sadness&#8230; Polish vocal music sparkles with various emotions and moods. The poetry of native lyricists, as well as folk texts full of simple wisdom, are compellingly reflected in the melodies and harmonies woven by Polish composers of the 19th and early 20th centuries. 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