{"id":28422,"date":"2023-07-06T09:30:09","date_gmt":"2023-07-06T07:30:09","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=28422"},"modified":"2023-09-04T13:51:27","modified_gmt":"2023-09-04T11:51:27","slug":"the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-rinaldo","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-rinaldo\/","title":{"rendered":"THE 3RD BAROQUE FESTIVAL OF THE POLISH ROYAL OPERA \u2013 HAENDEL | RINALDO"},"content":{"rendered":"
\n

It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to the English audiences, chose a fragment from the famous work Jerusalem Delivered<\/em> as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story takes place during the First Crusade) with the Christian ethos and the world of magic. Set in this context, the captivating love story and compelling characters make the text a perfect premise for musical drama. The artistry of the Renaissance work had already been appreciated by Claudio Monteverdi, who devoted multiple madrigals to selected themes. What\u2019s more, operas with libretti based on fragments of Tasso’s poem were composed by Giulio Caccini, Jean Baptiste Lully and, of course, Georg Friedrich Haendel, among others.<\/p>\n

The libretto for Rinaldo<\/em> – an opera commissioned from a young but already recognized composer who had just arrived on the British Isles – was written by Giacomo Rossi based on a screenplay by Aaron Hill. According to his account, it took Haendel only two weeks to compose the score. The numerous borrowings from his earlier works did not even in the slightest affect the quality of the new opera. The first performances took place in 1711 and received an enthusiastic reception. After twenty years of staging the work revised by the composer himself, the opera disappeared from opera houses for almost 200 years. Rediscovered in the 20th<\/sup> century, it is today considered one of the most exemplary works of Haendel in this genre and continues to inspire artists and music lovers alike.<\/p>\n

 <\/p>\n<\/div>\n

DIRECTED BY JAROS\u0141AW KILIAN<\/strong>
\nSET DESIGN AND COSTUMES DOROTA KO\u0141ODY\u0143SKA
\n<\/strong>VIDEO PROJECTIONS MIKO\u0141AJ MOLENDA, MAREK ZAMOJSKI
\n<\/strong>CHOREOGRAPHY RUI ISHIHARA
\n<\/strong>LIGHTING DESIGN JACQUELINE SOBISZEWSKI
\n<\/strong>LIGHTING PIOTR RUDZKI
\n<\/strong>ASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/a>
\n<\/strong>II ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/a>
\n<\/strong>ASSISTANT SET DESIGNER KAROLINA BRAMOWICZ
\n<\/strong>STAGE MANAGER TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n

<\/h4>\n

CAST<\/h4>\n

THE ARTISTS OF THE POLISH ROYAL OPERA<\/strong><\/p>\n

\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/b><\/a><\/p>\n

CONCERTMASTER MICHA\u0141 PIOTROWSKI<\/strong><\/p>\n

 <\/p>\n

\n
Duration: approx. 3 h 10 min (2 intermissions)<\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n
PLEASE NOTE: the entrance to the Royal Theatre in the \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to the English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story […]<\/p>\n","protected":false},"author":15,"featured_media":19947,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[65],"sezon":[64],"class_list":["post-28422","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","cykle-the-3rd-baroque-festival-of-the-polish-royal-opera-haendel","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nTHE 3RD BAROQUE FESTIVAL OF THE POLISH ROYAL OPERA \u2013 HAENDEL | RINALDO - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/the-3rd-baroque-festival-of-the-polish-royal-opera-haendel-rinaldo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE 3RD BAROQUE FESTIVAL OF THE POLISH ROYAL OPERA \u2013 HAENDEL | RINALDO - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to the English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. 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