{"id":28410,"date":"2023-07-06T09:30:29","date_gmt":"2023-07-06T07:30:29","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=28410"},"modified":"2023-07-08T10:38:13","modified_gmt":"2023-07-08T08:38:13","slug":"early-music-concert-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/early-music-concert-2\/","title":{"rendered":"EARLY MUSIC CONCERT"},"content":{"rendered":"

The concert is part of the 27th International Early Music Festival in Radom<\/strong><\/p>\n

In early modern Europe, it was common knowledge that every self-respecting ruler ought to maintain a music ensemble, the basic duties of which would include embellishing religious ceremonies. Professional music ensembles were also attached to major churches (after the fashion of Roman vocal ensembles), to mention but the chapel of Wawel Cathedral in Krak\u00f3w. Music and archive sources confirm that such an imperative was taken seriously by the nobility in the seventeenth-century Commonwealth of Poland\u2013Lithuania, which spent large sums on raising the standard of music at courts and in churches. Sacred music, ostensibly linked to an exclusively religious context, not only served to suitably enhance church services, but also reflected the splendor of a court, and sometimes of an entire state. The extant repertoire from the lands of the Commonwealth confirms the awareness of the latest trends emerging on the Apennine Peninsula at that time. Italy provided numerous European courts with instruments, repertoire, and artists. New genres and styles spread across Europe thanks to migrating musical sources and musicians themselves, who were employed at Polish courts as well. We will learn about all of this during a concert given by the Capella Regia Polona soloists and ensemble, during which we will hear vocal and vocal-instrumental works by leading representatives of the early Baroque in Poland, who were also perfectly au fait with current trends.<\/p>\n

PROGRAM<\/strong><\/h4>\n

Adam Jarz\u0119bski \u2013 Concerto primo \u00e0 2<\/em>
\n<\/em>Marco Scacchi \u2013 Tota pulchra es
\n<\/em>Marcin Mielczewski \u2013 Canzona prima \u00e0 2<\/em>
\nMarcin Mielczewski \u2013 Deus in nomine tuo
\n<\/em>Miko\u0142aj Ziele\u0144ski \u2013 In splendoribus sanctorum
\n<\/em>Marcin Mielczewski \u2013 Sub Tuum praesidium
\n<\/em>Marcin Mielczewski \u2013 Canzona terza \u00e0 3
\n<\/em>Kaspar F\u00f6rster (son) \u2013 Dulcis amor Jesu
\n<\/em>Kaspar F\u00f6rster (son) \u2013 Sonata \u00e0 7
\n<\/em>Bart\u0142omiej P\u0119kiel \u2013 Dulcis amor Jesu<\/em><\/p>\n

PERFORMERS<\/h4>\n

OLGA PASIECZNIK<\/strong><\/a> SOPRANO
\nMARTA BOBERSKA<\/strong><\/a> SOPRANO
\nANETA \u0141UKASZEWICZ<\/strong><\/a> ALTO
\nMACIEJ GOCMAN<\/strong> TENOR
\nKAROL SKWARA<\/strong> BASS<\/p>\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n

KRZYSZTOF GARSTKA<\/strong><\/a> CONDUCTOR, POSITIVE ORGAN<\/p>\n

 <\/p>\n

\n

Duration: approx. 1 h<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The concert is part of the 27th International Early Music Festival in Radom In early modern Europe, it was common knowledge that every self-respecting ruler ought to maintain a music ensemble, the basic duties of which would include embellishing religious ceremonies. Professional music ensembles were also attached to major churches (after the fashion of Roman […]<\/p>\n","protected":false},"author":15,"featured_media":27650,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[64],"class_list":["post-28410","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nEARLY MUSIC CONCERT - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/early-music-concert-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EARLY MUSIC CONCERT - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The concert is part of the 27th International Early Music Festival in Radom In early modern Europe, it was common knowledge that every self-respecting ruler ought to maintain a music ensemble, the basic duties of which would include embellishing religious ceremonies. 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