{"id":28388,"date":"2023-07-06T09:30:40","date_gmt":"2023-07-06T07:30:40","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=28388"},"modified":"2023-08-02T11:45:35","modified_gmt":"2023-08-02T09:45:35","slug":"rinaldo-georg-friedrich-haendel-5","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/rinaldo-georg-friedrich-haendel-5\/","title":{"rendered":"RINALDO \/ GEORG FRIEDRICH HAENDEL"},"content":{"rendered":"

The event is part of the 32nd Adam Didur Festival in Sanok.<\/strong><\/p>\n

\n

It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to the English audiences, chose a fragment from the famous work Jerusalem Delivered<\/em> as the theme of the first premiere. The brilliant epic poem by Torquato Tasso combines historical themes (the story takes place during the First Crusade) with the Christian ethos and the world of magic. Set in this context, the captivating love story and compelling characters make the text a perfect premise for musical drama. The artistry of the Renaissance work had already been appreciated by Claudio Monteverdi, who devoted multiple madrigals to selected themes. What\u2019s more, operas with libretti based on fragments of Tasso’s poem were composed by Giulio Caccini, Jean Baptiste Lully and, of course, Georg Friedrich Haendel, among others.<\/p>\n

The libretto for Rinaldo<\/em> – an opera commissioned from a young but already recognized composer who had just arrived on the British Isles – was written by Giacomo Rossi based on a screenplay by Aaron Hill. According to his account, it took Haendel only two weeks to compose the score. The numerous borrowings from his earlier works did not even in the slightest affect the quality of the new opera. The first performances took place in 1711 and received an enthusiastic reception. After twenty years of staging the work revised by the composer himself, the opera disappeared from opera houses for almost 200 years. Rediscovered in the 20th<\/sup> century, it is today considered one of the most exemplary works of Haendel in this genre and continues to inspire artists and music lovers alike.<\/p>\n<\/div>\n

DIRECTED BY JAROS\u0141AW KILIAN<\/strong>
\nSET DESIGN AND COSTUMES DOROTA KO\u0141ODY\u0143SKA
\n<\/strong>VIDEO PROJECTIONS MIKO\u0141AJ MOLENDA, MAREK ZAMOJSKI
\n<\/strong>CHOREOGRAPHY RUI ISHIHARA
\n<\/strong>LIGHTING DESIGN JACQUELINE SOBISZEWSKI
\n<\/strong>LIGHTING PIOTR RUDZKI
\n<\/strong>ASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/a>
\n<\/strong>II ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/a>
\n<\/strong>ASSISTANT SET DESIGNER KAROLINA BRAMOWICZ
\n<\/strong>STAGE MANAGER TATIANA HEMPEL-GIERLACH<\/strong><\/p>\n

<\/h4>\n

CAST<\/h4>\n

GOFFREDO, LEADER OF THE CRUSADE\u00a0 JAN JAKUB MONOWID<\/strong>
\nALMIRENA, HIS DAUGHTER AND RINALDO’S BETROTHED OLGA PASIECZNIK<\/strong><\/a>
\nRINALDO, CHRISTIAN KNIGHT\u00a0 ANNA RADZIEJEWSKA<\/strong><\/a>
\nEUSTAZIO, BROTHER TO GOFFREDO\u00a0 JAKUB FOLTAK<\/strong>
\nARGANTE, SARACEN KING OF JERUSALEM PAWE\u0141 MICHALCZUK<\/strong><\/a>
\nARMIDA, SORCERESS AND QUEEN OF DAMASCUS\u00a0 MARTA BOBERSKA<\/strong><\/a>
\nMAGO CHRISTIANE, A HERMIT S\u0141AWOMIR JURCZAK<\/a><\/strong>
\nWOMAN FROM THE SEA\u00a0 IWONA LUBOWICZ<\/a><\/strong>
\nSIRENS\u00a0 JULITA MIROS\u0141AWSKA<\/a><\/strong>, JUSTYNA RECZENIEDI<\/strong><\/a>
\nHERALD\u00a0 S\u0141AWOMIR JURCZAK<\/strong><\/a><\/p>\n

THE FURIES – DANCERS S\u0141AWOMIR GRE\u015a, JOANNA LICHOROWICZ-GRE\u015a, KAROL URBA\u0143SKI<\/strong><\/p>\n

\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/b><\/a><\/p>\n

VIOLIN, CONDUCTOR MICHA\u0141 PIOTROWSKI<\/strong><\/p>\n

\n
Duration: approx. 3 h 10 min (2 intermissions)<\/h5>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The event is part of the 32nd Adam Didur Festival in Sanok. It should come as no surprise that Aaron Hill, the director of the Queen’s Theatre in London, when wanting to introduce Italian opera to the English audiences, chose a fragment from the famous work Jerusalem Delivered as the theme of the first premiere. […]<\/p>\n","protected":false},"author":15,"featured_media":19947,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[64],"class_list":["post-28388","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2023-2024-en"],"acf":[],"yoast_head":"\nRINALDO \/ GEORG FRIEDRICH HAENDEL - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/rinaldo-georg-friedrich-haendel-5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RINALDO \/ GEORG FRIEDRICH HAENDEL - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"The event is part of the 32nd Adam Didur Festival in Sanok. 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