{"id":27624,"date":"2023-05-04T09:33:30","date_gmt":"2023-05-04T07:33:30","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=27624"},"modified":"2023-07-05T11:14:06","modified_gmt":"2023-07-05T09:14:06","slug":"the-6th-summer-festival-of-the-polish-royal-opera-opera-buffa-che-lieto-giorno-chamber-concert","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-6th-summer-festival-of-the-polish-royal-opera-opera-buffa-che-lieto-giorno-chamber-concert\/","title":{"rendered":"THE 6TH SUMMER FESTIVAL OF THE POLISH ROYAL OPERA – OPERA BUFFA. CHE LIETO GIORNO \/ CHAMBER CONCERT"},"content":{"rendered":"

Che lieto giorno! What a happy day!<\/em> The first words from the opera La finta giardiniera<\/em> by Wolfgang Amadeus Mozart perfectly introduce the light and cheerful character of the whole concert. They will be immediately followed by humorous arias from the same work. Serpetta will teach you the art of seduction, Nardo will try to impress her with his erudition, and the proud Arminda will shake her finger at her fianc\u00e9, frowning upon his tardiness. We will also hear fragments from The Marriage of Figaro<\/em>, written by the Viennese master more than a decade later. Here, however, it is not the arias that lead the way, but the brilliant ensembles. The dramatic perfection of the ensemble scenes is expressed, among others, in a duet of backstabbing courtesies between competing ladies (Che lingua!… Via, resti servita<\/em>).<\/i>\u00a0Between the passages by Mozart, we will hear fragments of one of the first Polish operas. In Agatka, czyli powr\u00f3t pana <\/span><\/i>(“Agatha, or the Master’s arrival”<\/span><\/i>) by Jan Dawid Holland, the names of the characters tenderly refer to their weaknesses. Pijaszka (‘Carouser’)<\/span>, therefore, will confidently praise the charms of good alcoholic beverages, and Plociuchowa (‘Blabbermouth’) will comment on Podstarost’s character with her typical sauciness.<\/p>\n

Comic operas – both those from the 18th and 19th centuries – are an inexhaustible source of works that perform exceptionally well not only on a theatre stage accompanied by an orchestra but also in chamber arrangements. The sophisticated intrigue in Rossini’s Cinderella<\/em> (La Cenerentola<\/em>) or the romantic tribulations of the protagonists of L’elisir d’amore<\/em> find the most perfect expression in lively performances of arias and ensembles, which, during this happy summer evening, will be provided by the excellent soloists of the Polish Royal Opera accompanied by the pianist Dagmara Dudzi\u0144ska.<\/p>\n

 <\/p>\n

PROGRAM<\/strong><\/h4>\n

W.A. Mozart \u2013 quintet Che lieto giorno<\/em> from the opera La finta giardiniera
\n<\/em>W.A. Mozart \u2013 aria (Serpetta) Appena mi vedon<\/em> from the opera La finta giardiniera
\n<\/em>W.A. Mozart \u2013 aria (Nardo) Con un vezzo all\u2019Italiana<\/em> from the opera La finta giardiniera
\n<\/em>W.A. Mozart \u2013 aria (Arminda) Si promette facilmente<\/em> from the opera La finta giardiniera
\n<\/em>J.D. Holland \u2013 aria (Pijaszko) Nic nie zna na \u015bwiecie<\/em> from the opera Agatka, czyli przyjazd pana
\n<\/em>J.D. Holland \u2013 aria (Plociuchowa) W\u0142a\u015bniem bra\u0142a ciasto <\/em>from the opera Agatka, czyli przyjazd pana
\n<\/em>J.D. Holland \u2013 aria (Plociuchowa) Jam jest owa Plociuchowa<\/em> from the opera Agatka, czyli przyjazd pana
\n<\/em>W.A. Mozart \u2013 recitative and duet (Susanna and Marcellina) Che lingua!… Via, resti servita<\/em> from the opera Le nozze di Figaro<\/em>
\n<\/em>G. Rossini \u2013 duet (Magnifico and Dandini) Un segreto d\u2019importanza<\/em> from the opera La Cenerentola
\n<\/em>G. Rossini \u2013 sextet Siete voi?<\/em> from the opera La Cenerentola
\nG. Rossini \u2013 <\/em>duet (Conte Almaviva and Bartolo) Pace e gioia sia con voi <\/em>from the opera\u00a0Il barbiere di Siviglia<\/em>
\n<\/em>G. Donizetti \u2013 cavatina Belcore Come Paride vezzoso\u2026 Or se m\u2019ami, com\u2019io t\u2019amo<\/em> from the opera L\u2019elisir d\u2019amore
\n<\/em>G. Donizetti \u2013 recitative and duet (Nemorino and Adina) Caro Elisir! sei mio!… Lallarallar\u00e0…<\/em> from the opera L\u2019elisir d\u2019amore
\n<\/em>G. Donizetti \u2013 trio Tran, tran, tran\u2026 In guerra ed in amore<\/em> from the opera L\u2019elisir d\u2019amore<\/em><\/p>\n

 <\/p>\n

PERFORMERS<\/strong><\/h4>\n

IWONA LUBOWICZ<\/strong><\/a> SOPRANO
\nANNA WIERZBICKA<\/strong><\/a> SOPRANO
\nDOROTA LACHOWICZ<\/strong><\/a> MEZZOSOPRANO
\nSYLWESTER SMULCZY\u0143SKI <\/b><\/a>TENOR
\nPIOTR K\u0118DZIORA<\/strong><\/a> BARITONE
\nWITOLD \u017bO\u0141\u0104DKIEWICZ<\/strong><\/a> BARITONE<\/p>\n

DAGMARA DUDZI\u0143SKA<\/strong><\/a> GRAND PIANO<\/p>\n","protected":false},"excerpt":{"rendered":"

Che lieto giorno! What a happy day! The first words from the opera La finta giardiniera by Wolfgang Amadeus Mozart perfectly introduce the light and cheerful character of the whole concert. They will be immediately followed by humorous arias from the same work. Serpetta will teach you the art of seduction, Nardo will try to […]<\/p>\n","protected":false},"author":15,"featured_media":10082,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[21],"cykle":[],"sezon":[63],"class_list":["post-27624","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-uncategorized","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nTHE 6TH SUMMER FESTIVAL OF THE POLISH ROYAL OPERA - OPERA BUFFA. 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