{"id":26584,"date":"2023-02-02T13:25:41","date_gmt":"2023-02-02T12:25:41","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=26584"},"modified":"2023-03-10T13:53:01","modified_gmt":"2023-03-10T12:53:01","slug":"palester-gorecki-lutoslawski-symphonic-concert","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/palester-gorecki-lutoslawski-symphonic-concert\/","title":{"rendered":"PALESTER \u2013 G\u00d3RECKI \u2013 LUTOS\u0141AWSKI \/ SYMPHONIC CONCERT"},"content":{"rendered":"

In the works of contemporary composers, one can often see inspirations from early music. Henryk Miko\u0142aj G\u00f3recki’s Three Pieces in Old Style<\/em> from 1963 are part of this trend. They are a response to Tadeusz Ochlewski’s playful accusation that G\u00f3recki’s music lacked melodic invention. It may seem that a short series of Renaissance-inspired miniatures does not match the avant-garde stance represented by the composer in the 1960s. However, we still hear the strongly emphasized tonal quality – so characteristic of G\u00f3recki’s individual style – shine through the lyrical passages and references to lively dance forms.<\/p>\n

Roman Palester also alluded to early musical tradition. In search of inspiration, he reached for the most important Polish artifact of Renaissance instrumental music – the Tablature of Jan of Lublin<\/em>. He gave old melodies a new tonal, harmonic, and rhythmic context, arranging them into a Concertino<\/em> full of internal contrasts. The discreet sound of the harpsichord combined with the solo instruments goes a long way in evoking the atmosphere of old times. Entirely different were Palester’s inspirations when composing his dodecaphonic Variations for Orchestra<\/em>. However, the very idea of successively reworking the main theme in a series of variations dates back to the Middle Ages, so also here tradition meets modernity.<\/p>\n

The practice of juxtaposing rhythmically contrasting dances also has a long tradition, leading to the emergence of the suite form developed in the Baroque period. The genre was used in a remarkable way by Witold Lutos\u0142awski in his Little Suite<\/em> referring to Polish folklore. Folk wisdom is enchanted in the simple yet highly sophisticated sound of dynamic and lyrical fragments. No wonder such an impressive stylization invariably mesmerizes the audience.<\/p>\n

<\/h4>\n

PROGRAM<\/strong><\/h4>\n

Henryk Miko\u0142aj G\u00f3recki (1933-2010) <\/strong><\/p>\n

Three Pieces in Old Style<\/em><\/p>\n


\nRoman Palester (1907-1989) <\/strong><\/p>\n

Concertino per clavicembalo e dieci strumenti<\/em>
\nI. Intrada<\/em> \/ II. Aria<\/em> \/ III. Danza<\/em> \/ IV. Intermezzo<\/em> \/ V. Tema con variazioni<\/em> \/ VI. Rondo<\/em><\/p>\n

Variations for Chamber Orchestra<\/em><\/p>\n


\nWitold Lutos\u0142awski (1913-1994)<\/strong><\/p>\n

Little Suite
\nFujarka (Fife)<\/em> \/ Hurra Polka<\/em> \/ Piosenka (Song)<\/em> \/ Taniec (Dance)<\/em><\/p>\n

\u00a0<\/em><\/p>\n

PERFORMERS<\/strong><\/h4>\n

KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD<\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n

DAWID RUNTZ<\/strong><\/a> CONDUCTOR<\/p>\n

 <\/p>\n

\n

Duration: approx. 1h<\/p>\n","protected":false},"excerpt":{"rendered":"

In the works of contemporary composers, one can often see inspirations from early music. Henryk Miko\u0142aj G\u00f3recki’s Three Pieces in Old Style from 1963 are part of this trend. They are a response to Tadeusz Ochlewski’s playful accusation that G\u00f3recki’s music lacked melodic invention. It may seem that a short series of Renaissance-inspired miniatures does […]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[21],"cykle":[],"sezon":[63],"class_list":["post-26584","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-uncategorized","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nPALESTER \u2013 G\u00d3RECKI \u2013 LUTOS\u0141AWSKI \/ SYMPHONIC CONCERT - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/palester-gorecki-lutoslawski-symphonic-concert\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PALESTER \u2013 G\u00d3RECKI \u2013 LUTOS\u0141AWSKI \/ SYMPHONIC CONCERT - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"In the works of contemporary composers, one can often see inspirations from early music. 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