{"id":26179,"date":"2023-01-05T09:00:53","date_gmt":"2023-01-05T08:00:53","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=26179"},"modified":"2023-03-02T11:27:44","modified_gmt":"2023-03-02T10:27:44","slug":"mozart-at-the-royal-castle-jubilee-concert-of-zbigniew-graca","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/mozart-at-the-royal-castle-jubilee-concert-of-zbigniew-graca\/","title":{"rendered":"MOZART AT THE ROYAL CASTLE \/ JUBILEE CONCERT OF ZBIGNIEW GRACA"},"content":{"rendered":"

“Mozart’s\u00a0personal\u00a0style\u00a0of composition cannot be\u00a0defined, it does not distinguish itself from the\u00a0style\u00a0of\u00a0his\u00a0age \u2013\u00a0except\u00a0by\u00a0its incomprehensible greatness.” – states Nikolaus Harnoncourt in his famous book Musical Dialogue<\/em>. Indeed, Mozart’s work is truly unique – it not only delights listeners with its lightness and craftsmanship but also gives artists a lot of room for original interpretations. The music of the Viennese master has also played a special role in maestro Zbigniew Graca’s conducting career. He has interpreted both Mozart’s dramatic and orchestral works numerous times, with excellent ensembles in Poland and around the world. As a full-time conductor of the Warsaw Chamber Opera in the years 1989-2017, he co-created the music during the Mozart Festival as well as conducted the premieres of operas by the Viennese master, e.g. in the United Arab Emirates or at the Latvian National Opera Theatre.<\/p>\n

The jubilee concert of a conductor of such great cultural merit will be opened with a composition written by the less than 20-year-old Mozart – Serenata notturna<\/em> KV 239. The three-movement musical form still resembles the Baroque concerto grosso<\/em>, but the sound already heralds the beginning of a new era. The majestic march, the charming minuet, and, finally, the graceful and witty rondo bring about the atmosphere of 18th-century Salzburg. The piece will be followed by two concert arias and a number of fragments from beloved operas, such as Cos\u00ec fan tutte<\/em>, Don Giovanni<\/em>, La clemenza di Tito<\/em> and Die Zauberfl\u00f6te<\/em>. These small masterpieces perfectly capture the temperament of the characters and the depth of the emotions they express. The program will end with Exsultate, jubilate<\/em> KV 165 – a brilliant motet for soprano accompanied by strings, oboes, horns, and organ. In this small musical form, Mozart managed to combine the Italian-inspired virtuosity of the vocal part with the refined sound of the orchestra.<\/p>\n

Marta Dziewanowska-Pachowska<\/span><\/p>\n

PROGRAM<\/strong><\/h4>\n

Wolfgang Amadeus Mozart<\/strong><\/p>\n

Serenata notturna<\/em> KV 239<\/p>\n

Aria (Cherubino) Non so piu cosa son, cosa faccio<\/em> from the opera Le nozze di Figaro<\/em><\/p>\n

Recitative and aria (Susanna) Giunse alfin il momento\u2026 Deh vieni, non tardar<\/em> from the opera Le nozze di Figaro<\/em><\/p>\n

Recitative and aria (Dorabella) Ah, scostati!.. Smanie, implacabili <\/em>from the opera Cos\u00ec fan tutte<\/em><\/p>\n

Aria (Don Ottavio) Il mio tesoro intanto<\/em> from the opera Don Giovanni<\/em><\/p>\n

Aria (Sesto) Parto, parto, ma tu ben mio<\/em> from the opera La clemenza di Tito<\/em><\/p>\n

Aria (Nardo) Con un vezzo all’Italiana<\/em> from the opera La finta giardiniera<\/em><\/p>\n

Duet (Zerlina and Don Giovanni) La ci darem la mano<\/em> from the opera Don Giovanni<\/em><\/p>\n

Duet (Servilla and Annio) Ah perdona al primo affetto<\/em> from the opera La clemenza di Tito<\/em><\/p>\n

Aria (Tamino) Dies Bildnis ist bezaubernd sch\u00f6n<\/em> from the opera\u00a0Die Zauberfl\u00f6te<\/em><\/p>\n

Duet (Dorabella and Guglielmo) Il core vi dono<\/em> from the opera Cos\u00ec fan tutte<\/em><\/p>\n

Motet Exsultate, jubilate<\/em> KV 165<\/p>\n

 <\/p>\n

PERFORMERS<\/strong><\/p>\n

MARTA BOBERSKA<\/strong><\/a> SOPRANO
\nJUSTYNA RECZENIEDI<\/a><\/strong>\u00a0SOPRANO
\nANNA RADZIEJEWSKA<\/strong><\/a> MEZZOSOPRANO
\nMONIKA LEDZION-PORCZY\u0143SKA<\/strong><\/a> MEZZOSOPRANO
\nSYLWESTER SMULCZY\u0143SKI<\/strong><\/a> TENOR
\nWITOLD \u017bO\u0141\u0104DKIEWICZ<\/strong><\/a> BARITONE<\/p>\n

JULIAN PAPROCKI<\/strong> CLARINET<\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

ZBIGNIEW GRACA<\/strong> CONDUCTOR<\/p>\n

 <\/p>\n

\n
Duration: approx. 1 h 15 min<\/h5>\n
PLEASE NOTE: Viewers are allowed into the building no earlier than 30 minutes before the event. The seats in the auditorium are not numbered.<\/h5>\n","protected":false},"excerpt":{"rendered":"

“Mozart’s\u00a0personal\u00a0style\u00a0of composition cannot be\u00a0defined, it does not distinguish itself from the\u00a0style\u00a0of\u00a0his\u00a0age \u2013\u00a0except\u00a0by\u00a0its incomprehensible greatness.” – states Nikolaus Harnoncourt in his famous book Musical Dialogue. Indeed, Mozart’s work is truly unique – it not only delights listeners with its lightness and craftsmanship but also gives artists a lot of room for original interpretations. The music of […]<\/p>\n","protected":false},"author":15,"featured_media":21951,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[21],"cykle":[],"sezon":[63],"class_list":["post-26179","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-uncategorized","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nMOZART AT THE ROYAL CASTLE \/ JUBILEE CONCERT OF ZBIGNIEW GRACA - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/mozart-at-the-royal-castle-jubilee-concert-of-zbigniew-graca\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MOZART AT THE ROYAL CASTLE \/ JUBILEE CONCERT OF ZBIGNIEW GRACA - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"“Mozart’s\u00a0personal\u00a0style\u00a0of composition cannot be\u00a0defined, it does not distinguish itself from the\u00a0style\u00a0of\u00a0his\u00a0age \u2013\u00a0except\u00a0by\u00a0its incomprehensible greatness.” – states Nikolaus Harnoncourt in his famous book Musical Dialogue. Indeed, Mozart’s work is truly unique – it not only delights listeners with its lightness and craftsmanship but also gives artists a lot of room for original interpretations. 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