{"id":26175,"date":"2023-01-05T09:30:24","date_gmt":"2023-01-05T08:30:24","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=26175"},"modified":"2023-01-05T12:38:35","modified_gmt":"2023-01-05T11:38:35","slug":"non-omnis-moriar-2-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/non-omnis-moriar-2-2\/","title":{"rendered":"NON OMNIS MORIAR\u2026"},"content":{"rendered":"

I shall not wholly die, <\/em>
\nand a great part of me will escape the grave.<\/em><\/p>\n

– wrote Horace, and, in fact, attained immortality thanks to his works. Similarly, the great masters of the opera to whom the performance is dedicated – Stefan Sutkowski, Andrzej Sadowski, and Ryszard Peryt – also remain alive in the works they left behind and in the grateful memory of their pupils and friends. However, in view of the war that has been going on for many months just beyond our eastern border, the performance takes on a broader, universal overtone, reflecting on the meaning of sacrifice in the name of higher values and the sense of human suffering.<\/p>\n

The concert presents three moving compositions of the famous Viennese. The performance opens with the sublime, thought-provoking Kyrie<\/em> KV 341 – a composition in the mournful key of D minor, created in the last years of the Master’s life. It will be followed by the uniquely expressive Maurerische Trauermusik<\/em> KV 477, a funeral piece written in the summer of 1785. The heart of the performance is the cantata Davide penitente<\/em>, which is a special kind of re-elaboration of Mozart’s own earlier work. The composer was not so much inspired by the fragments already used, but literally copied the music from the two previously completed mass movements (Kyrie<\/em> and Gloria<\/em> from Mass in C minor<\/em>, KV 427). However, he added new musical content and supplemented them with two arias and the final cadenza. The Latin text of the liturgy used in the original work was replaced by Italian paraphrases of the biblical David psalms, bringing hope that sorrow, fear and despair will be overcome by peace and light.<\/p>\n

<\/h4>\n

PROGRAM<\/strong><\/h4>\n

Wolfgang Amadeus Mozart<\/strong><\/p>\n

Kyrie<\/em>\u00a0KV 341<\/p>\n

Maurerische Trauermusik<\/em> KV 477<\/p>\n

Davide penitente<\/em>\u00a0KV 469
\nCoro Alzai le flebili voci al Signor<\/em><\/span>
\nCoro Cantiam le glorie<\/em><\/span>
\nAria\u00a0Lungi le cure ingrate<\/em><\/span>
\nCoro Sii pur sempre benigno, oh Dio<\/span>
\nDuetto Sorgi, o\u00a0Signore, e spargi<\/em><\/span>
\nAria\u00a0A\u00a0te, fra tanti affanni<\/em><\/span>
\nCoro Se vuoi, puniscimi<\/em><\/span>
\nTercetto Tutte le mie speranze<\/em><\/span>
\nCoro: Chi in Dio sol spera \u2013 Di tai pericoli non ha timor<\/em><\/span><\/p>\n

 <\/p>\n

MUSIC DIRECTION KAROL SZWECH<\/strong><\/a>
\nDIRECTION, STAGING ANDRZEJ KLIMCZAK<\/strong><\/a>
\nSET DESIGN MARLENA SKONECZKO<\/strong><\/a>
\nLIGHTING DESIGN PAULINA G\u00d3RAL<\/strong>
\nVIDEO PROJECTIONS MAREK ZAMOJSKI
\n<\/strong>ASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/a>
\n<\/strong>STAGE MANAGER\u00a0AGNIESZKA ORLIKOWSKA<\/strong><\/p>\n

 <\/p>\n

PERFORMERS<\/strong><\/h4>\n

IWONA HANDZLIK<\/strong><\/a>\u00a0I\u00a0SOPRANO
\nGABRIELA KAMI\u0143SKA<\/strong><\/a>\u00a0II\u00a0SOPRANO
\nJACEK SZPONARSKI<\/strong>\u00a0TENOR<\/p>\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

JAKUB SZAFRA\u0143SKI<\/strong><\/a> CHORUS MASTER<\/p>\n

KAROL SZWECH<\/strong><\/a>\u00a0DYRYGENT<\/p>\n

 <\/p>\n

\n
Duration: approx. 1 h<\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n
PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n","protected":false},"excerpt":{"rendered":"

I shall not wholly die, and a great part of me will escape the grave. – wrote Horace, and, in fact, attained immortality thanks to his works. Similarly, the great masters of the opera to whom the performance is dedicated – Stefan Sutkowski, Andrzej Sadowski, and Ryszard Peryt – also remain alive in the works […]<\/p>\n","protected":false},"author":11,"featured_media":22694,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[21],"cykle":[],"sezon":[63],"class_list":["post-26175","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-uncategorized","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nNON OMNIS MORIAR\u2026 - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/non-omnis-moriar-2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NON OMNIS MORIAR\u2026 - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"I shall not wholly die, and a great part of me will escape the grave. – wrote Horace, and, in fact, attained immortality thanks to his works. 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