{"id":26171,"date":"2023-01-05T09:30:11","date_gmt":"2023-01-05T08:30:11","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=26171"},"modified":"2023-01-05T12:37:42","modified_gmt":"2023-01-05T11:37:42","slug":"at-the-source-of-romanticism-chamber-concert-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/at-the-source-of-romanticism-chamber-concert-2\/","title":{"rendered":"AT THE SOURCE OF ROMANTICISM \/ CHAMBER CONCERT"},"content":{"rendered":"

Before the ideas of the Romantic era became embedded in the hearts and works of Polish composers for good, a period of transition can be observed in their music. At a time when partitioned Poland was suffocated by invaders, artists eagerly drew from the richness of the native folklore, and the exuberant concert life at the beginning of the 19th century was a space for the development of instrumental virtuosity and the emergence of the brilliant<\/em> style. This trend gave us piano compositions by Maria Szymanowska – an outstanding pianist who enjoyed fame in entire Europe. The melodic figurations used in her preludes are reflected in Fryderyk Chopin’s compositions of this genre. There is no doubt that J\u00f3zef Elsner – Chopin’s teacher – had a profound influence on shaping the Polish piano prodigy.<\/p>\n

Both Szymanowska and Elsner are considered among the most important authors of the early Romantic song. Both of them wrote dumkas<\/em> and ballads inspired by historical sources – as is the case of Duma Ludgardy<\/em>, which drew on medieval tales – and romantic poems full of mystery. After all, Szymanowska is the author of one of the first musical interpretations of the texts of the Polish national poet – Adam Mickiewicz. The program of the concert is crowned with the charming songs of Fryderyk Chopin, where idyllic pictures painted with bright colors (Piosnka<\/em> litewska<\/em>, \u015aliczny ch\u0142opiec<\/em>) will be heard next to the mournful tones of\u00a0Smutna rzeka <\/em>(“Sad River<\/em>“).<\/p>\n

 <\/p>\n

PROGRAM <\/strong><\/p>\n

Maria Szymanowska <\/strong>(1789-1831)<\/p>\n

Songs:
\nPie\u015b\u0144 z wie\u017cy<\/em>, text: Adam Mickiewicz
\n\u015awitezianka<\/em>, text: Adam Mickiewicz
\nWilija naszych strumieni rodzica<\/em>, text: Adam Mickiewicz<\/p>\n

3 Preludes from the collection Vingt Exercices et Pr\u00e9ludes pour le Pianoforte
\n<\/em>E-flat minor No. 10
\n<\/em>B-flat major No. 9\u00a0
\n<\/em>C major No. 15<\/p>\n

J\u00f3zef Elsner<\/strong> (1769-1854)<\/p>\n

Songs:
\nPasterka<\/em>, text: Kazimierz Brodzi\u0144ski
\nDuma Luidgardy<\/em>, text: Franciszek Karpi\u0144ski
\nMikon i Filis<\/em>, text: Kazimierz Brodzi\u0144ski<\/p>\n

Rondo \u00e0 la Mazurka in C major<\/p>\n

Fryderyk Chopin <\/strong>(1810-1849)<\/p>\n

Nocturne in G minor op. 15 No. 3<\/p>\n

Songs:
\nWiosna<\/em>, text: Stefan Witwicki
\nSmutna rzeka<\/em>, text: Stefan Witwicki
\nPiosnka litewska<\/em>, text: Ludwik Osi\u0144ski
\n\u015aliczny ch\u0142opiec<\/em>, text: Ludwik Osi\u0144ski<\/p>\n

 <\/p>\n

PERFORMERS<\/strong><\/p>\n

MARTA BOBERSKA<\/strong><\/a> SOPRANO<\/p>\n

KATARZYNA DROGOSZ<\/strong> HISTORICAL PIANO<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Duration: approx. 1 h<\/p>\n

The seats in the auditorium are not numbered.<\/p>\n","protected":false},"excerpt":{"rendered":"

Before the ideas of the Romantic era became embedded in the hearts and works of Polish composers for good, a period of transition can be observed in their music. At a time when partitioned Poland was suffocated by invaders, artists eagerly drew from the richness of the native folklore, and the exuberant concert life at […]<\/p>\n","protected":false},"author":11,"featured_media":5266,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[21],"cykle":[],"sezon":[63],"class_list":["post-26171","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","category-uncategorized","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nAT THE SOURCE OF ROMANTICISM \/ CHAMBER CONCERT - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/at-the-source-of-romanticism-chamber-concert-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AT THE SOURCE OF ROMANTICISM \/ CHAMBER CONCERT - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Before the ideas of the Romantic era became embedded in the hearts and works of Polish composers for good, a period of transition can be observed in their music. 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