{"id":25284,"date":"2022-10-14T11:00:47","date_gmt":"2022-10-14T09:00:47","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=25284"},"modified":"2022-11-29T12:43:55","modified_gmt":"2022-11-29T11:43:55","slug":"lutheran-masses-johann-sebastian-bach","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/lutheran-masses-johann-sebastian-bach\/","title":{"rendered":"LUTHERAN MASSES \/ JOHANN SEBASTIAN BACH"},"content":{"rendered":"

The 30s of the 18th century were a prolific period for Johann Sebastian Bach, not only when it comes to great oratorios written for Easter, Ascension, or\u00a0 – the most famous – for Christmas; the four short masses of BWV 233-236 are certainly among his equally interesting, though much less frequently performed pieces from this period. Each of them consists of only two parts of the ordinarium – Kyrie and Gloria – which can be used in both Catholic and Lutheran liturgy. During the concert, we will hear two of the above-mentioned cycles: the masses in G minor BWV 235 and in G major BWV 236. Apart from the arrangement of the movements, they also share a common approach to the musical material: both of them are based on selected cantatas written by the Leipzig cantor. The themes taken from earlier works, however, are creatively transformed and adapted to the sound and meaning of the Latin text of the mass.<\/p>\n

In between these two deeply religious pieces, we will hear secular music. The orchestral suite in C major BWV 1066 opens with a majestic overture in the French style, followed by a series of dance movements. In this form characteristic of the baroque period, refinement is intertwined with lightness and sophisticated elegance.<\/p>\n

 <\/p>\n

PROGRAM<\/h4>\n

Johann Sebastian Bach<\/strong><\/p>\n

Mass in G minor, BWV 235
\nKyrie \u00ad\u2013 Gloria \u2013 Gratias \u2013 Domine Fili \u2013 Qui tollis \u2013 Cum Sancto Spiritu<\/span><\/p>\n

Orchestral Suite in C major, BWV 1066
\nOuverture \u2013 Courante \u2013 Gavotte I\/II \u2013 Forlane \u2013 Menuet I\/II \u2013 Bour\u00e9e I\/II \u2013 Passepied I\/II<\/span><\/p>\n

Mass in G major, BWV 236
\nKyrie \u2013 Gloria \u2013 Gratias \u2013 Domine Deus \u2013 Quoniam \u2013 Cum Sancto Spiritu<\/span><\/p>\n

PERFORMERS<\/h4>\n

IWONA LUBOWICZ<\/strong><\/a> SOPRANO
\nANETA \u0141UKASZEWICZ<\/strong><\/a> ALTO
\nWOJCIECH PARCHEM<\/b>\u00a0TENOR
\nPAWE\u0141 HORODYSKI<\/strong> BASS<\/p>\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n

KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD, CONDUCTOR<\/p>\n

 <\/p>\n

\n
Duration: approx. 1 h 15 min<\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n","protected":false},"excerpt":{"rendered":"

The 30s of the 18th century were a prolific period for Johann Sebastian Bach, not only when it comes to great oratorios written for Easter, Ascension, or\u00a0 – the most famous – for Christmas; the four short masses of BWV 233-236 are certainly among his equally interesting, though much less frequently performed pieces from this […]<\/p>\n","protected":false},"author":15,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[63],"class_list":["post-25284","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nLUTHERAN MASSES \/ JOHANN SEBASTIAN BACH - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/lutheran-masses-johann-sebastian-bach\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LUTHERAN MASSES \/ JOHANN SEBASTIAN BACH - 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